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The Stowaway
The Stowaway
Directed by	Australian credits:; Lee Robinson; French credits:; Ralph Habib
Written by	Australian credits:; Lee Robinson; Joy Cavill; French credits:; Maurice Aberge; Paul Andreota; Ralph Habib
Based on	Le Passager Clandestin ("The Stowaway"); 1947 novel; by Georges Simenon
Produced by	Australian credits:; Lee Robinson; associate; Joy Cavill; French credits:; Paul-Edmond Decharme
Starring	Martine Carol; Roger Livesey; Arletty
Cinematography	Desmond Dickinson
Edited by	Australian credits:; Stanley Moore; French credits:; Monique Kirsanoff
Music by	Michel Emer
Production; companies	Southern International Productions(Australia); Discifilm/Silverfilm (France)
Release dates	22 March 1958 (France); 1958 (Australia);
Running time	145 mins (original release); 93 minutes
Countries	France; Australia
Languages	English; French
Budget	£250,000
Box office	1,776,374 admissions (France)

The Stowaway is a 1958 French-Australian film directed by Australian director Lee Robinson and French Lebanese director Ralph Habib. It was shot on location in Tahiti and is one of the few Australian financed movies of the 1950s, although the storyline has nothing to do with Australia.^[4]^[5]

There are French and English versions of the film. These versions have different credits, mostly in terms of behind the scenes personnel.^[6]^[7] The French version is known as Le Passager clandestin.

It was the second of three collaborations between Lee Robinson and French producers, the others being Walk into Paradise and the Restless and the Damned.

Synopsis

In Panama, some men arrive on a passenger ship, Major Owens and Mr Buddington. Bugginton is looking for a missing heir Rene Marechal, thought to be near Tahiti. He tracks her to Marechal's former mistress, Colette, who lives with another former Parisian, Gabrielle. There is a reward to find Marechal, so Colette decides to find him as well. Major Owens is also after the missing heir.

Colette decides to use the fact that ship officer, Jean, is infatuated with her to stowaway on Jean's ship to Tahiti. Also on board that boat is Buddington, Major Owens, and a mystery man, Mougins.

On the trip, Major Owens gambles with Buddington and gets the latter considerably in debt. Owens ask Buddington to stop looking for Marechal so that Owens can collect the reward. This is overheard by Mougins who breaks into Buddington's room and kills him in a fight.

Mougins realises Colette was a stowaway. Owens looks for Marechal, as does Mougins. Jean tales Colette to his place on Tahiti. Owens suggests he and Colette team up to find Marechal but she is reluctant as she has genuinely fallen in love with Jean. Colette tries to get rid of Mougins by telling him that Owens has hired a boat off a man called Wong Fu.

Jean gets fifteen days off so he can marry Colette. She tells him she doesn't love him any more. Mougins tells Colette his plan to pretend to be Marechal, with Colette providing verification. Owens discovers his boat has been hired to Mougins.

Mougins murders Owen and goes on the boat with Colette. Jean is told about this and gets on board. Jean is discovered by Mougins and is tied up but Colette discovers him and frees him.

Jean and Mougins fight, with the crew rallying to assist Jean. Mougins falls overboard and is eaten by a shark. Jean and Colette kiss.

Cast

Martine Carol as Colette
Roger Livesey as Major Owens
Carl Heinz Boehm as Jean
Serge Reggiani as Mougins
Arletty as Gabrielle
Reg Lye as Buddington
Maea Flohr
James Condon as ship purser
Doris Fitton as gossipy tourist
John Martin as captain
Yvon Chabana as Max
Frederic Gray
Charley Mauu as Taro
Vahinerii Tauhiro as Vahinerii
Teheiura Poheroa
Germaine Levers

Development

In May 1955 it was announced producer Paul Decharme, best known for Manon and Bluebeard, would make two films a year in the Pacific. The first two would be co productions with Rafferty and Robinson, starting withWalk into Paradise, which would be shot on location in New Guinea, in English and French versions.^[8]^[9]

The second film would be made in Tahiti with French director Yves Allegret as the principal director and Robinson as director of the English version. This movie would be shot in Cinema-Scope and would hopefully star Gerard Philippe.^[8]

"I was told that the Pacific was very wide, and its capital was Sydney so I came here," said Decharne."I also heard that Australians appreciated French films better than any other country outside Europe. La Ronde made more money in Australia than it did in France."^[8]

Robinson was attracted to work with French companies because "they were so organised, and they were so strong financially."^[4]

At one stage the film was called Vahini Tahiti.^[10]

In March 1957 Chips Rafferty announced the lead roles would be played by Françoise Arnoul, best known for Fire in the Blood and French Can Can, and John Forrest, who had been in Dust in the Sun.^[11] Neither actor appeared in the final movie. By July 1957 the stars were announced as Martine Carol and Trevor Howard with five Australians, four men and a woman, to appear in the cast.^[12] Carol was a French film star who was attempting to move into international movies at the time, just having made Action of the Tiger with Van Johnson.^[13]

Lee Rafferty and Chips Robinson contributed money towards the production via sales from Walk into Paradise and funds loaned from Herc McIntyre from the superannuation fund of Universal Picture's Australian branch.^[14]

Robinson says the French producer arranged the main cast, but he cast Roger Livesey. "Livesey was on tour in Australia, so we engaged Livesy as one of our actors here." Robinson says "There was no role for Chips" in the film.^[4]

Martine Carol stopped off at Brisbane airport on 5 September flying from Paris to Tahiti. She was met by over 300 fans and Chips Rafferty. The Australian film location had left earlier that week.^[15]

Production

The film was shot towards the end of 1957 in Tahiti and the Society Islands, with scenes also shot on the ship Caledonin.^[16] Robinson says half the crew was Australian and the other half was French.^[4] Filming was completed by November.^[17]

Dialogue scenes were filmed twice, in English (by Robinson) and French (by Habib). Robinson claimed he didn't like Habib's style of direction.

