And Then There Were None (TV series)

And Then There Were None
Title card
Genre	Mystery Drama Thriller
Based on	And Then There Were None by Agatha Christie
Written by	Sarah Phelps
Directed by	Craig Viveiros
Starring	Douglas Booth Charles Dance Maeve Dermody Burn Gorman Anna Maxwell Martin Sam Neill Miranda Richardson Toby Stephens Noah Taylor Aidan Turner
Composer	Stuart Earl
Country of origin	United Kingdom
Original language	English
No. of episodes	3
Production
Executive producers	Mathew Pritchard Hilary Strong Karen Thrussell Damien Timmer Matthew Read Sarah Phelps
Producer	Abi Bach
Cinematography	John Pardue
Running time	180 minutes
Production companies	Mammoth Screen Agatha Christie Productions Acorn Productions A&E Networks
Original release
Network	BBC One BBC One HD
Release	26 December (2015-12-26) – 28 December 2015 (2015-12-28)

And Then There Were None is a 2015 mystery thriller television series that was first broadcast on BBC One from 26 to 28 December 2015. The three-part programme was adapted by Sarah Phelps and directed by Craig Viveiros and is based on Agatha Christie's 1939 novel of the same name.^[1][2][3] The series features an ensemble cast, including Douglas Booth, Charles Dance, Maeve Dermody, Burn Gorman, Anna Maxwell Martin, Sam Neill, Miranda Richardson, Toby Stephens, Noah Taylor, and Aidan Turner. The programme follows a group of strangers who are invited to an isolated island where they are murdered one by one for their past crimes.

The drama, debuting to 6 million viewers, received critical acclaim with many praising the writing, performances, and cinematography. It also scored high ratings.

Synopsis

On a hot day in late August 1939, eight people, all strangers to each other, arrive on Soldier's Island, a small, isolated island off the coast of Devon, England, having been invited by a "Mr. and Mrs. Owen". The guests settle in at the manor home on the island tended by two newly hired servants, a husband and wife, Thomas and Ethel Rogers, but their hosts are absent. When the guests sit down to dinner, they notice the centrepiece, ten abstract art deco figurines, supposedly representing ten soldiers arranged in a circle. Afterward, Thomas Rogers puts on a gramophone record, from which a voice accuses everyone present of a murder.^[4] Shortly after this, one of the party dies from poisoning, and then more and more people are murdered, all in methods synonymous with a poem affixed in each bedroom. With each death, the murderer removes a figurine from the centrepiece to coincide with the rhyme's sinister disappearance of each "little soldier boy." The remaining people must discover who the murderer is before they run out of time and nobody remains.

Cast

Main

• Douglas Booth as Anthony James Marston, a socialite charged with killing two children by reckless driving.
• Charles Dance as Justice Lawrence John Wargrave, a judge charged with sentencing an innocent man to death.
• Maeve Dermody as Vera Elizabeth Claythorne, a former governess charged with intentionally allowing her ward to drown.
• Burn Gorman as Detective Sergeant William Henry Blore, a police officer charged with murdering a suspect in his custody.
• Anna Maxwell Martin as Ethel Rogers, a cook charged with allowing her husband to murder their former employer.
• Sam Neill as General John Gordon MacArthur, an army general charged with murdering his wife's lover.
• Miranda Richardson as Emily Caroline Brent, an aristocrat charged with causing the suicide of her former maid.
• Toby Stephens as Doctor Edward George Armstrong, a surgeon charged with killing a patient by being drunk during surgery.
• Noah Taylor as Thomas Rogers, a butler charged with murdering his and his wife's former employer.
• Aidan Turner as Philip Lombard, a mercenary charged with murdering 21 African men.

