The project was initially conceived in 1957 as a two-part episode of the Disneyland television series, but it was shelved until it was revived as a musical film in 1975. It was released on November 3, 1977 to mixed reviews from critics, though some praised the animation.
In Maine in the early 1900s, an orphan named Pete flees from the Gogans – a horrible and abusive farm family that had previously purchased him – with the assistance of an unseen force he calls Elliott. They call for him to return and promise they will treat him better, while also intending to punish him severely. After they abandon their search, he falls asleep. The next morning, he awakens and Elliott is revealed to be a dragon that can turn invisible.
Pete and Elliott visit Passamaquoddy, where the invisible Elliott's clumsiness causes Pete to be labeled a source of bad luck. Lampie, the lighthouse keeper, stumbles out of a tavern and encounters him. Elliott makes himself visible and Lampie, terrified, runs to the townspeople. They dismiss his claims as a drunken rant. In a seaside cave, Pete reprimands Elliott for causing trouble. As they make up, Lampie's daughter, Nora, appears, warning that Pete is not safe there because of the incoming tide. After realizing he is an orphan and not from the area, she offers him shelter at the lighthouse, and they bond. He learns the story of her fiancé, Paul, whose ship was lost at sea the year before, and promises to ask Elliott to try to locate him.
Itinerant quack Dr. Terminus and his assistant, Hoagy, win over the gullible townspeople, who are angered by their return. After Lampie takes Hoagy to the cave where Elliot resides to prove that he is real, their encounter with him goes awry and they flee. Hoagy tries to tell Dr. Terminus about Elliott, but he does not believe him. The next day, the local fishermen complain about the scarcity of fish, believing it's Pete's fault. Nora says the fishing grounds shift from time to time and Pete should be welcomed into town. That night, Nora and Lampie argue over Lampie's claims of seeing Elliott and Nora's belief that Paul will return.
Nora takes Pete to start school, where the teacher, Miss Taylor, punishes him for Elliott's antics. Enraged, Elliott smashes into the schoolhouse, leaving his shape in the wall and frightening the townspeople. Dr. Terminus, now convinced Elliott is real, discovers from a book that any physical property from dragons can be used for remedies and tonics, and conspires with Hoagy to exploit Elliott for medical profit. Pete accepts Nora and Lampie's invitation to live with them. When the Gogans arrive in town and demand he be returned, they brandish a document proving they had legally bought him for fifty dollars (plus fees), but Nora refuses to surrender him. As the Gogans chase them in a boat, Elliott sinks it, saving Pete. Dr. Terminus makes a deal with the Gogans to capture Pete and Elliott, even convincing the townspeople that capturing Elliott will solve their problems.
That evening, a storm blows in, while at sea, a ship approaches Passamaquoddy with Paul on board. Dr. Terminus lures Pete to the boathouse while Hoagy does the same to Elliott, who gets caught in a net, but frees himself. He retrieves Pete in a confrontation with the Gogans, who flee after he destroys their document. Dr. Terminus attempts to harpoon him, but his leg gets caught in the rope and he is sent catapulting through the ceiling, ending up dangling upside down near a utility pole. Elliott saves the Mayor, Miss Taylor, and the members of the Town Board from a falling utility pole, revealing himself to them. At the lighthouse, the lamp has been extinguished by a rogue wave. Elliott lights it with his fire, revealing himself to Nora and saving the ship.
The next morning, the Mayor and townspeople praise Elliott for his help, and Nora is reunited with Paul. He explains he was the sole survivor of a shipwreck at Cape Hatteras and suffered amnesia, but something knocked him out of bed and restored his memory. Elliott reveals to Pete that since he has a family now, he must move on to help another child in trouble, and will not see Pete again. Soon accepting this, Pete says goodbye to him as he and his family watch him fly away, with Pete reminding him that he is supposed to be invisible as he disappears into the sky.
Cast
Helen Reddy as Nora, the kind daughter of the local lighthouse keeper.
Jim Dale as Dr. Terminus, a scheming quack and showman.
Mickey Rooney as Lampie, the local lighthouse keeper and Nora's father.
Red Buttons as Hoagy, the assistant of Dr. Terminus.
