Mann wrote the original script for Heat in 1979, basing it on Chicago police officer Chuck Adamson's pursuit of criminal Neil McCauley, after whom De Niro's character is named.[5] The script was first used for a television pilot developed by Mann, which became the 1989 television film L.A. Takedown after the pilot did not receive a series order. In 1994, Mann revisited the script to turn it into a feature film, co-producing the project with Art Linson. The film marks De Niro and Pacino's first on-screen appearance together following a period of acclaimed performances from both. Due to their esteemed reputations, promotion centered on their involvement.
Heat was released by Warner Bros. Pictures on December 15, 1995, to critical and commercial success. It grossed $187 million on a $60 million budget, while receiving positive reviews for Mann's direction and the performances of Pacino and De Niro. The film is regarded as one of the most influential films of its genre and has inspired several other works.[6][7][8] A sequel was announced to be in development on July 20, 2022.[9]
Plot
Neil McCauley is a professional thief based in Los Angeles. He and his crew—right-hand man Chris Shiherlis, enforcer Michael Cheritto, driver Gilbert Trejo and newly hired hand Waingro—rob $1.6 million in bearer bonds from an armored car. During the heist, Waingro kills a guard without provocation, forcing the crew to eliminate the other two guards. Before long, McCauley prepares to kill Waingro in retaliation for the deaths of the guards, but he escapes.
LAPD Lieutenant Vincent Hanna and his team investigate the robbery. Hanna, a dedicated lawman and former Marine, has a strained relationship with his third wife Justine, and struggles to connect with his stepdaughter Lauren. McCauley, who lives a solitary life, begins a relationship with Eady, a graphic designer. They bond over their mutual isolation from society, and, claiming to be a metalworker, McCauley asks her to emigrate to New Zealand with him.
McCauley's fence Nate suggests that he sell the stolen bonds to their original owner, money launderer Roger Van Zant. Van Zant pretends to agree but instead arranges an ambush. Anticipating a trap, McCauley and his crew counter-ambush and kill the hitmen. Afterward, McCauley threatens Van Zant with revenge. An LAPD informant connects Cheritto to the robbery, and Hanna's team begins monitoring him, identifying the rest of the crew and their next target, a precious metals depository. The team stakes out the depository, but when a careless officer makes a noise, McCauley aborts the heist.
McCauley's crew agrees to one last bank robbery worth $12.2 million. Hanna tracks McCauley and pulls him over on the 105 Freeway, inviting him to coffee. They discuss their dedication to their respective jobs and the limitations of their personal lives; Hanna describes his failing marriage, and McCauley confides that he is similarly isolated. Despite their mutual respect, both men acknowledge that they will kill the other if necessary. Waingro makes a deal with Van Zant to help eliminate McCauley's crew. Trejo quits the bank robbery at the last moment, claiming that the LAPD is following him too closely. McCauley recruits old colleague Don Breedan to take Trejo's place as the getaway driver, and the crew carries out the heist.
Tipped by Van Zant's bodyguard, the LAPD intercepts the crew as they leave the bank, leading to a massive shootout. Breedan and Cheritto are killed alongside 18 police officers, while McCauley escapes with a wounded Shiherlis, and Bosko, one of Hanna's detectives, is killed. McCauley takes Shiherlis to a doctor to treat his wounds and leaves him with Nate. Suspecting that Trejo tipped off the LAPD, McCauley arrives at his house to confront him, but finds him mortally wounded and his wife killed.
Trejo reveals that Waingro and Van Zant forced him to divulge the bank heist plans before asking McCauley to kill him. McCauley breaks into Van Zant's mansion and kills him. After learning of McCauley's connection to Waingro and that the latter is hiding in a hotel, Hanna uses Waingro as bait to lure McCauley. As McCauley prepares to flee the country, Eady discovers his criminal identity but agrees to go with him. Before escaping, Shiherlis attempts to reconcile with his wife Charlene after his wife has been forced by the LAPD to bring him in. As Shiherlis encounters Charlene at her safe house, she warns him away with a hand gesture, and he escapes.
Having separated from Justine, Hanna learns that Lauren has attempted suicide in his own hotel room, and he rushes her to the hospital, saving her life. He reconciles with Justine, although they both agree that their relationship will never work.
McCauley drives with Eady the Los Angeles International Airport to flee to New Zealand via private jet. However, when Nate gives him Waingro's location, McCauley abandons his usual caution to seek revenge. McCauley infiltrates the hotel and kills Waingro in his room. However, as McCauley returns to Eady, he is spotted by Hanna and flees. Hanna chases McCauley onto the tarmac at the airport, and the two stalk each other before Hanna gets the drop on McCauley and shoots him in the chest. Hanna takes McCauley's hand as he dies of his wounds.