Featured in flashbacks

• Harley Gallacher as Cyril Ogilvie-Hamilton
• Catherine Bailey as Olivia Ogilvie-Hamilton
• Rob Heaps as Hugo Hamilton
• Paul Chahidi as Isaac Morris
• Charlie Russell as Audrey
• Christopher Hatherall as Fred Narracott
• Richard Hansell as The Recording Artist
• Joseph Prowen as Edward Seton
• Ben Deery as Henry Richmond
• Margot Edwards as Miss Brady
• Celia Henebury as Leslie MacArthur
• Tom Clegg as Landor
• Daisy Waterstone as Beatrice

Differences from the original novel

• In the book, the entire group are ferried by Fred Narracott together, except for Dr. Armstrong, who arrives later and is ferried separately. Here, Emily Brent and Anthony Marston are ferried early. Also, Marston was not depicted as a cocaine addict in the book, but a dissolute wealthy playboy.
• Edward Seton, the man Justice Wargrave is accused of having hanged for crimes he did not commit (but was in fact guilty), was, in the original novel, executed for the murder of his landlady to get her money. Here, he is said by Wargrave to have killed multiple people, believing he was doing the world a favour by getting rid of them.^{[citation needed]}
• In the book, Detective Sergeant William Blore is accused of having committed perjury, with the result that an innocent man was wrongly sent to jail for life, where he died. In this series, Blore is accused of beating a homosexual man to death. In the book, he is killed by a clock in the shape of a bear being dropped on his head, whereas in this production he is killed by being stabbed and draped with a bear rug.^[5]
• In the book, Emily Brent, after being given a surreptitious sedative in her coffee (only she and Wargrave drank coffee; the others all drank tea), is killed with an injection of cyanide from Dr Armstrong's purloined hypodermic needle, and a bee put into the room to fulfill the rhyme. Here, after being given the sedative and left alone, she is stabbed in the throat with one of her own knitting needles, embossed with her initials "EB", which, facing downward, sounds phonetically like "bee".
• Another variation is that in the original version, Brent's maid, Beatrice Taylor, had killed herself by drowning, not by throwing herself in front of a speeding train. In the novel, Beatrice was the daughter of religious parents who disowned her after learning of her being pregnant out of wedlock; in the film, Beatrice is herself the illegitimate daughter of a teenager.
• In the book, the Rogers are suspected of having withheld vital medication from their elderly employer, Miss Brady, so as to kill her, whereas in the series they suffocate her with a pillow. Mrs Rogers receives a fatal overdose of chloral hydrate in her brandy in the drawing room in the chaos after the gramophone recording, whereas here it is implied that she was administered the overdose in her bedroom. In the book, Mr Rogers is killed with an axe blow to the head while he is chopping wood; here, his midriff is eviscerated by an axe.
• In the book, General Macarthur has his wife (Leslie)'s lover, Arthur Richmond, killed by sending him out on a particularly deadly mission, where his death was almost assured. However, in this production General Macarthur kills Henry Richmond (as he is called here) by shooting him in the back. Macarthur himself is killed with a telescope here, whereas in the original novel he was bludgeoned by an unidentified weapon, suspected, ironically, to be a life preserver.
• In the book, Philip Lombard is a soldier of fortune responsible for the deaths of 21 men in East Africa by abandoning them in the desert and taking the food and supplies with him, which he does not deny. In this series, he kills the men to get diamonds.
• The bacchanal that takes place in the third episode does not happen in the book.
• In the book, Vera faints due to planted seaweed in her room she mistakes for a cold dead hand, largely because of her increasing guilt and obsession with her own crime against Cyril Hamilton. This distraction allows for the judge to arrange for himself to be discovered "killed". In the show, no such diversion is coordinated, and it is only by chance that Vera hallucinates feeling Cyril's hand. However, promotional material suggests that the book's seaweed gag was originally planned for the miniseries.^{[citation needed]}
• In the book, there is no explicit romance between Vera and Lombard and they never become physically intimate with one another.
• In the book, Vera hangs herself in a post-hypnotic trance after shooting Lombard dead, and never discovers the true identity of "U.N. Owen", and the reader only finds out in the postscript that Owen was Wargrave.^[6] In this production, Wargrave walks into the room while Vera is about to hang herself, explains his actions and motivations, and informs her that he intends to shoot himself and create an unsolvable mystery. She tries to bargain with him but he suddenly yanks the chair from under her feet, causing her seemingly self-inflicted death.
• Wargrave's death is very different from the novel. In the book, he sets up his death in his bedroom to reflect how he was last found, by shooting himself in the forehead, with a cord tied to the revolver and door knob, allowing the gun to be pulled away after firing. Here, after killing Vera, he goes to the dining room, where he sets up two place settings, presumably for himself and "U.N. Owen". He fires the bullet just under his chin, and the revolver's recoil propels the gun away, landing at the empty place setting.
• In the novel, after the deaths and the arrival of help from the mainland, two policemen sit to discuss the case and ultimately are unable to solve the mystery. Later, a note from the murderer in a bottle is caught in a fishing trawler's net and the mystery is solved. Neither occurs in this version, although early promotional material suggests the scene of the two policemen was initially planned and filmed.

