Antony Eastmond

Antony Eastmond (born 22 August 1966)[1] is a British art historian specializing in Byzantine and medieval Caucasian (Georgian and Armenian) art. He is Leventis Professor of Byzantine Art, acting Executive Dean and Deputy Director at the Courtauld Institute of Art.[2][3]

He obtained an MA in Byzantine art at The Courtauld and a PhD in the art of medieval Georgia.[2] He was research fellow and reader at the art history department at the University of Warwick between 1995 and 2004.[2][4]

Publications

  • Tamta’s World: the life and encounters of a medieval noblewoman from the Middle East to Mongolia (Cambridge: CUP, 2017)[5][6][7]
  • The Glory of Byzantium and Eastern Christendom (London: Phaidon, 2013)[8]
  • Art and Identity in thirteenth-century Byzantium. Hagia Sophia and the Empire of Trebizond [Birmingham Byzantine and Ottoman Monographs: 10] (Aldershot: Ashgate, 2004)[9]
  • Royal imagery in medieval Georgia (University Park, Pa.: Pennsylvania State University Press, 1998)[10][11]

References

  1. ^ "Antony Eastmond, 1966-". lux.collections.yale.edu. LUX: Yale Collections Discovery. Archived from the original on 9 October 2024.
  2. ^ a b c "Professor Antony Eastmond". Courtauld Institute of Art. Archived from the original on 9 October 2024.
  3. ^ "Erasing the Christian past". The Economist. July 27, 2013. Archived from the original on 8 March 2023.
  4. ^ Hristova, Milena (August 25, 2010). "UK Expert Dr Antony Eastmond: Bulgaria's John the Baptist Relics Have Spiritual Authority No Matter Identity". Novinite.com. Sofia News Agency. Archived from the original on 14 April 2024.
  5. ^ Vacca, Alison (2018). "Review of Tamta's World: The Life and Encounters of a Medieval Noblewoman from the Middle East to Mongolia, Eastmond Antony". The American Historical Review. 123 (1): 347–348. doi:10.1093/ahr/123.1.347. ISSN 0002-8762. JSTOR 26580996.
  6. ^ Ruotsala, Antti (2020). "Review of Tamta's World: The Life and Encounters of a Medieval Noblewoman from the Middle East to Mongolia". Speculum. 95 (4): 1161–1162. doi:10.1086/710652. ISSN 0038-7134. JSTOR 48734373.
  7. ^ Pogossian, Zaroui (15 November 2019). "Women, Identity, and Power: A Review Essay of Antony Eastmond, Tamta's World". Al-ʿUsur Al-Wusta. 27: 233–266. doi:10.7916/alusur.v27i1.6786. ISSN 1068-1051.
  8. ^ "Book Review: The Glory of Byzantium and Early Christendom". World Archaeology. 5 June 2013.
  9. ^ Jones, Lynn (2008). "Review of Art and Identity in Thirteenth-Century Byzantium: Hagia Sophia and the Empire of Trebizond". Church History. 77 (1): 164–165. doi:10.1017/S0009640708000139. ISSN 0009-6407. JSTOR 20618443.
  10. ^ Hewitt, George (1999). "Review of Royal Imagery in Medieval Georgia". Bulletin of the School of Oriental and African Studies, University of London. 62 (2): 361–362. doi:10.1017/S0041977X00017031. ISSN 0041-977X. JSTOR 3107522.
  11. ^ Braund, David (1999). "Review of Royal Imagery in Medieval Georgia". Slavic Review. 58 (3): 682–683. doi:10.2307/2697599. ISSN 0037-6779. JSTOR 2697599.

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