In 2003, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3][4][5] On January 1, 2022, the film went into the public domain after years of being in copyright due to the Copyright Term Extension Act.[6]
Plot
In his final film performance before his death in 1926, Rudolph Valentino tackles two roles, as a father and his son. Ahmed (Rudolph Valentino), the son of an Arabsheik and a kidnapped English gentlewoman (Agnes Ayres), loves local dancing girl Yasmin (Vilma Banky). When he slips out of his father's heavily guarded compound to woo her, he is kidnapped and held for ransom by a group of bandits led by Yasmin's father (George Fawcett) and Ghabah (Montagu Love), the Moor to whom she is betrothed.
Agnes Ayres as Diana, The Sheik's Wife (Ahmed's Mother)
Production
At the time of the film's release, Rudolph Valentino was attempting to make a comeback in films.[7] He rose to international stardom after the release of The Four Horsemen of the Apocalypse and The Sheik in 1921, both of which were box-office hits and solidified his image as "the Great Lover".[8] By 1924, however, Valentino's popularity had begun to wane after he appeared in two box office failures, Monsieur Beaucaire and A Sainted Devil, both of which featured him in roles that were a departure from his "Great Lover" image. He also squabbled over money with Famous Players–Lasky, the studio he was signed to, which eventually led to him walking out on his contract. Famous Players–Lasky eventually released Valentino from his contract and he signed with United Artists in 1925.[7]
In an effort to capitalize on the success that Valentino had achieved with The Sheik, United Artists' president Joseph M. Schenck bought the rights to Edith Maude Hull's novel Son of the Sheik and cast Valentino in the dual role of father and son.[2][9]
Valentino was paid $100,000. The director was paid $75,000 and Frances Marion $25,000.[10]
Valentino then embarked on a nationwide tour to promote the film as it rolled out around the first run theatres in the country's cities. On August 15, he collapsed in his New York City hotel room and was rushed to the hospital. Doctors discovered he had a perforated ulcer which required emergency surgery. After the surgery, Valentino developed peritonitis and died on August 23, 1926.[14]
The Son of the Sheik was put into general release nationwide on September 5, 1926, nearly two weeks after Valentino's death. The film grossed $1,000,000 worldwide within the first year of its release. Eventually it more than doubled that.[15]
Critical
Some critics consider Valentino's performance in the film as one of the best of his career.[16]
^ abDiMare, Philip C. (2011). Movies in American History: An Encyclopedia, Volume 1. Vol. 1. ABC-CLIO. p. 830. ISBN978-1-598-84296-8.
^Sandburg, Carl (2000). Bernstein, Arnie (ed.). "The Movies Are": Carl Sandburg's Film Reviews and Essays, 1920-1928. Ebert, Roger. Lake Claremont Press. p. 309. ISBN1-893-12105-4.
^Block, Alex Ben; Wilson, Lucy Autrey (2010). George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success. HarperCollins. p. 74. ISBN978-0-061-96345-2.
The Son of the Sheik essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 ISBN0826429777, pages 115-117