Production

Conception

(From top to bottom, left to right), Douglas Booth, Miranda Richardson, Charles Dance, Maeve Dermody, Sam Neill and Aidan Turner.

And Then There Were None was commissioned by Ben Stephenson and Charlotte Moore for the BBC to mark the 125th anniversary of Agatha Christie's birth.^[7] The adaptation was produced by Mammoth Screen in partnership with Agatha Christie Productions.^[8][9][10]

Writer Sarah Phelps told the BBC that she was shocked by the starkness and brutality of the novel. Comparing the novel to Christie's other work, she stated, "Within the Marple and Poirot stories somebody is there to unravel the mystery, and that gives you a sense of safety and security, of predicting what is going to happen next... In this book that doesn't happen – no one is going to come to save you, absolutely nobody is coming to help or rescue or interpret."^[11]

Casting

Maeve Dermody was cast two days before the read through of the script and was in Myanmar at the time.^[12] She flew to the UK to begin work with a dialect coach and read the book in the first two weeks of filming.^[13]

Filming

Filming began in July 2015.^[14] Cornwall was used for many of the harbour and beach scenes, including Holywell Bay, Kynance Cove, and Mullion Cove.^[15] Harefield House in Hillingdon, outside London, served as the location for the island mansion.^[16] Production designer Sophie Beccher decorated the house in the style of 1930s designers like Syrie Maugham and Elsie de Wolfe.^[17] The below stairs and kitchen scenes were shot at Wrotham Park in Hertfordshire.^[18] Railway scenes were filmed at the South Devon Railway between Totnes and Buckfastleigh.^[19]

Episodes

No.	Title	Directed by	Written by	Original air date	UK viewers (millions)
1	"Episode 1"	Craig Viveiros	Sarah Phelps	26 December 2015 (2015-12-26)	9.56[20][a]
In August 1939, eight strangers arrive at Soldier Island, most having ostensibly been invited by old friends or the current owners, Mr and Mrs Owen. There is no host to greet them but there are domestic staff, Thomas and Ethel Rogers, a married couple. The "guests" find a copy of a children's rhyme, "Ten Little Soldiers", in each of their rooms and ten jade figurines on the dining room table. After dinner, Mr Rogers, who had been instructed to do so, plays a gramophone record, in which all the guests as well as Mr and Mrs Rogers are accused of each being responsible for the deaths of one or more people, for which they have evaded punishment. One of the guests (Blore) is revealed to be an impostor using another name. Eight guests refute the accusations made against them, but Lombard and Marston do not. Marston dies shortly thereafter from cyanide-laced gin in a similar manner to that of the first little soldier. The next day, the cook Mrs Rogers is found dead in her bed from unknown causes, matching the second verse from the poem. Claythorne shows Armstrong that two of the soldiers in the dining room have disappeared.
2	"Episode 2"	Craig Viveiros	Sarah Phelps	27 December 2015 (2015-12-27)	8.45[20][a]
The poisoning of both victims casts suspicion on Armstrong, whose bag is searched. As a hunt for the mysterious Mr Owen is conducted on the island, the stories behind the accusations begin to come to light; Lombard confirms that he killed 21 Africans for a diamond reward, Brent recounts the fateful past of her former maid, Beatrice Taylor, and MacArthur succumbs to insanity, crippled with guilt over killing his subordinate, his wife's lover, Henry Richmond. After the General is found with his head smashed in by a telescope, the remaining seven realize that whoever left the mysterious message intends to make good on their threat, according to the rules of the nursery rhyme. Wargrave proposes to the others that the killer is one of them. After the butler, Mr Rogers, is found split open with an axe, and Brent is found fatally stabbed in the throat, the five survivors band together to search the while house.
3	"Episode 3"	Craig Viveiros	Sarah Phelps	28 December 2015 (2015-12-28)	8.33[20][a]
Five of the original ten are left. Judge Wargrave is found, dressed up to match the Chancery verse of the poem, with a gunshot wound to the head. He is declared dead by Armstrong. The remaining four engage in a demented bacchanal with alcohol and drugs. Vera and Philip have sex. During the night, Armstrong leaves the house, leaving the other three to believe that he is the killer. Blore is ambushed and fatally stabbed by the killer, who then partially covers the body with a bear skin rug. Subsequently, Armstrong's corpse is brought in by the tide. Vera manages to lift Philip's gun and when he charges at her, she shoots him dead. Delirious, she returns to her room where a noose is waiting. In a trance, she begins to hang herself. Then, Judge Wargrave walks in, quite alive, and reveals how he wanted to create an unsolvable mystery and punish the guilty, and how he intends to shoot himself to complete the poem, explaining the details of his scheme. She tries to bargain with him but he pulls the chair out from under her. He returns to the dining room, where he has set the table for two. He loads the revolver with the final bullet and shoots himself. The revolver recoils to land at the other table setting, thus creating a presumably unsolvable mystery for the police who will arrive to find 10 corpses on the remote island.

