This section needs expansion. You can help by adding to it. (June 2024)
In Prague in 1919, Franz Kafka works as an insurance adjuster while moonlighting as a writer. He gets involved with an underground group after one of his co-workers is murdered. The underground group, responsible for bombings all over town, attempts to thwart a secret organization that controls the major events in society. He eventually penetrates the secret organization to confront them.
Lem Dobbs' original screenplay was more of a straightforward biopic of Franz Kafka, but Soderbergh rewrote it because he wanted to create a “mystery thriller, not a biography.”[1] Dobbs was dissatisfied with Soderbergh's changes, and the two would not work again until The Limey in 1999.
Isabelle Adjani and Anne Parillaud were both considered for the role of Gabriela.[1] Parillaud was cast in the part, and even filmed with Soderbergh and Irons, but left after several days due to language barriers.[1]
This section needs expansion. You can help by adding to it. (December 2018)
Kafka was met with mixed reviews from critics. On the review aggregator website Rotten Tomatoes, the film has an approval rating of 55%, based on 22 reviews. The website's consensus reads, "Kafka does not rise to the artistic success of its subject, struggling to approximate the nightmarish absurdity that defined the author's work despite thoughtful direction by Steven Soderbergh and a gorgeous black and white color palette."[3]
In a 2013 interview with Vulture, Soderbergh stated that the rights to the film had reverted to him and executive producer Paul Rassam and that work had begun on a "completely different" version of the film.[4] Soderbergh reported that he and Lem Dobbs did some rewriting, inserts were shot during the making of Side Effects, and he planned to dub the film into German and release both the original and new version together.[4] In 2020, he announced he had finished the new version and would release it as part of a box set.[5][6] The new version, titled Mr. Kneff,[7] debuted at the 2021 Toronto International Film Festival.[8]