The first building structure was commissioned by Pope Boniface VIII, was built here by the Augustinian friars in 1296-1446 right next to the St. Tryphon in Posterula Church. The construction of the second (current) basilica began in 1479. It was commissioned by Pope Sixtus IV; designed by architect Baccio Pontelli (who also designed the Sistine Chapel); and funded by Cardinal Guillaume d'Estouteville.[2] Its construction was completed in 1483. Giacomo di Pietrasanta (?-1495) built its façade by using travertine salvaged from the ruins of the Colosseum. Its façade reads the following:
Guillermus de Estoutevilla, Episcopus Ostiensis, Cardinalis Rothomagensis, Sanctæ Romanæ Ecclesiæ, Camerarius, Fecit MCCCCLXXXIII
English: William of Stateville, the Bishop of Ostia, Cardinal of Rouen of the Holy Roman Church, Camerlengo, built this in the Year 1483.
Its first restoration was completed in 1763 by Luigi Vanvitelli;[3] its second restoration was completed in 1870; and its most recent restoration occurred in 1998–2000.
The basilica is open to the general public with some restrictions:
Monday to Saturday: 7:15 AM—12:00 PM and 4:00—7:30 PM.
Roaming tourists are prohibited to visit on Sundays when Catholic Mass is held at 8:00 AM. 10:00 AM. 12:00 PM. and 6:30 PM.
Artwork
The 1606 painting Madonna of Loreto (also known as the Madonna of the Pilgrims) by Caravaggio is located in the first chapel on the left.[4] The heirs of Ermete Cavalletti (?-1602) bought the Pieta Chapel on 4 September 1603 and soon commissioned Caravaggio to paint the Madonna for their family's chapel. It was hung in 1606 at the altar in the Cavalletti Chapel (former Pieta Chapel) in place of a Pieta that was sold to Pope Paul V (formerly Cardinal Camillo Borghese).
The 1512 frescoProphet Isaiah by Raphael is located on the third pilaster of the left nave.[5] It was part of the funerary monument of Johannes Goritz (1455–1527; also known as Janus Corycius). Isaiah holds a Hebrew scroll stating: "Open the doors, so that the people who believe may enter." (Isaiah 26:2–3) The statue Saint Anne and Virgin with Child (1512) by Andrea Sansovino is located below Raphael's Isaiah.
The 1521 sculpture Madonna del Parto (Our Lady of Childbirth) by Jacopo Sansovino is based, according to a legend, on an ancient statue of Agrippina holding Nero in her arms, is reputed by tradition to work miracles in childbirth. It is located in a niche to the right of the entrance and is surrounded by thank-offerings of flowers and candles.
The 1588 frescoes of St. John the Baptist and St. John the Evangelist by Avanzino Nucci are also here.
The 1616 ceiling fresco Assumption of Mary and three paintings by Giovanni Lanfranco are located in the Buongiovanni Chapel (in the left transept).
The 1600s painting Saints Augustine, John the Evangelist and Jerome by Guercino is also here.
The sculpture St. Thomas of Villanova Distributing Alms by Melchiorre Cafà and completed by his mentor Ercole Ferrata is located in the St. Thomas of Villanova Chapel (left end of transept). The etching Charity of St Thomas of Villanova by Cafà himself illustrates this same sculpture.[6]
Its nave ceiling fresco was completed in 1868 by Pietro Gagliardi; who also made the 5 prophet pillar frescoes (including Ezekiel), 6 Old Testament women & 12 scenes from the life of the Virgin Mary.
Saint Monica died in 387. Her tomb was transferred here from the Santa Aurea Church in Ostia Antica, Italy on 11 April 1424. Her sarcophagus was designed by Isaia da Pisa (1410–1464) in 1455, and is now located in the Chapel of Saint Monica (left of the apse).
Norways's Archbishop Olav Trondsson died on 25 November 1474. His tombstone reads: "CVI DEDERAT SACRAM MERITO NORVEGIA SEDEM HIC TEGIT OLAVI FRIGIDVS OSSA LAPIS" (Here a cold stone covers the bones of Olav, to whom Norway rightly gave the holy chair).[7]
^John Varriano, Caravaggio: The Art of Realism (University Park, PA: Penn State Press, 2010), pp. 44-46. John T. Spike, Caravaggio: Catalogue of Paintings (New York-London: Abbeville Press, 2010), pp. 148-150.
^V. Forcella, Inscrizioni delle chiese e d' altre edifici di Roma, dal secolo XI fino al secolo XVI Volume V (Roma: Fratelli Bencini, 1875), pp. 1-112. [in Italian and Latin]
Bibliography
P Antonino Ronci and D. Torre, S. Agostino in Campo Marzio, Roma (Roma: D. Torre, [1950?]).