A co-production between British, Canadian, and German production companies, the film marks the third consecutive collaboration between Cronenberg and Viggo Mortensen (after A History of Violence and Eastern Promises). This is also the third Cronenberg film made with British film producer Jeremy Thomas, after they collaborated on the William Burroughs adaptation Naked Lunch and the J. G. Ballard adaptation Crash. Filming took place between May and July 2010 in Cologne on a soundstage, with exterior shots filmed in Vienna.
In August 1904, Sabina Spielrein arrives at the Burghölzli, the pre-eminent psychiatric hospital in Zürich, suffering from hysteria and begins a new course of treatment with the young Swiss doctor Carl Jung. He uses word association and dream interpretation as part of his approach to psychoanalysis and finds that Spielrein's condition was triggered by the humiliation and sexual arousal she felt as a child when her father spanked her naked.
Jung and chief of medicine Eugen Bleuler recognize Spielrein's intelligence and energy and allow her to assist them in their experiments. She measures the physical reactions of subjects during word association, to provide empirical data as a scientific basis for psychoanalysis. She soon learns that much of this new science is founded on the doctors' observations of themselves, each other, and their families, not just their patients. The doctors, Jung and Freud, correspond at length before they meet, and begin sharing their dreams and analysing each other, and Freud himself soon adopts Jung as his heir and agent.
Jung finds in Spielrein a kindred spirit, and their attraction deepens due to transference. Jung resists the idea of cheating on his wife, Emma, and breaking the taboo of sex with a patient, but his resolve is weakened by the wild and unrepentant confidences of his new patient Otto Gross, a brilliant, philandering, unstable psychoanalyst. Gross decries monogamy in general and suggests that resistance to transference is symptomatic of the repression of normal, healthy sexual impulses, exhorting Jung to indulge himself with abandon.
Jung finally begins an affair with Spielrein, including rudimentary bondage and spanking. Things become even more tangled as he becomes her advisor to her dissertation; he publishes not only his studies of her as a patient but eventually her treatise as well. Spielrein wants to conceive a child with Jung, but he refuses. After he attempts to confine their relationship again to doctor and patient, she appeals to Freud for his professional help, and forces Jung to tell Freud the truth about their relationship, reminding him that she could have publicly damaged him but did not want to.
Jung and Freud travel to America. However, cracks appear in their friendship as they begin to disagree more frequently on matters of psychoanalysis. Jung and Spielrein meet to work on her dissertation in Switzerland and begin their sexual relationship once more. However, after Jung refuses to leave his wife for her, Spielrein decides to go to Vienna. She meets Freud and says that although she sides with him, she believes he and Jung need to reconcile for psychoanalysis to continue to develop.
Following Freud's collapse at an academic conference, he and Jung continue correspondence via letters. They decide to end their relationship after increasing hostilities and accusations regarding the differences in their conceptualisation of psychoanalysis. Spielrein marries a Russian doctor and, while pregnant, visits Jung and his wife. They discuss psychoanalysis and Jung's new mistress. Jung confides that his love for Spielrein made him a better person.
