La chimera was selected to compete for the Palme d'Or at the 76th Cannes Film Festival, where it premiered on 26 May 2023. It was released in Italy by 01 Distribution on 23 November 2023. It received 13 nominations at the 69th David di Donatello awards.[5] The film received positive reviews from critics, being named one of the top 5 international films of 2023 by the National Board of Review.[6]
Plot
Arthur, a former British archaeologist, returns to Italy after being released from prison; he was arrested for stealing artifacts from tombs to sell to an art dealer named Spartaco. He goes to visit his ex-girlfriend Beniamina's mother, Flora, at her family home, where he also meets her live-in maid and student, Italia. Beniamina has been missing for an undisclosed amount of time, but her mother is convinced she will one day return. Beniamina's sisters are sick of Arthur seemingly freeloading off their mother and try to find him a job, which he refuses. Arthur, lacking a decent coat and proper heating in his hut, catches a cold.
The next day, Flora sends Italia to bring Arthur some coffee and a thermometer. While she looks around his place, Arthur discovers that his artifacts - which he had kept buried in the ground beneath a tree - are missing. Arthur goes to his gang's lair. Confronted, they return his stolen artifacts and attempt to reconcile. He rebuffs them initially, but accompanies them to the Epiphany celebrations happening in town. During the festival, a farmer approaches them about locating a tomb on his land. Arthur's friends agree to look for it.
At the farm, Arthur, his gang, also tomb raiders (tombaroli), and a young photographer named Melodie, search for the tomb, which Arthur locates using a dowsing twig and through his 'chimeras' - visions he experiences upon standing atop a gravesite. Arthur feigns being sick so that his friends can scare away the farmer and return later in the night to excavate the Etruscan grave goods. Arthur and his friends continue to rob tombs, collecting artifacts to sell, and bringing them to Spartaco who runs an illicit operation inside a veterinary clinic.
Arthur and Italia grow close after some time, and Arthur expresses romantic interest in her one night as they dance on a beach. His friends decide to go skinny dipping, but are stopped when Arthur experiences a vision - locating a grave. Upon realizing that Arthur and his friends are graverobbers, Italia threatens to call the police. She tries to appeal to Arthur by asking what Beniamina would think of him - the others dismiss her, telling her that Beniamina is dead. Upset, Italia leaves.
Inside the tomb, Arthur and his friends discover a statue of Artume. His friends decapitate the statue in an attempt to move it out of the tomb, which Arthur disapproves as he is deeply moved by it. Hearing police sirens, Arthur and his friends flee with the head of the statue, unaware that the sirens were a trick by another group attempting to steal the artifacts. Flora's family discovers that Italia was secretly hiding her children in her room and they kick her out.
Melodie takes the gang to find Spartaco, who is her aunt. They find Spartaco on a boat, running an auction to sell the rest of the statue, which she estimates is of invaluable worth. They attempt to bargain with her by using the head as blackmail. She asks to see the head to verify its legitimacy. Arthur reveals it to her, but has a change of heart and tosses it overboard and into the water.
Furious with Arthur, his gang parts ways with him. Out on the streets after his hut is taken down by police, Arthur runs into Italia's daughter, Colombina. She orders him to clean up and then takes him to her mother, who is now living in an abandoned train station with other single mothers. The two reconcile and share a kiss, only for him to leave again in the morning.
Arthur joins the group of tomb robbers who previously pretended to be police officers. After locating a tunnel and at the insistence of the group, Arthur reluctantly enters. The shaft crumbles behind him, trapping him inside. He has a final vision where he reunites with Beniamina.
Filmmaker Alice Rohrwacher planned La chimera as the last part of a trilogy with Le meraviglie (The Wonders, 2014) and Lazzaro felice (Happy as Lazzaro, 2018) to investigate our relationship with the past.[7] For the last film she chose an international cast for the first time.[8]
It was released in Italy by 01 Distribution on 23 November 2023,[17] and in France by Ad Vitam on 6 December 2023.[18]Neon acquired North American distribution rights to the film at the Marché du Film at Cannes in May 2022;[19][20][21] it was released in the United States by Neon on 29 March 2024.[22][23] Earlier, in the United States, it was released for a one-week awards-qualifying run beginning 8 December 2023.[24] Curzon released the film in the United Kingdom and Ireland on 10 May 2024.[25][26]
Reception
Box office
The film opened in North America on 29 March 2024 and grossed $44,511 from 3 theatres during its opening weekend, finishing 32nd at the box office.[27][28][4]
As of 11 September 2024[update], La chimera grossed $1 million in North America (USA, Canada and Puerto Rico), and $4,231,797 in other territories, for a worldwide total of $5.2 million.[4]
Critical response
On the review aggregator website Rotten Tomatoes, 94% of 142 critics' reviews are positive, with an average rating of 8.2/10. The website's consensus reads: "If La Chimera is a wild, improbable pursuit, this marvelous and magical tale by Alice Rochrwacher is the pie in the sky to behold."[29]Metacritic, which uses a weighted average, assigned the film a score of 91 out of 100, based on 31 critics, indicating "universal acclaim".[30]
In his review for Variety, following its premiere at Cannes, Guy Lodge called the film "marvelously supple and sinuous" and commended Rohrwacher's direction, the cinematography and the cast performances, particularly O'Connor's, of which he wrote: "Raffish and boyish at the same time—or switching between either mode as a cover for the other—O'Connor's deft, droll performance implies such possibilities without sentimentalizing them".[31]Peter Bradshaw of The Guardian gave the film five out of five stars, reporting that the film "totally occupies its own narrative space," depicting "a poignant sense of Italy as a treasure trove of past glories, a necropolitan culture of ancient excellence," through direction that is "exhilarating and celebratory in its utterly distinctive style."[32]
The film was considered one of the best Italian film projects of 2023 by Italian critics.[33][34][35] Alessandro De Simone of Ciak wrote that it is visible "an avowedly Pasolinian structure" in which the director inserts "a calculated anarchy in narrative and in staging," finding it overall "very simple, the chaos is orderly, fascinating and magical," although "it could have been more so."[36] Andrea Chimento of Il Sole 24 Ore described the project as Rohrwacher's "most ambitious and profound operation", which although it "spins too much in the middle part," emerges as "an intriguing and enigmatic film, endowed with a symbolic atmosphere that makes it a feature film worth thinking about and digesting."[37]
