Paul Seymour Matthen (1914-2003) was an American bass-baritone, musical scholar and music pedagogue.[1] He attended Columbia University, where he studied chemistry in addition to music. While there he was a student of Friedrich Schorr.
Career
Paul Matthen had a distinguished concert and operatic career, drawing much praise for his ability with opera, early music, and German Lieder. He performed with major symphony orchestras including that of the Boston Symphony, Cleveland, Philadelphia, and the National Symphony in D.C.
A leading bass-baritone at the Wurttembergishe Staatsoper for many years, he sang in operas directed by Wieland Wagner (grandson of Richard Wagner) as well as in Italian and French operas. In addition to regular appearances on national radio and television networks, he was soloist on the stages of Carnegie Hall, Town Hall, and was soloist at Radio City Music Hall for two years.
Matthen was twice offered contracts with the Metropolitan Opera, first in 1943 and again in 1950. He declined both offers due to preexisting contractual obligations, as well as for family reasons.[2]
In 1954 he appeared as a soloist in the Spring Faculty Festival of the Longy School of Music of Bard College at Harvard University's Sanders Theater in Cambridge, Massachusts. He was featured in a performance of Jean-Philippe Rameau's cantata Aquilon et Orithie, RCT 23 as well as Hubert Lambs' love songs Innocentium Carmina which are based upon the medieval poetry collection Carmina Burana. Matthen was cited by the critics at The Harvard Crimson magazine for demonstrating tonal beauty while performing demanding vocal lines.[3]
