Image |
Title |
Date |
Technique |
height x width (cm) |
Location |
Commentary
|
|
A Distant View of Pevensey Bay, the Landing Place of King William the Conqueror
|
1824
|
Oil on canvas
|
14.61 x 233.6
|
Norwich Museums Collections[14]
|
View of Beachy Head from Pevensey – "Vincent's most ambitious painting"; its "bright colouring and magnificent panoramic space" emulated J. M. W. Turner. (Hemingway)
Moore suggests that the "magnificence" of the view depicted by Vincent can be compared with both Constable and Turner.
"one of his most ambitious oils" (Walpole)
|
|
A Harbour Scene in the Isle of Wight, Looking Towards the Needles
|
1824
|
Oil on panel
|
39.1 x 55.9
|
Yale Center for British Art, Paul Mellon Collection[18]
|
|
|
An English Farmstead
|
|
oil on canvas
|
101.5 x 127
|
Wolverhampton Art Gallery[19]
|
(attributed to)
|
|
An Old Farmstead near Norwich
|
|
oil on canvas
|
76.8 x 63.5
|
|
|
|
A Norfolk Cottage
|
|
oil on panel
|
43.2 x 59.7
|
|
Sold at Keys in 2016. A photograph of a similar composition entitled View Near Cromer, signed and dated 1827, is in the Witt Library of the Courtauld Institute of Art.[20]
|
|
A Norfolk Mill
|
|
Oil on panel
|
32.8 x 24.2
|
Museums Sheffield[21]
|
|
|
A Quiet Pool
|
|
Oil on panel
|
30.5 x 22.9
|
|
|
|
A Shady country road
|
|
Oil on canvas
|
20.3 x 25.7
|
Victoria and Albert Museum
|
As part of an analysis of the painting's provenance by the Victoria and Albert Museum, the painting is a copy, and the whereabouts of the original by Vincent is unknown. According to the V&A, the painting has been convincingly attributed to John Joseph Cotman.[23] In 1905, Dickes did not doubt that it was Vincent's.
|
|
A Shady Pool
|
|
Oil on oak panel
|
30.4 x 25.4
|
Norwich Museums Collections[25]
|
|
|
A View near Thorpe, Norwich
|
|
|
|
Sheffield Museums
|
|
|
A View of Cheddar Gorge
|
c.1820
|
Oil on canvas
|
91.4 x 121.9
|
Yale Center for British Art, Paul Mellon Collection[26]
|
|
|
A View of Suffolk
|
|
oil on canvas
|
90.6 x 113.4
|
Museums Sheffield[27]
|
|
|
A View of Thames Street, Windsor
|
|
oil on canvas
|
67.6 x 93.3
|
Yale Center for British Art
|
|
|
A View to Canterbury, Kent
|
|
Oil on canvas
|
62 x 75
|
|
Sold at auction, Previously with Newhouse Galleries, New York[28]
|
|
After the storm
|
|
Oil on canvas
|
75 x 125.5
|
|
Sold at Bonhams in 2015 (fetched £625)[29]
|
|
Alum Bay, Isle of Wight
|
|
|
|
|
"exceptional example of the work of Crome's pupil, George Vincent..." (Walpole, Art and Artists of the Norwich School): painting reproduced p. 45.
|
|
Beechy Head and the Martello Towers looking over Hastings from Fairlight
|
|
Oil on board
|
38 x 49
|
|
Sold at Bonhams in 2015 (fetched £812)[31]
|
|
Bramerton, Woods End, near Thorpe, Norfolk
|
1821
|
Oil on canvas
|
|
Bolton Art Gallery[32]
|
|
|
Brancepeth Castle, Durham
|
|
oil on canvas
|
27.9 x 43.2
|
|
Sold at Keys in 2011 for £1500.[33]
|
|
Castle Ashby, Northamptonshire
|
|
Oil on canvas
|
35.1 x 46.5
|
Newstead Abbey[34]
|
|
|
Cattle and sheep crossing a ford, a distant view of Norwich beyond
|
|
|
|
Inland Revenue Register of Conditionally Exempt Works of Art
|
|
|
Cattle Drinking
|
|
oil on canvas
|
49.8 x 75.1
|
Museums Sheffield[35]
|
|
|
Cattle grazing before a windmill
|
|
Oil on panel
|
32 x 43
|
|
Sold at Bonhams in 2003 (fetched £2937)[36]
|
|
Coast Scene with Rivers and Boats
|
|
|
|
Lady Lever Art Gallery
|
|
|
Country Lane with Figures by a Cottage
|
|
oil on canvas
|
24.3 x 33
|
|
Sold at Keys in 2011 for £270.[37]
|
|
Driving the Flock, St Mary's, Beverley
|
|
Oil on canvas
|
101.6 x 127
|
Private collection
|
Also known as Driving the Flock, St Mary's, Beverley. Exhibited in 1820 under the title Sheep Crossing a Brook, "freshly coloured" and already showing Vincent's ability to be original and distinctive. (Hemingway)
|
|
Dutch Fair on Yarmouth Beach (The Dutch Fair at Great Yarmouth)
|
|
Oil on canvas
|
130 x 162
|
Norwich Museums Collections
|
Hemingway describes the work as being "on a much more ambitious scale than Crome's" and compares it with Turner's St Mawes at the Pilchard Season.