The film's footnote reveals the eventual fates of the four analysts. Gross starved to death in Berlin in 1920. Freud died of cancer in London in 1939 after being driven out of Vienna by the Nazis. Spielrein trained several analysts in the Soviet Union before she and her two daughters were shot by the Nazis in 1942. Jung emerged from a nervous breakdown to become the world's leading psychologist before dying in 1961.[6]
Hampton's earliest version of the screenplay, dating back to the 1990s, was written for Julia Roberts in the role of Sabina Spielrein, but the film was never realized. Hampton re-wrote the screenplay for the stage before producer Jeremy Thomas acquired the rights for both the earlier script and the stage version.[7]
The film was produced by Britain's Recorded Picture Company, with Germany's Lago Film and Canada's Prospero Film acting as co-producers.[8] Additional funding was provided by Medienboard Berlin-Brandenburg, MFG Baden-Württemberg, Filmstiftung NRW, the German Federal Film Board [de] and Film Fund, Ontario Media Development Corp and Millbrook Pictures.[9]
Christoph Waltz was initially cast as Sigmund Freud, but was replaced by Viggo Mortensen due to a scheduling conflict.[10]Christian Bale had been in talks to play Carl Jung, but he too had to drop out because of scheduling conflicts.[11]
The filming began on 26 May and ended on 24 July 2010.[9] Exteriors were shot in Vienna and interiors were filmed on a soundstage in Cologne (MMC Studios Köln), Germany. Viennese locations included the Café Sperl, Berggasse 19, and the Schloss Belvedere. Lake Constance (Bodensee) stood in for Lake Zurich.[12]
A noted feature of the film is the extensive use in the musical score of leitmotifs from Wagner's third Ring opera Siegfried, mostly in piano transcription. The composer Howard Shore has said that the structure of the film is based on the structure of the Siegfried opera.[13]
On the review aggregator website Rotten Tomatoes, 78% of 191 critics' reviews are positive, with an average rating of 6.9/10. The website's consensus reads: "A provocative historical fiction about the early days of psychoanalysis, A Dangerous Method is buoyed by terrific performances by Michael Fassbender, Keira Knightley, and Viggo Mortensen."[16]Metacritic, which uses a weighted average, assigned the film a score of 76 out of 100, based on 41 critics, indicating "generally favorable" reviews.[17]
Louise Keller reports from Urban Cinephile, "The best scenes are those between Mortensen and Fassbender...the tension between the two men mounts as their views conflict: Freud insists that sex is an underlying factor in every neurosis while Jung, interested in spiritualism and the occult, is disappointed by what he considers to be Freud's 'rigid pragmatism.'"[18]
Andrew O'Hehir's review on Salon notes that on the one hand Freud's "single-minded focus on sexual repression as the source of neurosis led to the creation of psychiatry as a legitimate medical and scientific field—one that was often resistant to change and dominated by authoritarian father figures." On the other hand, Sabina's effect on Jung, and "the discoveries they had made together, both in the office and the bedroom," including the potential in "a creative fusion of opposites—doctor and patient, man and woman, dark and light, Jew and Aryan," led to a falling out between the two men "over a variety of issues, most notably the scientific limits of psychiatric inquiry."[19]
In contrast, Steven Rea of The Philadelphia Inquirer wrote that, despite the film's exploration of "the way our subconscious works, the way we repress, and suppress, natural urges—the constant battle between the rational and the instinctive, the civilized and the wild", the film "feels distant, and clinical, in ways you wished it did not."[20] In an interview with The Daily Beast's Marlow Stern, Cronenberg himself is quoted as saying that the love scenes between Jung and Spielrein were "quite clinical. These were people who, even when they were having sex, they were observing themselves having sex because they were so interested in their reactions to things."[11]
The film was listed at number 5 on Film Comment magazine's Best Films of 2011 list.[21]
Top ten lists
A Dangerous Method was listed on many critics' 2011 top ten lists.[22]
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الشعر والشعراء الشعر والشعراء معلومات الكتاب المؤلف أبو محمد بن قتيبة الدينوري(213هـ - 276هـ) البلد بغداد اللغة العربية الناشر عدة دور نشر السلسلة كتب النقد الموضوع الشعر المواقع ويكي مصدر الشعر والشعراء (كتاب) - ويكي مصدر مؤلفات أخرى أدب الكاتب تعديل مصدري - تعديل ...
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هذه المقالة يتيمة إذ تصل إليها مقالات أخرى قليلة جدًا. فضلًا، ساعد بإضافة وصلة إليها في مقالات متعلقة بها. (أبريل 2019) برنس باول معلومات شخصية اسم الولادة (بالإنجليزية: Paul Edward Huston) الميلاد 2 أبريل 1967 (56 سنة) أميتيفيل مواطنة الولايات المتحدة الحياة العملية المه
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Where pieces of wood are fixed together in an assembly Joiner redirects here. For other uses, see Joiner (disambiguation). A carpenter uses a chain mortiser to cut a large mortise A worker uses a large circular saw to cut joints Joinery is a part of woodworking that involves joining pieces of wood, engineered lumber, or synthetic substitutes (such as laminate), to produce more complex items. Some woodworking joints employ mechanical fasteners, bindings, or adhesives, while others use only woo...
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