Reception

And Then There Were None received critical acclaim and was a ratings success for the BBC, with the first episode netting over 6 million viewers and becoming the second most watched programme on Boxing Day. Each of the two subsequent episodes netted over 5 million viewers.^[21]

On review aggregator Rotten Tomatoes, And Then There Were None has an approval rating of 86% based on 13 reviews, with an average rating of 7.5/10. The site's critics' consensus reads: "Dark yet dashingly executed, And Then There Were None offers a brazenly misanthropic look at human nature."^[22]

Ben Dowell of the Radio Times gave a positive review.^[23] Jasper Reese for The Daily Telegraph gave the first episode 4 out of 5 stars, calling it a "pitch-black psychological thriller as teasing murder mystery" and "spiffingly watchable".^[24]

Reviewing the first episode, UK daily newspaper The Guardian's Sam Wollaston noted, "[...] it also manages to be loyal, not just in plot but in spirit as well. I think the queen of crime would approve. I certainly do. Mass murder rarely gets as fun as this."^[25] Reviewing the final episode for The Daily Telegraph, Tim Martin gave it 4 out of 5 stars, calling it a "class act", and praising the adaptation for highlighting the darkness of Christie's novel, which he claimed no previous adaptation had attempted.^[26] The Russian adaption, Desyat Negrityat from 1987, however, was the first visual adaption to include the novel’s original ending.

Subsequent series

And Then There Were None was the first in a series of Christie adaptations scripted by Sarah Phelps for the BBC. The further instalments consisted of: The Witness for the Prosecution (2016), Ordeal by Innocence (2018), The ABC Murders (2018) and The Pale Horse (2020).

See also

• And Then There Were None (disambiguation)

