Jordan Wolfson

Jordan Wolfson
Born	1980 (age 44–45) New York, US
Alma mater	Rhode Island School of Design
Awards	Cartier Award 2009
Website	jordanwolfson.org

Jordan Wolfson (born 1980) is an American visual artist who lives in Los Angeles. He has worked in video and film, in sculptural installation, and in virtual reality.

Early life and education

Jordan Wolfson was born in 1980 in New York to Ashkenazi Jewish parents.^[1] Wolfson grew up in a secular Jewish household. He often incorporates his Jewish heritage in his art, utilizing themes of Jewish identity and cultural symbols, such as the star of David.^[2]

He received a BFA in sculpture from the Rhode Island School of Design in Providence in 2003.^[3] At that time, Wolfson began producing film and video work and computer animation that was shown in the United States and in Europe.^[4] His first exhibition took place at Galleri Brändström & Stene in Stockholm, when he was 22.^[3]

Career

Since 2014 his work has included aluminum and brass sculptures mixed with digital imagery, works using virtual reality, and animatronic sculptures.^[5]

Selected works

Female Figure

Wolfson's Female Figure (2014) is an animatronic sculpture of a woman dressed in a negligée, thigh-high vinyl boots, and a green half-witch mask covered in dirt marks and scuffs.^[6] The figure dances while speaking in Wolfson's voice. Using facial recognition technology, she locks eyes with viewers through a mirror.^[6] In 2019 ARTnews^[7] and Artnet News^[8] listed Female Figure as one of the artworks that defined the decade.

Colored Sculpture

Wolfson's Colored Sculpture (2016) was first shown at David Zwirner gallery in New York City and later exhibited at the Tate Modern in London, LUMA Foundation in Arles, and at the Stedelijk Museum, Amsterdam. The work consists of an animatronic sculptural figure of a boy attached to the ceiling with long chains connected to his head, arm, and leg. The boy's cartoon-like appearance is based on familiar images of Huck Finn, the 1940s television character Howdy Doody, and the MAD magazine character Alfred E. Neuman.^[9] The sculpture's movements - the boy is by turn hoisted up, dropped to the floor, and swung through the air - are timed and regulated by motors built into the ceiling. His eyes are equipped with facial recognition technology that allows the sculpture to make eye contact with viewers present in the room.^[9]

Real Violence

Wolfson's immersive 3-D VR work Real Violence was included in the 2017 Whitney Biennial and immediately became the focus of media attention due to the graphic intensity of the acts it portrays.^[10][11][12] Real Violence was intended to provoke a conversation about the nature of virtual reality as an authentic experience over which the viewer has authority. The work received criticism at the New Museum screening in 2017. The debate concerned the role of the artist, Wolfson's responsibility in making a political statement with his art, and if there is a role of privilege/power hierarchy that should have been addressed when dealing with the subject matter of violence.^[13]

Body Sculpture

Wolfson's Body Sculpture (2023) is an animatronic work that combines sculpture and performance. The work premiered at the National Gallery of Australia. Wolfson views the work as an expression of “the dark and light sides of the human experience,” from violence and aggression to curiosity and playfulness.^[14]

In 2020, the National Gallery of Australia, under the directorship of Nick Mitzevich, purchased it for A$6.67 (£3.5m), about half the museum's annual acquisition budget.^[15][16] The final transport and installation of the work was then delayed due to the COVID-19 pandemic.^[15][17] It was finally unveiled in 2023.^[16] Renamed Body Sculpture, the robotic artwork is the first solo presentation of Wolfson's work in Australia, which is on display alongside key works from the national collection selected by the artist from December 9, 2023 until July 28, 2024.^[18]

Recognition

In 2009 Wolfson was awarded the Cartier Award from the Frieze Foundation.^[19][20]

Exhibitions

Following Wolfson's first solo museum exhibition, at the Kunsthalle Zürich in 2004, his work was widely shown at galleries and museums in Europe, Asia, and the United States. His work was first exhibited in Germany in 2011 at the Kunstsammlung Nordrhein-Westfalen.^{[citation needed]} His first solo exhibition in the United Kingdom, Raspberry Poser, was presented in 2013 at the Chisenhale Gallery in London.^[21]

Jordan Wolfson: Ecce Homo/le Poseur, organized by the Stedelijk Museum voor Actuele Kunst (S.M.A.K.) in Ghent in 2013, was the most comprehensive survey of his work to date.^{[citation needed]}

