William L Couper (September 20, 1853 – June 23, 1942) was an American sculptor.
Life and career
Born in Norfolk, Virginia, Couper studied in Munich and Florence, and remained in the latter city for 22 years before returning to the United States and establishing himself in New York in 1897 as a portraitist and sculptor of busts in the modern Italian manner.[1] He and Thomas Ball purchased a three-story brick building on 17th Street in Manhattan to serve as shared studio space.[2]
He married Eliza Chickering Ball, daughter of sculptor Thomas Ball (1819–1911), in Florence in 1878. He was also a colleague of Daniel Chester French.
Couper is well known for his winged figures, such as the Recording Angel at the Couper family plot in Elmwood Cemetery in Norfolk and allegorical figures, such as Psyche and Crown for the Victor, in the collection of the Montclair Art Museum.
Couper lived much of his life in Montclair, New Jersey, where he built a large neoclassical villa he named Poggioridente or "laughing knoll".[5] He had a home in Cortland, New York, as well. His wife died in 1939. They had several sons, one of whom, Thomas Ball Couper, lived in Montclair. His son Richard Hamilton Couper, a landscape painter, died in 1918 at the age of 33.[6]
He spent his last year at his other son William's farm in Bozman, Maryland, and died in an Easton, Maryland hospital after a brief illness on June 23, 1942.[4]
Works
Crown for the Victor (Beauty’s Wreath for Valor’s Brow) (1896), Montclair Art Museum, Montclair, NJ[7]
Confederate Monument in downtown Norfolk, Virginia (1906)
^Manchester, William (October 6, 1974). "The Founding a Grandfather"(PDF). New York Times. Retrieved February 25, 2015.
Sources
Couper, Greta Elena, An American Sculptor on the Grand Tour: The Life and Works of William Couper (1853–1942), TreCavalli Press, 1988, ISBN9780962063541