The film received generally negative reviews from critics, although some praised Friel's performance. The film was a commercial failure, grossing just $68.8 million against its $100 million budget. It received seven Golden Raspberry Award nominations, including Worst Picture, winning Worst Prequel, Remake, Rip-off or Sequel.
She shows him a fossil with an imprint of a cigarette lighter that he recognizes as his own, along with a crystal made into a necklace that gives off strong tachyon energy. She convinces him to finish his tachyon amplifier and go on an expedition to the Devil's Canyon Mystery Cave theme park where she found the fossil.
As they float into the cave on a small inflatable raft with the theme park's owner Will Stanton in the role of a paddler and narrator, Marshall detects high levels of tachyons. Activating the tachyon amplifier creates an earth-shaking time warp the raft falls into. Having regained their senses in a sandy desert interspersed with items from many eras and discovered that the amplifier is nowhere to be seen, the three travellers rescue an apeman by the name of Chaka, who becomes their friend and guide.
They spend the night in a cave where they have taken refuge from the pursuing telepathically endowed tyrannosaur they nickname "Grumpy", who develops a grudge against Marshall for being intellectually disparaged. In the morning, Marshall receives a telepathic invocation for help and is being drawn to run towards ancient ruins, where they encounter reptiloids called the Sleestak before meeting Enik the Altrusian, who sent the message. Exiled by the Zarn, who wants to take over Earth with his Sleestak minions, Enik can prevent the invasion if Marshall gets the tachyon amplifier.
Led by Chaka, the group enters a rocky wasteland littered with artefacts from different epochs, encountering compsognathuses, dromaeosaurs, Grumpy, and a female allosaur nicknamed "Big Alice". These last two are battling it out over the remains of an ice-cream seller killed by the dromaeosaurs, until they sense Marshall and chase him. Marshall kills Big Alice with liquid nitrogen, finding the amplifier was swallowed by the allosaur. But a pteranodon snatches the amplifier into its caldera incubator. Treading lightly on the thin volcanic-glass floor of the glowing caldera, Marshall gives himself over to the music of A Chorus Line coming from the tachyon amplifier, and dancingly meanders between the pterosaur eggs towards the device. When he reaches it, the playback suddenly stops. The eggs begin to hatch, and they realize the music was keeping the baby pterosaurs asleep. Marshall, Will and Holly belt out "I Hope I Get It", with Chaka joining in to display a great singing voice, much to everyone's surprise.
While Marshall, Will and Chaka go on a psychedelic spree, Holly is walking about with the tachyon amplifier, which detects a signal coming from an underground cavity, where she picks up a dinosaurian egg and learns from a holographic recording left by the long-deceased Zarn that Enik the Altrusian is an escaped convict who, having overtaken the central pylon and its tachyonic crystals, is planning to go on a rampage across time and space. The recording ends with the Zarn being killed by Enik. Deemed to be guilty of providing assistance to Enik, she is captured by Sleestak and brought to the Library of Skulls for a summary execution. Having sent Chaka to bring Enik, Marshall and Will rescue Holly by pushing the Sleestak executioners into a well with red-hot magma at its bottom. Enik arrives with a tachyonic crystal, whose power allows him to establish telepathic control over the remaining Sleestak, one of whom is carrying the tachyon amplifier. The villain leaves to open a wormhole between the prehistoric Land of the Lost and the modern Earth, which is the first habitable planet to be pervaded by his army of rapidly reproducing Sleestak reptiloids.
At that point, Grumpy appears to settle the old score with Marshall, who pole-vaults into Grumpy's maw and, by dislodging an intestinal obstruction, earns the beast's gratitude. Riding atop the tyrannosaur, he joins the others to defeat the Sleestak army and confront Enik. After one of the crystals sustaining the wormhole is shattered, Enik reveals the portal will close forever. Marshall grabs Holly's crystal and inserts it into the vacant socket, but it becomes apparent that the substitute crystal will not hold for long. Enik catches Will by an ankle to prevent Marshall's departure. With the help of Chaka, Will restrains Enik and chooses to stay. Marshall and Holly leap into the portal, whereas Will is later welcomed by a bevy of cheerful and attractive girls of Chaka's tribe.
A triumphant Marshall reappears on Today with the dinosaurian egg Holly brought back, promoting his new book, Matt Lauer Can Suck It! Left behind on the Today set, the egg hatches a baby Sleestak, which hisses as the screen goes black.
Cast
The names of characters are given exactly as in the credits at the end of the film.
The first trailer was shown during Super Bowl XLIII. Subway Restaurants, which paid to appear in the film and had cross promotions with it (appearing on their cups), unveiled the second trailer exclusively on their website. JW Marriott Hotels and Pop Rocks also purchased rights to market with film tie-ins.[5]Syfy aired a marathon of the original series on Memorial Day in 2009 in coordination with the studio to have frequent film clips and an interview with Sid and Marty Krofft.[6] After the film's release, another marathon aired on Chiller on June 6. The majority of the first two seasons were also made available on Hulu. Ahead of the film's release, Universal also released the complete series on DVD; it had previously been released by Rhino Home Video. The entire series is also available via download from Xbox Live. Two different games were released online to promote the film. "Chakker" was available to play on the film's official Web site while "Crystal Adventure" was a free downloadable game for iPhones from Kewlbox. Both Subway and MapQuest hosted an online sweepstakes on their respective Web sites with various movie-related merchandise given away as prizes. Both sweepstakes ran from May 18 through June 7 of 2009. Ferrell also appeared on the season 4 premiere of Man vs. Wild, which aired June 2, 2009, to promote the film.