In 2014 a selection of Wolfson's video work was exhibited as part of the 6th Glasgow International, and he participated in 14 Rooms at Art Basel^[22] curated by Klaus Biesenbach and Hans Ulrich Obrist. Wolfson was among the youngest artists in the Basel exhibition, a collaboration between Fondation Beyeler, Art Basel, and Theater Basel^[23] that also featured the work of Yoko Ono, Damien Hirst, Bruce Naumann, and Marina Abramović, among others.^{[citation needed]}

Other notable exhibitions include:

• 2006 – Untitled (Frank Painting Company, Inc.), Whitney Biennial, New York^[24]
• 2007 – Optical Sound, solo exhibition curated by Alessandro Rabottini, Galleria d'Arte Moderna e Contemporanea di Bergamo (GAMeC), Bergamo, Italy^[25]
• 2008 – untitled false document, Swiss Institute Contemporary Art New York, New York City^[26]
• 2009 – The Exhibition Formerly Known as Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco^[27][28]
• 2012 – Animation, masks, Alex Zachary Peter Currie gallery, New York City^[29]
• 2012 – Animation, masks, Kunsthalle Wien, Vienna^[30]
• 2012–13 – Raspberry Poser, REDCAT, Los Angeles^[31]
• 2013–14 – Raspberry Poser, solo exhibition, Chisenhale Gallery, London^[32]
• 2014 – Female Figure, 14 Rooms, Art Basel, Serpentine Gallery, London^{[citation needed]}
• 2016 – Colored sculpture, David Zwirner Gallery, New York^[33]
• 2017 – Real Violence (VR work), Whitney Biennial, New York^[12]
• 2017 – Riverboat Song, Sadie Coles HQ, London^[34]
• 2018 – Riverboat Song, David Zwirner Gallery, New York^[35][36]
• 2022 – Transformers. Masterpieces of the Frieder Burda Collection in Dialogue with Artificial Beings, Museum Frieder Burda, Baden-Baden^[37]

Collections

Wolfson's work is represented in public collections worldwide, including Fondazione Sandretto Re Rebaudengo, Turin; Galleria d’Arte Moderna e Contemporanea di Bergamo, Italy; Magasin III Museum and Foundation for Contemporary Art, Stockholm; Museum of Contemporary Art, Chicago;^[38] Museum Ludwig, Cologne; Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent; the Whitney Museum of American Art, New York,^[39] and the National Gallery of Australia.

