In 1958, Torres was admitted to the New York State Bar. In 1959, as an assistant district attorney, Torres participated in the prosecution of Sal "the Capeman" Agron. Shortly thereafter he became a criminal defense attorney.[1]
In 1977, Torres was appointed to the New York State Criminal Court. In 1980 he was selected to the State Supreme Court, where he served as a justice in the Twelfth Judicial District in New York City. The Supreme Court has jurisdiction over felony cases, and Torres presided over a number of high-profile murder cases.[1]
The New York Times called Torres “one of the city’s most experienced and sternest judges and a man known for a crackling eloquence both in and out of the courtroom.”[3] A famous exchange involved his telling a convicted murderer, “Sucker, your parole officer ain’t been born yet.”[2]
Torres' tough upbringing in Manhattan and his work in the criminal justice system enabled him to create realistic crime fiction characters and plots.[7]Richie Narvaez called him "the Granddaddy—¡El Abuelo!—of Latino crime fiction in the U.S. For a brief while in the 1970s, Torres picked up the mantle of Chester Himes and Miguel Piñero, keeping the door cracked open for crime fiction writers who happen to be ethnically diverse. Without Torres we might not have gotten Ernesto Quiñonez' Bodega Dreams, Carolina Garcia-Aguilera's Lupe Solano series, or even Walter Mosley's Devil in a Blue Dress."[2]
Torres wrote Carlito's Way in 1975 and its sequel After Hours in 1979; both novels follow the exploits of Carlito Brigante, a fictional Puerto Rican drug kingpin and hustler who ends up doing time in Sing-Sing and struggles to go "straight" after his release. The New Yorker praised Carlito's Way: "It is in the grisly tradition of Little Caesar, The Jones Men, and The Friends of Eddie Coyle, and it is the equal of any of them."[8]
Another novel, Q & A (1977), portrays the investigation of a decorated New York City police lieutenant suspected of corruption.[9]
Of the book, The New York Times noted, "Judge Torres infuses these nearly current events with so much life and style that you can almost smell the musty air of 100 Centre Street."[10]