|
|
English landscape with a windmill
|
|
|
|
Victoria Art Gallery, Bath, Somerset
|
|
|
Entrance to Loch Katrine – moonlight; Highlanders Spearing Salmon
|
1825
|
Oil on canvas
|
76.8 x 107.9
|
Norwich Museums Collections[40]
|
Regarded by the Norfolk Chronicle 6 August 1825 as "capital"; Vincent's stated ambition of producing 'Rembrant effects' in a painting was achieved here. (Moore)
Described by Hemingway as the most romantic of Vincent's Scottish scenes, and by Dickes as "magnificent and Crome-like".
|
|
Evening Twilight
|
|
Oil on canvas
|
67.9 x 91.4
|
Nottingham Castle Museum and Art Gallery[44]
|
(attributed)
|
|
Farmyard Scene
|
|
|
|
Haworth Art Gallery
|
|
|
Figures in a Wooded Lane with Cottage in Distance
|
|
oil on board
|
21.6 x 27.9
|
|
Sold at Keys in 2015 for £720.[45]
|
|
Fish Auction, Yarmouth Beach
|
1827
|
Oil on canvas
|
63.5 cm x 76.2
|
National Trust
|
|
|
Fishing Boats in a Harbour
|
1828
|
Oil on canvas
|
64 cm x 92.4
|
Norwich Museums Collections[46]
|
|
|
Greenwich Hospital
|
1827
|
|
|
|
"It is at the same time a most charming performance". (Dickes)
|
|
Greenwich Hospital from the River
|
1827
|
Oil on canvas
|
hw
|
|
"his masterpiece" (Dodgson)[8]
For further information about the painting see the main article about George Vincent.
|
|
Grove Scene, Norwich
|
1824
|
oil on panel
|
55.9 x 47.7
|
Victoria Art Gallery, Bath, Somerset[48]
|
|
|
Landscape
|
|
Oil on canvas
|
22.2 x 32.2
|
Victoria and Albert Museum[49]
|
|
|
Landscape (View near Norwich)
|
|
Oil on mahogany panel
|
26.7 x 34.6
|
Norwich Museums Collections[50]
|
|
|
Landscape, Cattle and Figures
|
|
|
|
Williamson Art Gallery and Museum
|
|
|
Landscape – Cattle Crossing A Stream
|
|
Oil on canvas
|
|
Birmingham Museum and Art Gallery[51]
|
|
|
Landscape – Loading Hay
|
|
|
64.77 x 80
|
|
"Texture excellent, particularly on the cattle and sheep." (Dickes)
|
|
Landscape with Cart
|
|
Oil on canvas
|
25.4 x 18.1
|
Norwich Museums Collections[53]
|
(attributed)
|
|
Landscape with Cattle in a Pool
|
|
oil on wood
|
25.4 x 30.5
|
Nottingham Castle Museum and Art Gallery[54]
|
|
|
Landscape with Cottages and Tinker
|
1828
|
oil on canvas
|
43.8 x 60.3
|
Nottingham Castle Museum and Art Gallery[55]
|
|
|
Landscape with Figures
|
1824
|
oil on wood
|
38.1 x 48.2
|
Leeds Art Gallery, Leeds Museums and Galleries[56]
|
|
|
Landscape with figures and cottage
|
|
Oil on panel
|
25.4 x 18.1
|
Norwich Museums Collections[57]
|
|
|
Landscape with mule, pedlar and figures
|
|
|
|
Nottingham Castle Museum and Art Gallery
|
|
|
Lane Scene
|
|
Oil on oak panel
|
24.8 x 20.3
|
Norwich Museums Collections[58]
|
|
|
Loch Etive, Argyllshire
|
1821
|
Oil on canvas
|
54 x 72.2
|
Fitzwilliam Museum, Cambridge[59]
|
|
|
London from the Surrey Side of Waterloo Bridge
|
1820
|
oil on canvas
|
142.24 x 203.2
|
|
"an important work" (Dickes)
