Andrea Brady

Andrea Brady
Born	12 August 1974 Philadelphia
Occupation	Poet, lecturer
Nationality	American
Education	Columbia University University of Cambridge
Genre	Poetry

Andrea Brady (born 1974^[1] in Philadelphia) is an American poet and lecturer at Queen Mary. She studied at Columbia University and the University of Cambridge^[2] Her academic work focuses on contemporary poetry and the early modern period.^[3] She is the curator of the Archive of the Now^[4] and the co-editor (with Keston Sutherland) of Barque Press.^[3]

Publications

Poetry

• Vacation of a Lifetime (Cambridge: Salt, 2001).
• Embrace (Glasgow: Object Permanence, 2005).
• Wildfire: A Verse Essay (San Francisco: Krupskaya, 2010).
• Mutability: Scripts for Infancy (Seagull Books, 2013)
• Cut from the Rushes (Hastings: Reality Street, 2013).
• Dompteuse (Toronto: Bookthug, 2014).
• The Strong Room (London: Crater Press, 2016).
• Desiring Machines (Boiler House Press, 2021).
• The Blue Split Compartments (Wesleyan University Press, 2021).

Criticism

• English Funerary Elegy in the Seventeenth Century: Laws in Mourning (2006) ISBN 140394105X
• The Uses of the Future in Early Modern Europe, co-ed. with Emily Butterworth (2009) ISBN 041599540X
• Poetry and Bondage: A History of Lyric and Constraint (2021) ISBN 9781108990684

References

1. Ian Hamilton and Jeremy Noel-Tod (eds). The Oxford Companion to Modern Poetry in English, 2nd edition (2013), Oxford University Press, p. 66. ISBN 978-0-19-964025-6
2. Dr Andrea Brady, Queen Mary University of London
3. Andrea Brady, Queen Mary University of London
4. Archive of the Now

Further reading

• Staff writer (23 September 2002). "Poetry notes: Poems for the people (review of Vacation of a Lifetime)". Publishers Weekly. 249 (38).
• Hall, John (15 September 2003). "Eluded readings: trying to tell stories about reading some recent poems". The Gig.
• Jones, Tom (December 2007). "Andrea Brady's Elections". Litteraria Pragensia: 139–147.
• Kelly, Stuart (Summer 2004). "All lines are busy (review of Cold Calling)". Poetry Review. 94 (2): 95–97. Archived from the original on 20 December 2010. Retrieved 11 March 2015.
• Marsh, Nicky (December 2007). "Going 'glocal': the local and the global in recent experimental women's poetry". Contemporary Women's Writing. 1 (1–2): 192–202. doi:10.1093/cww/vpm014.
• Purves, Robin (2004). "American change: a note on Andrea Brady and the language of consumption". Edinburgh Review, the Darkness Surrounds Us. 114: 177–185.
• Perril, Simon (April 2007). "Two slices of toast: emptiness and disappointment in Peter Manson and Andrea Brady". Symbiosis: A Journal of Anglo-American Literary Relations. 11 (1): 75–88.
• Robinson, Josh (December 2007). ""Abject self on patrol": immaterial labour, affect, and subjectivity in Andrea Brady's Cold Calling". Litteraria Pragensia: 148–157.
• Keston Sutherland, University of Sussex: ‘Vocal Stupor 2: Notes on Love Poetry’, and Jonathan Clay, Birkbeck, University of London: ‘Andrea Brady’s ‘Saw Fit’: Poetic Innovation and Politics’ (New Readings of British Contemporary Poetry, University of Dundee, 3 June 2006).
• Wilkinson, John (December 2007). "Off the grid: lyric and politics in Andrea Brady's Embrace". Chicago Review. 53 (1): 95–115. JSTOR 40784147.

External links

• Andrew Duncan. Andrea Brady Interview, The Argotist Online
• Nada Gordon (Fall 1999). Review of Liberties, readme 1
• Marianne Morris (April 2006). ‘Behind the Veil’: Review of Embrace Jacket 29
• John Sears (April 29, 2012). Andrea Brady's Wildfire — Generation in Destruction, temporel: revue littéraire & artistique 13
• Vicky Sparrow (December 6, 2013). Review of Mutability: Scripts for Infancy, literateur.com
• Ashleigh Lambert (January 8, 2014). Review of Mutability: Scripts for Infancy, therumpus.net