Vilma Bánky (born Vilma Koncsics;[2] 9 January 1901 – 18 March 1991) was a Hungarian-American silent film actress. Although her acting career began in Budapest, and she later worked in France, Austria, and Germany, Bánky was best known for her roles in the American films The Eagle and The Son of the Sheik with Rudolph Valentino, and for several romantic teamings with Ronald Colman.
Early life
Bánky was born on 9 January 1901 (although some sources inaccurately cite her birth year as 1898 or 1903)[2] to János Bánky Koncsics and Katalin Ulbert, in Nagydorog, Austria-Hungary. Her father was a bureau chief in Franz Joseph's Austro-Hungarian Empire. Shortly after her birth, her father, a police sergeant,[clarification needed] was transferred to Budapest, and the family relocated. She had two siblings – an older brother, Gyula (AKA Viktor Bánky), and a younger sister, Gizella (Gizi). After graduation from secondary school, Bánky (as she would later be known) took courses to work as a stenographer, but was offered a role in a film.[3]
Career
Photo from The Dark Angel, 1925
She was hailed as "The Hungarian Rhapsody" and was an immediate hit with American audiences. The New York Times remarked in its review of her first American film, The Dark Angel (1925), that she "is a young person of rare beauty ... so exquisite that one is not in the least surprised that she is never forgotten by Hillary Trent"[4] (the movie's leading male character who decides to allow his family and fiancée to believe him dead rather than place what he perceives as the burden on them of a life caring for a blinded war veteran).
Vilma Bánky, 1920s
She appeared opposite silent film star Rudolph Valentino in The Eagle (1925) and The Son of the Sheik (1926). Valentino reportedly was fascinated by Vilma, and chose her as the leading lady in the films. She also appeared opposite Ronald Colman in a series of love stories, including The Dark Angel and The Winning of Barbara Worth. It is commonly believed that her thick Hungarian accent led, with the advent of sound, to her career being cut short; however, she began losing interest in films and wanted to settle down with Rod La Rocque and simply be his wife. In 1930, she announced her retirement.[5] She came out of retirement briefly in 1933 to star in The Rebel with Luis Trenker.
Of her 24 films, eight exist in their entirety (Hotel Potemkin, Der Zirkuskönig (The King of the Circus) with Max Linder, The Son of the Sheik, The Eagle, The Winning of Barbara Worth, The Night of Love, A Lady to Love, and The Rebel), and three exist in fragments (Tavaszi szerelem in scattered bits, the first five reels of The Magic Flame, and an incomplete copy of Two Lovers).[citation needed]
Personal life and death
Bánky and husband Rod La Rocque in 1927
She married actor Rod La Rocque in 1927; they remained married until his death in 1969. She became an accomplished golfer, while La Rocque devoted his time to real estate. The couple had no children, but established the Banky-La Rocque Foundation to fund various educational and artistic endeavors, which donated millions well after Bánky died.[6]
Bánky died on 18 March 1991, from cardiopulmonary failure, aged 90, but notice of her death was not made public until the following year. She was reportedly upset that no one had come to visit her in her last years, and directed her lawyer to make no mention of her death.[6][7] While this is what was reported in the newspapers, she did in fact have many visitors. Her ashes were scattered at sea where her husband's had been consigned.[citation needed]
Alternative title: Spring Love; According to Hangosfilm.hu, a short fragment exists (Vándory) and in Pictures from the History of Hungarian Silent Film (1964)
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