In December 1957, Walt Disney Productions optioned the film rights to the short story "Pete's Dragon and the U.S.A. (Forever After)" that was written by Seton I. Miller and S.S. Field, in which Miller was hired to write the script.[3][4] Impressed with his performance in Old Yeller, Walt Disney had child actor Kevin Corcoran in mind to star in the project as a feature-length film.[5][6] However, Disney considered the project to be more appropriate for his Disneyland anthology program,[6] by which it was slated to be filmed as a two-part episode in the following year.[3] In February 1958, Variety reported that filming was scheduled to begin in October. By the following spring, veteran screenwriter Noel Langley had completed his draft of the script. However, Disney was still unsure of how to approach the project, and the project was placed in turnaround.[6]
In 1968, writers Bill Raynor and Myles Wilder were hired to write the script, and completed their outline in October. They submitted their outline to the studio for review, but the project continued to languish in development.[3] In 1975, producer Jerome Courtland re-discovered the project and hired writer Malcolm Marmorstein to write the script.[3] For his script, Marmorstein revised the story from being in contemporary time into a period setting, and had the dragon changed from being wholly imaginary into a real one. In earlier drafts, Elliott was mostly invisible aside from one animated sequence, in which Dr. Terminus would chop up the dragon for his get-rich scheme. However, veteran Disney artist Ken Anderson felt the audience would "lose patience" with the idea and lobbied for Elliott to be seen more in his visible form during the film.[7] In retrospect, Marmorstein conceded that "We tried a completely invisible dragon, but it was no fun. It was lacking. It's a visual medium, and you're making a film for kids." He also named the dragon "Elliott" after actor Elliott Gould (who was a friend from his theater days), and named the town "Passamaquoddy" after the real Native American tribe in Maine.[8]
In October 1975, the songwriting duo of Al Kasha and Joel Hirschhorn were assigned to compose the musical score.[9] The production was directed by British filmmaker Don Chaffey, who had made two smaller films for Disney in the early 1960s between directing larger fantasy adventures (Jason and the Argonauts, One Million Years B.C.) for others.
Locations
The lighthouse for the film was built on Point Buchon Trail in Montana De Oro State Park located south of Los Osos, California,[4] substituting for Maine. It was equipped with such a large beacon that Disney had to get special permission from the Coast Guard to operate it, since doing so during filming would have confused passing ships. Pacific Gas and Electric opened the Point Buchon Trail and allows hikers access to where filming took place (35°14′49.08″N120°53′50.63″W / 35.2469667°N 120.8973972°W / 35.2469667; -120.8973972).
Animation
The film is the first involving animation in which none of the Nine Old Men—Disney's original team of animators—were involved. One technique used in the movie involved compositing with a yellowscreen that was originally used in Mary Poppins and similar to today's greenscreen compositing, whereby up to three scenes might be overlaid together – for example, a live foreground, a live background, and an animated middle ground containing Elliott. Ken Anderson, who created Elliott, explained that he thought it would be appropriate to make him "a little paunchy" and not always particularly graceful at flying.[10][11]Don Hahn, who was an assistant director to Don Bluth on Pete's Dragon, gained some experience working with a combination of live-action and animation before later going on to work on Who Framed Roger Rabbit.[12]
Release
Pete's Dragon premiered on November 3, 1977 at the Radio City Music Hall, in which the film ran 134 minutes. For its general release, it was edited down to 121 minutes. It was later re-released on March 9, 1984, shortened from 121 minutes to 104 minutes. The film's movie poster was painted by artist Paul Wenzel.[13][14]
Soundtrack
A soundtrack recording (Disneyland 3138) was released that told much of the story and added a narrator, but unlike many other Disney book and records, used the actual dialogue recorded for the film, which the book presented in script format. The inclusion of story led to the omission of several songs, including "The Happiest Home in These Hills," "There's Room for Everyone," and "Bill of Sale," while "Brazzle Dazzle Day" is included only in instrumental.
Home media
The film was released on VHS in early 1980. It was re-released on VHS on October 28, 1994 as a part of Masterpiece Collection. It was originally slated to be released in the Walt Disney Gold Classic Collection line-up on December 5, 2000,[15] but it was pushed back to January 16, 2001. The DVD includes bonus features such as two animated shorts Lighthouse Keeping and Man, Monsters and Mysteries, two vintage excerpts from the Disney Family Album episode on Ken Anderson and "The Plausible Impossible" from Disneyland, and both theatrical trailers for the film.
The film was re-released in a "High-Flying Edition" DVD on August 18, 2009. The DVD includes a half-hour documentary feature, a deleted storyboard sequence, original demo recordings of the songs, and several bonus features transferred from the Gold Classic Collection release.[16] It was released on the 35th-anniversary edition Blu-ray on October 16, 2012.
