The Society of Devotees of Natural Science was formed in Moscow in 1863. The society's first President was Gregory Ephimovich Shchurovsky and he together with other leading members of the society discussed having a museum. Their first move in this direction was to establish a library this held books documenting the history of science and technology. This became the Central Polytechnic Library but this established their ambitions. In 1871 Moscow council set aside half a million roubles to create a museum. A committee was formed with Grand Duke Konstantin Nikolayevich as an honorary chair. The formation of a museum was timely as Peter the Great's 200th anniversary would inspire the All-Russian Technical Exhibition that would be used to launch the new museum.[3] Since June 2023, the president of the museum is the head of the Kurchatov Institute, Mikhail Kovalchuk.[4]
Collections
As of January 1, 2013 the museum fund of the museum consisted of 229,348 items.
The collection of computing equipment is the most comprehensive display in Russia and includes rare copyrights devices, such as automated abacus by Viktor Bunyakovsky,[5] one of the first models of Odner's adding machine, the only surviving copy of the domestic computer "Ural", hydraulic integrator by Vladimir Lukyanov,[6] the world's only computer based on ternary logic, "Syetun" and many other rarities.
Modernization
On the basis of the decree of the Ministry of Culture of the Russian Federation, the Development Fund of the Polytechnic Museum held a tender for the development of the museum concept. As a result of a choice from 14 competitive bids provided by Russian and foreign companies specializing in museum design, British company Event Communications was selected.[7]
^Derek Anderson (30 September 2010). "U.K.-Irish Firm to Revamp Museum". The Moscow Times. Event Communications was selected from a shortlist of four firms by a 16-member jury that included Culture Minister Alexander Avdeyev, Rusnano head Anatoly Chubais, presidential aide Arkady Dvorkovich and representatives of several European museums. The other three contenders were the Spanish CosmoCaixa, the U.S. Ralph Appelbaum Associates and U.S.-Canadian Lord Cultural Resources.
^Vladimir Markov, Russian Futurism: A History, University of California Press, 1969, [1]