American orchestra conductor John Meredith (Robert Taylor) and his manager, Hank Higgins (Robert Benchley), travel to the Soviet Union shortly before the country is invaded by Germany. Meredith falls in love with beautiful Soviet pianist Nadya Stepanova (Susan Peters) while they tour the country on a 40-city tour. Their bliss is destroyed by the German invasion.[3]
Principal photography began on the film on March 11, 1943, and continued until late May, resuming again in June and July. Reshoots occurred in December 1943. The film was shot in California, with Rancho Park Golf Course and Sierra Mountains used as locations. On June 29, 1943, Ratoff collapsed during filming, forcing László Benedek to step in as director for the rest of principal photography. Additionally Marvin Stuart had to become assistant director after Roland Asher joined the Royal Air Force, George Hively replaced George Boemler as editor.[4]
After the end of the Second World War and the outbreak of the Cold War, the House Un-American Activities Committee (HUAC) cited Song of Russia as one of the three noted examples of "pro-Soviet propaganda films" made by Hollywood, the others being Warner Bros.' Mission to Moscow and RKO'sThe North Star. This assertion was supported by the Russian-American pro-capitalist and anti-Communist writer Ayn Rand, who was specifically asked by a HUAC investigator to see the film and provide an expert opinion on it. Ayn Rand, in her 1947 testimony before the HUAC, cited Song of Russia as an example of Communist propaganda in the Hollywood motion picture-industry, depicting a romanticized Soviet Union with a degree of freedom and comfort that, in her opinion, did not exist in the real Soviet Union.[5]
Robert Taylor himself protested, after the fact, that he had had to make the film under duress, as he was under contract to MGM. Specifically, he claimed that the War Production Board threatened to block his commission to the United States Navy unless he appeared in the film.[4] This is the rationale he used to explain why he was a friendly witness during the HUAC hearings in the 1950s. Russian-born director Ratoff testified that Taylor was telling the truth and that Taylor had explicitly protested about the aforementioned nonrealistic aspect of the film but had been told by MGM to "just do the picture" or else he would be liable for breach of contract.
Reception
Despite the criticism it received in later years, historians claiming it is nowadays more remembered for its content rather than its quality, Song of Russia was initially received positively. The New York Times called some scenes "a fine bit of cinematic art".[6] Furthermore, the reviewer praised the cast, writing:
"Taylor makes a very good impression as a young American caught in Russia by love and war. And Susan Peters is extraordinarily winning as a mentally solemn but emotionally bonny Russian girl. Robert Benchley throws some straws of cryptic humor into the wind as the American's manager, and Michael Chekhov, Vladimir Sokoloff and Michael Dalmatov are superb as genial Russian characters."[6]
The movie was also popular, earning $1,845,000 in the US and Canada and $1,884,000 elsewhere resulting in a profit of $782,000.[1]
References
^ abcGlancy, H. Mark (1992). "MGM film grosses, 1924–1948: The Eddie Mannix Ledger". Historical Journal of Film, Radio and Television. 12 (2): 127–144. doi:10.1080/01439689200260081.
