Manuel Göttsching (9 September 1952 – 4 December 2022) was a German musician and composer.[1]
As the leader of the groups Ash Ra Tempel and Ashra in the 1970s and 80s, as well as a solo artist, he was one of the most influential guitarists of the Krautrock (also known as Kosmische Musik) genre. He also participated in the Cosmic Jokers sessions. His style and technique influenced dozens of artists in the post-Eno ambient and Berlin School of electronic music scenes in the 1980s and 1990s.
Early life
As a child, Göttsching was exposed to the music of Verdi and Puccini by his mother, who was a fan of opera. He also listened to radio stations run by American and British allied forces. Too young for early rock and roll, it was not until the 1960s that Göttsching found the music that really inspired him such as Motown music from the United States, as well the Rolling Stones and British blues bands. Originally a classical guitarist, the music he heard inspired him to switch to the electric guitar.[2]
In school, Göttsching played with a cover band. "We played some Rolling Stones, we played some Beatles, we played some Who, some what was the popular music and that was just for fun," he recalls.[2] However upon hearing Blue Cheer's proto-metal cover of "Summertime Blues" and learning about the free jazz movement inspired Göttsching and his bandmates to pursue a freer, more improvisatory approach to music.
Ash Ra Tempel
Göttsching and his bandmates moved from song-based music to free improvisation, forming the musical group Ash Ra Tempel in 1970. "We didn't play blues," Göttsching recalls. "We used some elements of it but tried to keep the freestyle of improvisation and using some blues themes."[2] Along with Göttsching, the group included Klaus Schulze (who had just left Tangerine Dream) and Hartmut Enke. Just after Ash Ra Tempel released its self-titled debut album in 1971, Schulze left to pursue what became a successful solo career.[3]
Göttsching died on 4 December 2022, at the age of 70.[4][5]
Legacy
Göttsching's 1981 album E2-E4 had a major influence on the development of electronica, especially the techno genre. Some suggest that Göttsching's playing might have had an influence on U2's The Edge echo-laden guitar style of the early to mid-eighties.[6]