Reception
Critical reaction
Janet Maslin of The New York Times praised the film declaring it "the most energetic and enjoyable Disney movie in a long while." She noted, "Sean Marshall doesn't sing well, but Helen Reddy does, so she often accompanies his vocals. Miss Reddy is serviceable but undistinguished as an actress—she has a tendency to behave as if she were a very bright light bulb in a very small lamp—but she so often finds herself in the company of Messrs. Rooney, Dale or Buttons that her scenes work well." However, she was critical of the film's length and the excessive alcohol consumption.[17]
Kathleen Carroll of the New York Daily News gave the film three stars out of four, criticizing the score and the live-action footage, but praising the animation of the dragon and the performances, writing "Sean Marshall, as Pete, looks and acts natural on camera which makes him a refreshing change from those sweet little cherubs usually cast in Disney movies. Miss Reddy plays her role with crisp efficiency and fortunately receives strong support for the rest of the cast, particularly Dale, so slick and funny as the conniving medicine man he nearly upstages the cuddly dragon."[18]
Variety wrote the film was "an enchanting and humane fable which introduces a most lovable animal star (albeit an animated one)." They praised the combination of live-action and animation as "never before more effectively realized" and commented that the film suffered "whenever Elliott is off screen."[19]
John Skow of Time wrote the film was "likeable fantasy", but dismissed the musical numbers as "a good opportunity to line up for more popcorn."[20]
Charles Champlin of the Los Angeles Times wrote, "At 2 hours 7 minutes it is a trying span for small sitters. The animated excitements keep stopping for songs by Al Kasha and Joel Hirschhorn, but they are not showstoppers in the grand sense. Bland, perfunctory and too numerous is more like it."[21]
Gene Siskel of the Chicago Tribune gave the film two stars out of four and wrote that "we get the same tired Disney formula: a gooey-faced kid in a phony sound-stage world populated by old actors required to perform ancient vaudeville routines ... Compared to the great Disney animation classics, 'Pete's Dragon' is just TV fare on the wide screen."[22]
Gary Arnold of The Washington Post wrote that the film "was apparently meant to be a big, rousing musical comedy-fantasy, but it's staged and photographed without musical-comedy energy, flair or coordination ... Perhaps children can be counted on to enjoy Elliott's mugging and the slapstick interludes that occasionally interrupt the tedium, but parents will see this one more as a chore."[23]
Critic Leonard Maltin observed that Disney made several attempts to recreate the appeal and success of Mary Poppins (1964), and that Pete's Dragon did not come close on that score. However, he added that it might please children, and that "the animated title character is so endearing that it almost compensates for the live actors' tiresome mugging."[24]
Thomas J. Harris, in his book Children’s Live-Action Musical Films: A Critical Survey and Filmography, heavily criticized the story as well as the compositing of the animated Elliott; he also found the "Mary Poppinsish ending" to be "thoroughly unmotivated", because Pete's life before meeting Elliott is never fleshed out.[25]
In 2006, Elliott was ranked fifth on a top 10 list of movie dragons by Karl Heitmueller for MTV Movie News.[26]
On the review aggregator website Rotten Tomatoes, the film has an approval rating of 56% based on 27 reviews, with an average rating of 5/10. The site's consensus states: "Boring and slow, this is a lesser Disney work, though the animation isn't without its charms."[27]Metacritic gave film a score of 46 based on 5 reviews, indicating "mixed or average reviews".[28]
Box office
During its initial release, the film grossed $16.1 million in distributor rentals from the United States and Canada,[29] which was ranked sixteenth on Variety's box office hits list of 1978.[30] However, the returns were considered disappointing for Disney who were hoping for a Mary Poppins-sized blockbuster.[31][32] The film has a lifetime domestic gross ranging from $36[1] to 39.6 million.[2]
In March 2013, Disney announced a remake of the film, written by David Lowery and Toby Halbrooks, the director/writer and co-producer (respectively) of the Sundance hit Ain't Them Bodies Saints (2013). The film is a live-action movie instead of an animated movie. It re-imagines a venerable Disney family and is presented as a straightforward drama as opposed to a musical.[36] Principal photography commenced in January 2015 in New Zealand, with Lowery directing,[37][38] and subsequently released on August 12, 2016.
^Farago, Andrew (November 30, 2008). "Roger Rabbit turns 20". Animation World Network. Archived from the original on April 2, 2015. Retrieved November 12, 2009.
^"Paul Wenzel". Cinematerial.com. Archived from the original on August 14, 2019. Retrieved August 13, 2019.
^"Big Rental Films of 1978". Variety. January 3, 1979. p. 17.
^Krämer, Peter (September 2002). "'The Best Disney Film Disney Never Made': Children's Films and the Family Audience in American Cinemas since the 1960s". In Neale, Steve (ed.). Genre And Contemporary Hollywood. London, UK: British Film Institute. p. 189. ISBN0-85170-887-0.
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