He was a mad home movies crank and would stand by the camera or even ten feet away from it and be shooting the scene that was his first take. I used to wonder how the hell does he know what is going on there. Often he was on an entirely different angle to the camera. He often seemed more concerned about getting a good scene on his little 16 mm camera. Right from the beginning I found I was in a marvellous position as the second follow-up director because I could see everything that was being done and then rack my brains for some little thing that might spice the scene up a bit.^[18]

Noted Sydney theatre actor Doris Fitton had a supporting role.

While making the film in Tahiti, Robinson and his crew then shot an Italian-French co production called Hula Hula. Later they came back to make a pilot for a CBS show Machete and then The Restless and the Damned.^[4]

Release

On 23 August 1958 Lee Robinson announced Dust in the Sun and The Stowaway were going to be released by Universal in Australia. Robinson said, "I consider this deal is a relevant comment on recent statements that the Australian film industry is failing for lack of support."^[19]

The film was released in France - Robinson said it had a "five major cinema release in Paris" - but only received a limited release in Australia - it had its debut in Dubbo in 1958 and in Sydney and Melbourne in 1960. It was not as successful as Walk into Paradise. Robinson blames this on the impact of television and says the losses he made on the film and Restless and the Damnded contributed to Southern International going broke.^[4]

Critical reception

Variety reviewed the film in Paris in September 1958. It reported:

This garishly colored pic was shot in Tahiti. That is its main trump with the easygoing island habits and its scenery. Otherwise, this fairly hackneyed adventure yarn lacks the pace, mounting and acting to make color prints worth while for Yank chances... Ralph Habib’s cliche-ridden direction does not help instill life into this. Miss Carol walks through this listlessly and shows some rounded anatomy at times. Serge Reggiani and Roger Livesey are fine as the fortune hunters.^[1]

The Sydney Morning Herald said "Robinson has little dramatic idea of how to handle his people (particularly Reggiani) or his plot. His flat treatment slows the treasure chase to a crawl. Clumsy cutting, and stilted voice-dubbing for the Continental players, are technical faults astonishing in so elaborate a production. The natural beauties of Tahiti... are some consolation."^[20] The Age said "the color shots of Tahiti, its lagoons, girls and dances may warm your winter's day. Unfortunately nothing else about the picture will."^[21]

References

^ ^a ^b "Foreign Review Capsules - Le Passager Clandestin". Variety. 3 September 1958. p. 6.
^ Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, p. 225
^ French films at the 1958 box office at Box Office Story
^ ^a ^b ^c ^d ^e ^f Robinson, Lee (15 August 1976). "Lee Robinson" (Oral history). Interviewed by Graham Shirley. National Film and Sound Archive.
^ ""Last Battle" For Australian Film". The Canberra Times. Australian Capital Territory, Australia. 12 July 1958. p. 1. Retrieved 3 May 2023 – via National Library of Australia.
^ "Martine Carol". The Australian Women's Weekly. Vol. 25, no. 20. Australia, Australia. 23 October 1957. p. 57. Retrieved 3 May 2023 – via National Library of Australia.
^ "Retreat for Raffertys". The Australian Women's Weekly. Vol. 25, no. 50. Australia, Australia. 21 May 1958. p. 28. Retrieved 3 May 2023 – via National Library of Australia.
^ ^a ^b ^c "Frenchman Here to Make Two Films Yearly". The Sydney Morning Herald. 1 May 1955. p. 17.
^ "Frechman plans a movie about Sydney". The Sydney Morning Herald. 9 June 1955. p. 10.
^ "New hope for stars of the future". The Australian Women's Weekly. Australia. 9 May 1956. p. 23. Retrieved 18 April 2020 – via Trove.
^ "French star in Pacific film". The Sydney Morning Herald. 19 May 1957. p. 67.
^ "Australians in Film to Star Carol, Howard". The Age. 9 July 1957. p. 3.
^ "News from movie centres". The Australian Women's Weekly. Vol. 25, no. 30. Australia, Australia. 1 January 1958. p. 52. Retrieved 3 May 2023 – via National Library of Australia.
^ Graham Shirley and Brian Adams, Australian Cinema: The First Eighty Years, Currency Press, 1989, p. 203
^ "France has its answer to Gina". The Age. 6 September 1957. p. 5.
^ "Oodles of Oo-La-La!". The Australian Women's Weekly. National Library of Australia. 25 September 1957. p. 5. Retrieved 10 December 2013.
^ "our World of Stamps.—XV. Some Recent Issues", Pacific Islands Monthly, XXVIII (4), [Sydney: Pacific Publications, 1 November 1957, ISSN 0030-8722, nla.obj-364264479, retrieved 3 May 2023 – via Trove
^ 'King of the Coral Sea: Lee Robinson in interview with Albert Moran' Continuum: The Australian Journal of Media & Culture vol. 1 no 1 (1987)
^ "Deal in 2 Films". Sydney Sun Herald. 24 August 1958. p. 31.
^ "Reviews of new films". Sydney Sun Herald. 29 May 1960. p. 90.
^ Bennett, Colin (12 July 1960). "Mixed cast in Tahiti". The Age. p. 2.