References

1. Jeffers, Juliette (June 16, 2023). "Heji Shin and Jordan Wolfson on Virtue Signaling and Eternal Art". Interview Magazine. Retrieved May 17, 2024.
2. "Jordan Wolfson - Biography". David Zwirner. Retrieved August 19, 2023.
3. "How Do I Feel More? A Weekend With JORDAN WOLFSON". 032c. May 24, 2018. Retrieved August 19, 2023.
4. "KALEIDOSCOPE | Interview: Jordan Wolfson". Kaleidoscope.media. October 17, 2016. Archived from the original on June 9, 2018. Retrieved May 14, 2018.
5. "Jordan Wolfson on Transforming the "Pollution" of Pop Culture Into Art". Artspace. Retrieved May 14, 2018.
6. Times, Los Angeles (December 30, 2014). "Jordan Wolfson's robot-sculpture finds a home at the Broad museum". Los Angeles Times. Retrieved May 8, 2016.
7. "The Most Important Artworks of the 2010s". ARTnews.com. November 28, 2019. Retrieved October 6, 2020.
8. "The 100 Works of Art That Defined the Decade, Ranked: Part 3". artnet News. December 31, 2019. Retrieved October 6, 2020.
9. "'Colored Sculpture', Jordan Wolfson, 2016 | Tate".
10. Lehrer, Adam (March 14, 2017). "10 Art Works You Must See At The 2017 Whitney Biennial". Forbes Magazine. Retrieved June 25, 2017.
11. Eckardt, Stephanie (March 15, 2017). ""The Work Is Repellant": All the Horrified Reactions to Jordan Wolfson's Ultraviolent VR Art at the Whitney Biennial". W Magazine. Retrieved June 25, 2017.
12. Freeman, Nate (March 1, 2017). "A History of Violence: Jordan Wolfson on His Shocking Foray into VR at the Whitney Biennial". ARTnews. Retrieved June 25, 2017.
13. "Jordan Wolfson Evades the Politics of His Violent Images". Hyperallergic. June 23, 2017. Retrieved June 25, 2017.
14. Simmons-Reid, Jessica (December 5, 2023). "Jordan Wolfson Enjoys Being at the Center of the Storm". The New York Times. ISSN 0362-4331. Retrieved July 5, 2024.
15. "Controversial $6.8 million art acquisition delayed due to coronavirus". April 24, 2020.
16. Fortescue, Elizabeth (December 8, 2023). "National Gallery of Australia finally unveils controversial £3.5m Jordan Wolfson commission". The Art Newspaper. Retrieved May 27, 2024.
17. Greenberger, Alex (March 9, 2020). "Jordan Wolfson's Latest Provocation Has Already Been Acquired by the National Gallery of Australia". Artnet. Retrieved March 9, 2021.
18. "Jordan Wolfson: Body Sculpture". National Gallery of Australia. December 9, 2023. Retrieved May 27, 2024.
19. "The Cartier Award". Frieze Foundation.
20. "The Cartier Award 2009: Jordan Wolfson". e-flux.com. Retrieved May 7, 2016.
21. "Jordan Wolfson: Raspberry Poser". Chisenhale Gallery. Retrieved May 30, 2014.
22. Schuetze, Christopher (June 18, 2014). "Where Exhibits Chat and Go Home". The New York Times. Retrieved June 24, 2014.
23. "14 Rooms". Art Basel. Retrieved May 30, 2014.
24. "Whitney Biennial 2006, Day for Night". Whitney Museum of American Art. Retrieved May 7, 2016.
25. "Jordan Wolfson, Optical Sound". GAMeC. Retrieved May 7, 2016.
26. "Jordan Wolfson". Swiss Institute. Retrieved May 7, 2016.
27. "Jordan Wolfson". CCA Wattis Institute for Contemporary Arts. Retrieved May 7, 2016.
28. "The Exhibition Formerly Known as Passengers: 2.6 Jordan Wolfson". CCA Wattis Institute for Contemporary Arts. Retrieved May 7, 2016.
29. Smith, Roberta (January 26, 2012). "JORDAN WOLFSON". The New York Times. ISSN 0362-4331. Retrieved May 7, 2016.
30. "video of the month # 75". Kunsthalle Wien. Retrieved May 7, 2016.
31. "Jordan Wolfson: Raspberry Poser". REDCAT. August 15, 2012. Retrieved May 7, 2016.
32. "Archive Past Exhibitions Jordan Wolfson". Chisenhale Gallery. Retrieved May 7, 2016.
33. "Have you seen Jordan Wolfson's new animatronic?". Phaidon. Retrieved May 7, 2016.
34. Questionsandart (May 21, 2018). "a critique of the spectacle". Retrieved April 2, 2019.
35. "Jordan Wolfson: Riverboat song | David Zwirner".
36. "JORDAN WOLFSON: Riverboat song". June 5, 2018.
37. "Roboter in der Kunst. Erstkontakt". February 20, 2023.
38. "MCA - Collection: I'm sorry but I don't want to be an Emperor-that's not my business-I don't want to rule or conquer anyone. I should like to help everyone if possible, Jew, gentile, black man, white. We all want to help one another, human beings are like that. We all want to live by each other's happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone and... [see object file for entire title credit ] | Museum of Contemporary Art Chicago". mcachicago.org. Retrieved May 17, 2024.
39. "Jordan Wolfson - Artworks & Biography". David Zwirner. Retrieved May 17, 2024.

Further reading

• "Jordan Wolfson: Ecce Homo/le Poseur," texts by Esther Leslie, Linda Norden, and Philippe Van Cauteren. Interview with the artist by Aram Moshayedi. REDCAT, Los Angeles, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, and Verlag der Buchhandlung Walther König, Cologne, 2013. ISBN 978-3-863354-14-5
• Jordan Wolfson, Marion Ackermann (dir.) and Moritz Wesseler. Interview with the artist by Stefan Kalmár. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, and Distanz, Berlin, 2012. ISBN 978-3-942405-48-5
• Cotter, Holland. "Jordan Wolfson." New York Times, April 11, 2014.
• Tumlir, Jan. "Jordan Wolfson." Artforum (March 2013): 285 [ill.]

External links

• Jordan Wolfson's Website
• Video: Jordan Wolfson's Female Figure (2014) dancing on YouTube