Listed and illustrated in A catalogue of pictures by British artists in the possession of Sir John Fleming Leicester, Bart. (1825)[61] Sold at Christie's on 11 September 2019 as St. Paul's from the Surrey Side of Blackfriars Bridge, figures and sailing barges in the foreground, for £10,000.[62]
|
|
Middle Mill, Wandsworth
|
|
oil on canvas
|
65 x 89.5
|
British Embassy, Luxembourg
|
Part of the Government Art Collection[63]
|
|
Mousehole Heath, Norfolk
|
|
oil on canvas
|
43 x 63
|
The Ashmolean Museum of Art and Archaeology[64]
|
(attributed to)
|
|
Mouth of the Yare
|
1821
|
Oil on panel
|
71.1 x 91.4
|
Towneley Hall Art Gallery & Museum[65]
|
|
|
Norfolk river scene
|
|
Oil on panel
|
47.5 x 55.5
|
|
Sold at Bonhams in 2008 (fetched £4200)[66]
|
|
On the river Yare
|
|
|
|
Sheffield Museums
|
|
|
On the River Yare
|
|
Oil on canvas
|
87.0 x 112.7
|
Norwich Museums Collections[67]
|
|
|
On the River Yare, Norfolk
|
|
Oil on canvas
|
|
|
|
|
Overstand near Cromer
|
|
oil on panel
|
21.6 x 16.1
|
|
Sold at Keys in 2014 for £300.[68]
|
|
Pastoral Scene
|
1828
|
Oil on mahogany panel
|
66.1 x 84.5
|
Norwich Museums Collections[69]
|
|
|
Pevensey Bay 1824
|
1824
|
Oil on paper laid on millboard
|
20.6 x 27.5
|
Norwich Museums Collections[70]
|
Signed, inscribed and dated lower left centre 'GV to HD 1824'.[70]
|
|
Portrait of George Vincent (1796–1832), with landscape background by himself
|
|
Oil on canvas
|
77 cm x 63.5
|
Norwich Museums Collections[71]
|
Portrait by James Clover
|
|
Postwick Grove
|
|
Oil on panel
|
38.4 x 32.4
|
Norwich Museums Collections[72]
|
|
|
River Scene with Boats
|
1825
|
Oil on board
|
25 x 35
|
National Trust, Felbrigg Hall[73]
|
|
|
Road Scene with Cattle
|
|
Oil on oak panel
|
42.2 x 34.9
|
Norwich Museums Collections[74]
|
|
|
Road Scene with Cottage
|
|
Oil on panel
|
29.8 x 38.1
|
Norwich Museums Collections[75]
|
|
|
Rouen
|
1816
|
Oil on canvas
|
63.4 cm x 91.7
|
Norwich Museums Collections[76]
|
Vincent's only painting derived from a visit to the continent in 1816.
Probably painted shortly after a visit to France, may have been inspired by Boulevard des Italiens, painted by John Crome. "...marred by inconsistencies of scale and perspective..." (Hemingway)
|
|
Rural landscape with figures
|
|
Oil on canvas
|
63.5 cm x 81.3
|
|
A group of large russet trees are in the foreground before a pool, on which three ducks are floating. At left and right are thatched cottages amid foliage. Exhibited in New York in 1932.[78]
|
|
Rustic Scene
|
1826
|
Oil on panel
|
53.0 x 63.8
|
Norwich Museums Collections[79]
|
On display at the Elizabethan House Museum, Great Yarmouth[80]
|
|
Sea Piece
|
1827
|
oil on canvas
|
50.2 x 68.6
|
Nottingham Castle Museum and Art Gallery[81]
|
|
|
Ship Building at Greenwich
|
1823
|
Oil on canvas
|
31 x 40
|
Sold at Bonhams in 2004 (fetched £27,500)[82]
|
Stamped to the reverse of the panel: 'R. Davy, 83 Newman Street'. This would date the panel to post-1822. Exhibited: Norwich School paintings, Norwich Castle 1927. No 121.
