Rees was born on 23 June 1942 in York, England.[1][15] After a peripatetic life during the war his parents, both teachers, settled with Rees, an only child, in a rural part of Shropshire near the border with Wales. There, his parents founded Bedstone College, a boarding school based on progressive educational concepts.[16] He was educated at Bedstone College, then from the age of 13 at Shrewsbury School. He studied for the mathematical tripos at Trinity College, Cambridge,[1] graduating with first class honours. He then undertook post-graduate research at Cambridge and completed a PhD supervised by Dennis Sciama in 1967.[3][17][18] Rees' post-graduate work in astrophysics in the mid-1960s coincided with an explosion of new discoveries, with breakthroughs ranging from confirmation of the Big Bang, the discovery of neutron stars and black holes, and a host of other revelations.[16]
Rees is the author of more than 500 research papers.[26] He is an author of books on astronomy and science intended for the lay public and gives many public lectures and broadcasts. In 2010 he was invited to deliver the Reith Lectures for the BBC,[27] now published as From Here to Infinity: Scientific Horizons.
Since the 1990s, Rees has worked on gamma-ray bursts, especially in collaboration with Péter Mészáros,[31] and on how the "cosmic dark ages" ended when the first stars formed. Since the 1970s he has been interested in anthropic reasoning, and the possibility that our visible universe is part of a vaster "multiverse".[32][33]
Public engagement
In addition to expansion of his scientific interests, Rees has written and spoken extensively about the problems and challenges of the 21st century, and interfaces between science, ethics, and politics.[34][35][36][37]
In his books Our Final Hour and On the Future, Rees warns that humanity faces significant existential risks in the 21st century due to technological advancements, particularly in bioengineering and artificial intelligence. Although he remains optimistic that if it is managed successfully, technology could drastically improve standards of living.[38]
In August 2014, Rees was one of 200 public figures who were signatories to a letter to The Guardian expressing their hope that Scotland would vote to remain part of the United Kingdom in September's referendum on that issue.[42]
To mark the 300th anniversary of the Board of Longitude in 2014, he instigated a programme of new challenge prizes of £5-10m under the name "Longitude Prize 2014" for which he chairs the advisory board. The themes of the first two prizes are the reduction of inappropriate antibiotic use, and enhancing the safety and independence of dementia sufferers. The Longitude Prize on Dementia was announced in 2022.[43]
In his general writings and in the House of Lords, his focus has been on the uses and abuses of advanced technology and on issues such as assisted dying, preservation of dark skies, and reforms to broaden the post-16 and undergraduate curricula in the UK.[45] He is also a current member of the House of Lords Science and Technology Committee.[46]
Our Final Hour: A Scientist's Warning: How Terror, Error, and Environmental Disaster Threaten Humankind's Future In This Century—On Earth and Beyond (UK title: Our Final Century: Will the Human Race Survive the Twenty-first Century?), 2003; ISBN0-465-06862-6
In June 2022, to celebrate his 80th birthday, Rees was the subject of the BBC programme The Sky at Night, in conversation with Professor Chris Lintott.[70]
Personal life
Rees married the anthropologist Caroline Humphrey in 1986.[1] He is an atheist but has criticized militant atheists for being too hostile to religion.[71][72][73] Rees is a lifelong supporter of the Labour Party, but has no party affiliation when sitting in the House of Lords.[74][75]
^"Can humanity survive the future?". Financial Times. October 2018. Archived from the original on 10 December 2022. Retrieved 5 January 2020. Rees, while stating he is an atheist, declares that he shares a sense of "mystery" with those who believe in God.
Dutch painter and lithographer Nieuwmarkt in Amsterdam, c. 1897, collection Teylers Museum Hendrik Adriaan Christiaan Dekker (1836, Amsterdam – 1905, Rheden) was a 19th-century Dutch painter and lithographer. Biography Dekker was a pupil of Charles Rochussen for painting and Johann Wilhelm Kaiser for engraving at the Rijksakademie van beeldende kunsten in Amsterdam.[1] He was a member of the Pulchri studio and called himself Hein, but signed his works HAC Dekker.[1] He m...
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