Notes

1. 28 day data

References

1. Plunkett, John (28 February 2014). "David Walliams to star as BBC bags Agatha Christie drama deal". The Guardian. Archived from the original on 5 March 2014. Retrieved 3 April 2014.
2. Dowell, Ben (28 February 2014). "David Walliams heralds new era for BBC as the new home of Agatha Christie adaptations". Radio Times. Archived from the original on 23 March 2014. Retrieved 3 April 2014.
3. "David Walliams to star in new Agatha Christie BBC drama". Independent. 28 February 2014. Archived from the original on 7 April 2014. Retrieved 3 April 2014.
4. "Filming begins on Agatha Christie's And Then There Were None". agathachristie.com. Archived from the original on 16 November 2015. Retrieved 24 December 2015.
5. "And Then There Were None Plot Analysis". Shmoop.com. Archived from the original on 6 October 2017. Retrieved 29 February 2016.
6. "And Then There Were None What's Up With the Ending?". Shmoop.com. Archived from the original on 5 March 2016. Retrieved 29 February 2016.
7. "BBC One to become new home of Agatha Christie in UK". BBC. 28 February 2014. Archived from the original on 15 July 2020. Retrieved 3 April 2014.
8. Kemp, Stuart (27 February 2014). "BBC Commissions Two New Agatha Christie Adaptations". Hollywood Reporter. Archived from the original on 14 July 2020. Retrieved 3 April 2014.
9. Barraclough, Leo (28 February 2014). "BBC Plots Agatha Christie Adaptations for Writer's 125th Anniversary". Variety. Archived from the original on 15 July 2020. Retrieved 3 April 2014.
10. Kanter, Jake (28 February 2014). "BBC signs Agatha Christie deal". Broadcast. Archived from the original on 3 March 2016. Retrieved 3 April 2014.
11. Staff (17 December 2015). "Adapting Agatha Christie's 'And Then There Were None' for BBC One". BBC Online. Archived from the original on 15 July 2020. Retrieved 27 December 2015.
12. Dermody, Maeve. "Maeve Dermody plays Vera Claythorne". Agatha Christie.com. Archived from the original on 31 July 2016. Retrieved 29 December 2015.
13. Dermody, Maeve. "Behind the scenes". Agatha Christie.com. Archived from the original on 7 October 2016. Retrieved 29 December 2015.
14. "Filming begins on Agatha Christie's And Then There Were None for BBC One". BBC. 10 July 2015. Archived from the original on 15 July 2020. Retrieved 27 December 2015.
15. "Not Poldark: Aidan Turner back in Cornwall with Charles Dance and Sam Neill in Agatha Christie drama". West Briton. 22 July 2015. Archived from the original on 7 August 2015. Retrieved 27 December 2015.
16. Tom Deehan (22 December 2015). "BBC's And Then There Were None filmed in Cornwall and Hillingdon". The Location Guide. Archived from the original on 13 January 2017. Retrieved 27 December 2015.
17. "And Then There Were None: A Landmark Adaptation of the World's Best SElling Crime Novel" (PDF) (Press release). BBC. December 2015. Archived (PDF) from the original on 31 May 2020. Retrieved 27 December 2015.
18. "And Then There Were None and Christie Adaptation Links". 29 February 2016. Retrieved 30 October 2017.
19. "Steam railway is a star in Christie's ratings winner". Western Morning News. 8 January 2016. Archived from the original on 12 January 2016. Retrieved 29 February 2016.
20. "Top 30 Programmes". BARB. 14 February 2016. Archived from the original on 29 January 2016. Retrieved 29 February 2016.
21. Jackson, Jasper (29 December 2015). "And Then There Were None helps BBC dominate Christmas ratings". Archived from the original on 29 December 2015. Retrieved 29 December 2015.
22. "And Then There Were None: Miniseries". Rotten Tomatoes. Fandango. Archived from the original on 15 July 2020. Retrieved 21 May 2019.
23. Dowell, Ben (26 December 2015). "And Then There Were None is a creepy, chilling Agatha Christie... with a helping of Aidan Turner". Radio Times. London. Archived from the original on 7 March 2017. Retrieved 28 December 2015.
24. Rees, Jasper (26 December 2015). "And Then There Were None, review: 'spiffingly watchable'". The Daily Telegraph. London. Archived from the original on 15 July 2020. Retrieved 26 December 2015.
25. Wollaston, Sam (26 December 2015). "Dickensian review – a labour of love obscured by too much fog and too many hats". The Guardian. London, UK. Archived from the original on 1 January 2016. Retrieved 29 December 2015.
26. Martin, Tim (28 December 2015). "And Then There Were None, episode three, review: 'a class act'". The Daily Telegraph. London, UK. Archived from the original on 14 July 2020. Retrieved 29 February 2016.

External links

• And Then There Were None at IMDb
• And Then There Were None at BBC Online
• And Then There Were None at Rotten Tomatoes