|
|
St Benet's Abbey, Norfolk
|
|
oil on panel
|
21.6 x 27.9
|
|
Sold at Keys in 2016.[83]
|
|
Sunlit glade
|
|
Oil on mahogany panel
|
67.3 x 83.8
|
Art Gallery NSW[84]
|
|
|
The Blasted Oak
|
1830
|
Oil on canvas
|
76.1 x 63.1
|
Norwich Museums Collections[85]
|
|
|
The River Yare with Cottage and Young Man Fishing from the Bank
|
|
oil on canvas
|
40.6 x 55.9
|
|
Sold at Keys in 2012.[86]
|
|
The Travelling Pedlar
|
c.1826
|
Oil on canvas
|
388.4 x 112
|
Norfolk Museums Service[87]
|
|
|
The Travelling Tinker
|
|
oil on canvas
|
42.2 x 53.3
|
Victoria Art Gallery, Bath, Somerset[88]
|
|
|
The Travelling Tinker
|
|
|
|
Christchurch Mansion Museum and Art Gallery, Suffolk
|
|
|
Trowse Hythe, near Norwich
|
|
Oil on canvas
|
31.8 cm x 41.3
|
Norwich Museums Collections[89]
|
|
|
Trowse Meadows, near Norwich
|
1828
|
Oil on canvas
|
72.9 x 109.4
|
Norwich Museums Collections[90]
|
"This charming pastoral was apparently so admired by Thirtle that he made a beautiful water-colour drawing from it". (Dickes)
"...one of the most impressive of his late works. It inevitably invites comparison with Constable's Haywain"; "The handling of Trowse Meadows does not have the transparency and glitter of Constable's paintwork, but the perspective of the clouds, the light effect and the atmospheric recession are all superbly rendered." (Hemingway)
"The dainty painting of the trees, the broad treatment of the middle distance and above all the spectacular cloud formation... ...are all features associated with the best of Vincent's late work". (Moore)
|
|
Valley of the Yare, near Bramerton
|
1828
|
Oil on canvas
|
76.2 x 104.5
|
Norwich Museums Collections[93]
|
|
|
View from Sandlings Ferry
|
|
|
45.7 x 63.5
|
|
"...has a good deal of quiet beauty." (The Builder, 12 January 1878)[94]
"This picture is remarkable for its pearly atmosphere. A tender vapour seems to pervade the scene." Owned by the Norfolk antiquarian William Birkbeck in 1905.(Dickes)
Donated to the Norwich Castle Museum by his widow in 1914. Sold to Liverpool Museum in 1956.[96]
|
|
View in Glen Sharrah near Inverary
|
1823
|
Oil on canvas
|
63.5 x 76.8
|
Norwich Museums Collections[97]
|
|
|
View in the Highlands
|
1827
|
Oil on canvas
|
101.6 x 127.9
|
Fitzwilliam Museum, Cambridge[98]
|
|
|
View near Norwich, Norfolk
|
c.1820
|
Oil on canvas
|
50 x 60
|
Northampton Museums & Art Gallery[99]
|
|
|
View near Pevensey Bay, Sussex, with Shepherd and Sheep
|
|
Oil on canvas
|
64.77 x 79
|
|
Reproduced in Walpole Art and Artists of the Norwich School, p. 46.
|
|
View near Wroxham, Norfolk
|
|
oil on canvas
|
49.1 x 38.8
|
Manchester Art Gallery[100]
|
|
|
View of Yarmouth from Gorleston
|
|
Oil on canvas
|
104.1 x 166.4
|
|
"Though a multiplicity of detail gives a rather spotty effect, the sky naturally and solidly painted, representing beautiful floating clouds, renders this a masterpiece." (Dickes)
|
|
View on the River Yare
|
|
oil on canvas
|
112.5 x 202
|
Southampton City Art Gallery[101]
|
|
|
Woodland Road with Horseman and Sheep
|
|
Oil on panel
|
45.7 x 33
|
National Trust for Scotland, Brodie Castle[102]
|
|
|
Yarmouth Quay
|
1823
|
Oil on canvas
|
77.2 x 103.0
|
Norwich Museums Collections[103]
|
|