Four of London's top young film editors teamed together to create a new out-of-house editing company. This unique new concept allows the film producers to edit their production in any location they want, without having to relocate to in-house edit facilities, potentially saving time and money, whilst keeping the creative process fluid.[3]
As well as servicing the advertising industry Flock has also served the film industry. Recent films employing Flock and their techniques include Dunkirk, Edie, and My Pure Land.[4]
The company began sourcing new talent and has grown exponentially, its editors winning numerous awards and nominations across the media industry. One of its films being selected as the British entry for Best Foreign Language Film at the 90th Academy awards.[5]
^"New Editing Company FLOCK Opens for Business". Little Black Book. Retrieved 8 May 2017. New editing company FLOCK offers a new approach to post production, a model that captures all you need in an edit house, wherever you need it.
^"Flock Opens". Shots. Retrieved 17 May 2017. Alexandra Wood, Arlinda Craven, Olly Stothert and Matt Brady open tabletop edit shop.
^"Our Approach". Flock edit. Retrieved 23 February 2019. Whether it's at your office, on location, or in an edit suite – whatever works better for you, works best for us.
^"Flock Edit". David Reviews TV. Retrieved 7 September 2017. It's an idea which acknowledges that talent resides in the individuals who do the job, rather than the equipment they use and it's one that's appealing to more and more filmmakers of all shapes and sizes.
^"Hollywood reporter". Oscars: U.K. Selects 'My Pure Land' for Foreign-Language Category. 14 September 2017. Retrieved 14 September 2017. Sarmad Masud's feminist Western is the first-ever Urdu-language film submitted by Britain for the Academy Awards.