Music
The score to Land of the Lost was composed by Michael Giacchino, who recorded his score with an 88-piece ensemble of the Hollywood Studio Symphony and a 35-person choir.[7] On May 10, it was also announced by Dave Mustaine on TheLiveLine that some music from Megadeth would appear in the film.[8] Whether this would be music from the new record was not entirely clear, however during the phone message Mustaine stated that there was new music playing in the background of the message. However parts of the song "The Right to Go Insane", from the 2009 album Endgame, can be heard near the end of the film. In the film, Rick Marshall sings the original Land of the Lost theme and two other tracks (Tracks 5 and 27) utilize parts of the theme as well., The musical A Chorus Line plays a part in the story, and Ferrell sings Cher's 1998 dance pop hit "Believe". Varèse Sarabande released the soundtrack album on June 9, 2009 (tracks 30-32 are bonus tracks).
Differences from original series
The film is a campyparody of the original TV series about the adventures of a father and his two children. While the first names remain the same, the film converts the Holly character into an unrelated research assistant to allow for more risqué humor because she is the main character's love interest.[9] Will, instead of being a son, is a theme park owner.[10] Rick Marshall is a paleontologist in the film, not a park ranger as in the original series. Instead of the puppet stop-motion technique used in the original series, the film's creators relied on computer-generated imagery.[11] While the original Saturday morning show targeted a child audience, the film was intended for an adult audience and includes profanity, sex, drug references, and other adult-oriented material.[12]
The actors who played Holly and Will in the original TV series, Kathy Coleman and Wesley Eure, filmed cameos for the film.[13] However, the final version of the film does not include these scenes.[13]
Release
Theatrical
Land of the Lost was released on June 5, 2009.
Home media
The film was released on Blu-ray and DVD on October 13, 2009, with sales reaching $20,286,563 as of August 2011.[14]
Reception
Box office
On its opening day of June 5, the film was a box office flop by grossing only $7.9 million. The film performed under expectations in its first weekend in theaters, its $19 million opening was far less than the expected $30 million. The film's box office results fell far behind that of the 2009 comedy The Hangover, which opened during the same weekend.[15][16] The film's opening weekend gross was about two-thirds what Universal reportedly expected to earn.[17] It made $69 million worldwide.[14] In 2014, the Los Angeles Times listed the film as one of the most expensive box office flops of all time.[18]
Critical response
Rotten Tomatoes reports an approval rating of 26% based on 191 reviews, with an average rating of 4.20/10. The site's critical consensus reads, "Only loosely based on the original TV series, Land of the Lost is decidedly less kid-friendly and feels more like a series of inconsistent sketches than a cohesive adventure comedy."[19] On Metacritic, the film has a weighted average score of 32 out of 100, based on 32 critics, indicating "generally unfavorable reviews".[20] Audiences polled by CinemaScore gave the film an average grade of "C+" on an F to A+ scale.[21][22]
Owen Gleiberman of Entertainment Weekly remarked that it "has stray amusing tidbits, but overall it leaves you feeling splattered",[23] Kirk Honeycutt of The Hollywood Reporter wrote: "Lame sketch comedy, an uninspired performance from Will Ferrell and an overall failure of the imagination turn Brad Silberling's Land of the Lost into a lethargic meander through a wilderness of misfiring gags."[24]The Wall Street Journal stated that it "isn't worth the celluloid it's printed on".[citation needed] The New York Daily News called it "a high-concept disaster".[citation needed]The Miami Herald commented that "the whole thing feels at least three summers too stale."[citation needed]
Roger Ebert gave the film a rating of 3 out of 4, and said that despite the widespread disdain he had "moderate admiration" for the film. Ebert wrote "I guess you have to be in the mood for a goofball picture like this. I guess I was."[25] Dana Stevens of Slate.com called it "an enjoyable regression to Saturday mornings gone by, as junky and sweet as a strawberry Pop-Tart."[26]
Response from creators
At the Savannah Film Festival in 2011, Ron Meyer (president of Universal Pictures), said that "Land of the Lost was just crap. I mean, there was no excuse for it. The best intentions all went wrong."[27][28] In 2012, Danny McBride defended the film, saying "There are the purists, who I always read about, that are like, 'I can't believe you're raping my childhood.' If Land of the Lost is your childhood, and we're raping it, I apologize. I think the show is awesome, and I think [screenwriters] Chris Henchy and Dennis McNicholas keep the mythology intact without taking it too seriously. If it was taken too seriously, it's just Jurassic Park. We've seen that movie before. This is a more interesting take on that tone."[29]
Sid & Marty Krofft apologized for the film at a 2017 Comic-Con appearance, calling it "one of the worst films ever made", saying that they had very little involvement in the film and only sporadically visited the set.[30]
^PATRICK GOLDSTEIN (13 October 2009). "High marks". Los Angeles Times. Archived from the original on 9 October 2022. Retrieved 13 October 2009. This summer, seeing that "Land of the Lost" earned a lowly C-plus from moviegoers when it opened
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