Michael O'Sullivan, the ruthless but honorable enforcer for an Irish crime syndicate, is personally betrayed by his masters and is forced to flee with his young son Michael, Jr. on a quest for revenge. The story is set in the American Midwest during the Great Depression and draws upon several historical figures, especially the gangster John Patrick Looney, of Rock Island, Illinois; in real life, Looney came into conflict with Dan Drost, a formerly loyal lieutenant in their crime organization, and their feud eventually led to the death of Looney's son Connor.[1]
This three-part miniseries of graphic novels was written after the original story, but deals with events within the same timeframe. All three parts were published as individual installments, but have also been reprinted as a single combined volume.
Road to Purgatory and Road to Paradise
These two prose sequels deal with the adult life of Michael O'Sullivan, Jr., under his adoptive identity of Michael Satariano. After military service in Bataan during World War II, he returns to the world of organized crime to seek revenge on other gangsters who had been complicit in his father's death by posing as a senior member of the Chicago Outfit. Years later, having put his criminal past behind him, Michael is framed by a Chicago mobster for a hit he refused to carry out, forcing him to once again go on the run (accompanied by his teenage daughter) as he attempts to finally end his family's cycle of violence and revenge.
Collins is expected to write and direct the film adaptation of Road to Purgatory.[3]
Return to Perdition
This graphic novel follows the story of Michael Satariano, Jr., a Vietnam vet who returns home from the war and gets caught up in the criminal underworld of his father and grandfather.
Influences
Series author Collins acknowledged the influence of the Japanese mangaLone Wolf and Cub by Kazuo Koike and Goseki Kojima on his work with Road to Perdition, saying in an interview to the BBC that "Road To Perdition is 'an unabashed homage' to Lone Wolf And Cub".[4]
Ethan Iverson mentions in his detailed online bibliography for Donald E. Westlake, that Collins adapted some dialogue in the graphic novel (later included in altered form in the film adaptation) from a very similar scene in the Parker novel, Butcher's Moon.[5]