Small-time promoter/hustler Marvin Lazar (Curtis) sees a potential money-making venture in the Bears that will help him to pay off his debts. After seeing a TV spot about the Bears, he decides to chaperone the baseball team for a trip to Japan in their game against the country's best little league baseball team.
As implied in Breaking Training, the Bears had to defeat the Houston Toros for a shot at the Japanese champs. In the process, the trip sparks off a series of adventures and mishaps for the boys. A subplot involves the interest of Kelly Leak (Haley) with a local Japanese girl, and the cultural divide that comes to bear in that relationship.
About half of the original or "classic" lineup of Bears players return (many like Jose Agilar, Alfred Ogilvie, Timmy Lupus and Tanner Boyle are not featured). Three new players are featured: E.R.W. Tillyard III, Abe Bernstein and Ahmad's younger brother, Mustapha Rahim.
The film has a 6% rating on Rotten Tomatoes based on 16 reviews.[2] Jackie Earle Haley, who was in the movie, considered it the worst movie ever made.[3]
Vincent Canby of The New York Times wrote that "the film is a demonstration of the kind of desperation experienced by people trying to make something out of a voyage to nowhere".[4]Variety noted the "latest version is more successful than the middle outing, but the situation and characters are getting tired".[5]Gene Siskel of the Chicago Tribune gave the film two stars out of four and wrote: "The story this time is much more confused, with plenty of subplots ... what we should be seeing is play-by-play with the kids and some baseball. There is very little of either".[6] Linda Gross of the Los Angeles Times called it "a very good second sequel" and "a wry and entertaining movie".[7] Gary Arnold of The Washington Post wrote: "Every aspect of the premise that might supply a source of comic and melodramatic renewal—the conflicts that arise between kids and parents, the conflicts between kids and other kids, the culture shock of American Little League Baseball confronting its Japanese counterpart—is neglected or shortchanged in favor of lazy self-imitation".[8]
The film opened in 300 theaters in the Southern United States in early June, grossing $910,000 in its opening weekend.[9] In 38 days it had grossed $9 million and went on to earn theatrical rentals of $7.3 million.[10][1]
