At 19, Terry Jean Moore was convicted of armed robbery. Soon after entering prison, she meets a guard named Jack Hansen. The two start an affair, which falls apart after Moore becomes pregnant with his child. As a prisoner, Terry then faces the harsh reality of losing her baby, but fights the system to keep her child.
Janet Maslin of The New York Times found the film a stretch: "Larry Peerce, who directed Love Child, tries for as much prison-movie stridency as the material will bear, but his portrait of Terry is so mild that the film's harsher touches seem gratuitous. The periodic cat-fights among the prisoners are certainly nasty, but they don't contribute to any overall continuity. ...Amy Madigan, a newcomer who plays Terry, makes her a raw-boned, angry tomboy at first; only gradually is the child-crying-out-for-help side of the character revealed. Miss Madigan seems potentially a tough, unusual actress, but Mr. Peerce keeps her at full throttle so much of the time that the performance loses its force. Her wildeyed, furious mannerisms, at first quite arresting, become familiar long before they should. Miss Madigan isn't alone in this; all of the film's characters have a tendency to come on too strong and then wear out their welcomes."[2]
Stanley Kauffmann, however, wrote of Madigan's performance: "...I'm saving the best for last... Madigan, freckled, plain but winning, is simultaneously proud and pathetic, intense and vulnerable. A familiar phrase in the literature about acting is the Illusion of the First Time. It's usually applied to dialogue that has been memorized and rehearsed; in Madigan's case, it can be applied to her entire, fundamentally familiar role. She brings us news, human news."[3] And in The Village Voice,Carrie Rickey wrote that "Love Child ... contains one gem: Amy Madigan's raw-nerve performance."[4]