Additional cast members include Martin Ferrero as a hardware salesman and Hazelle Goodman as the mother of a prostitute murdered by Waingro. Featured as members of the LAPD are Paul Herman as Sergeant Heinz, Cindy Katz as forensics investigator Cindy, and Dan Martin as Detective Harry Dieter. Stuntmen Rick Avery, Bill McIntosh and Thomas Rosales Jr. portray the armored truck guards. Patricia Healy appears as a woman in a relationship with Bosko, and Yvonne Zima plays the girl taken hostage by Cheritto. News reporter Claudia is portrayed by Farrah Forke. Bud Cort makes an uncredited appearance as restaurant owner Solenko.[11]
Development
Factual basis
Heat is based on the true story of Neil McCauley, a calculating criminal and ex-Alcatraz inmate who was tracked down by Detective Chuck Adamson in 1964.[12][13] In 1961, McCauley was transferred from Alcatraz to McNeil Island Corrections Center, as mentioned in the film. He was released in 1962 and immediately began planning new crimes. Michael Parille and William Pinkerton used bolt cutters and drills to rob a manufacturing company of diamond drill bits, which is recreated in the film.[14]
Pacino's character is largely based on Detective Chuck Adamson, who began keeping tabs on McCauley's crew, knowing that he had begun committing crimes again. Adamson and McCauley met for coffee once, as portrayed in the film.[13] Their dialogue in the script is based on the conversation that McCauley and Adamson had.[14] The next time that the two met, guns were drawn, which is also mirrored in the movie.[13]
On March 25, 1964, McCauley and members of his regular crew followed an armored car that delivered money to a National Tea grocery store at 4720 S. Cicero Avenue, Chicago. When the drop was made, three of the robbers entered the store. They threatened the clerks and stole money bags worth $13,137[15] (equivalent to $129,000 in 2023) before getting away after police gunfire.[13][14]
McCauley's crew was unaware that Adamson and eight other detectives had blocked off all potential exits; the getaway car turned down an alley, and the robbers saw the blockade and realized that they were trapped. All four exited the vehicle and began firing. Russell Bredon (or Breaden) and Michael Parille were slain in an alley while Miklos Polesti (on whom Chris Shiherlis is loosely based)[13] shot his way out and escaped. McCauley was shot to death on the lawn of a nearby home. He was 50 years old and the prime suspect in several burglaries.[16] Polesti was caught days later and sent to prison. Polesti was still alive in 2011.[14]
Adamson went on to a successful career as a television and film producer, and he died in 2008 at age 71.[17] Mann's 2009 film Public Enemies is dedicated to Adamson's memory.
The character of Nate played by Jon Voight is based on criminal-turned-author Edward Bunker, who served as a consultant to Mann on the film.[13][14][18]
In 1979, Mann wrote a 180-page draft of Heat. He rewrote it after making Thief in 1981, hoping to find a director to make it and mentioning it public in a promotional interview for his 1983 film The Keep. In the late 1980s, he offered the film to his friend, film director Walter Hill, who turned him down.[19] Following the success of Miami Vice and Crime Story, Mann was to produce a new crime television show for NBC. He turned the script that would become Heat into a 90-minute pilot for a television series featuring the Los Angeles Police Department Robbery–Homicide division,[19] featuring Scott Plank in the role of Hanna, and Alex McArthur playing the character of Neil McCauley, renamed to Patrick McLaren.[20]
The pilot was shot in nineteen days, atypical for Mann.[19] The script was shortened to almost a third of its original length, omitting many subplots that made it into Heat. The network was unhappy with Plank as the lead actor, and asked Mann to recast Hanna's role. Mann declined and the show was canceled and the pilot aired on August 27, 1989, as a television film entitled L.A. Takedown,[19] which was eventually released on VHS and DVD in Europe.[21]
Production
Pre-production
On April 5, 1994, Mann was reported to have abandoned his earlier plan to shoot a biopic of James Dean in favor of directing Heat, producing it with Art Linson. The film marks the first on-screen appearance together of Al Pacino and Robert De Niro. Both actors had starred in The Godfather Part II but, owing to the film's story structure, they are not seen in the same scene.[22] Pacino and De Niro were Mann's first choices for the roles of Hanna and McCauley, respectively, and they both immediately agreed to act.[23]
Mann assigned Janice Polley, a former collaborator on The Last of the Mohicans, as the film's location manager, along with Lori Balton, who primarily handled scouting duties. Scouting locations lasted from August to December 1994. Mann requested locations that had not appeared on film before, in which Balton was successful—fewer than 10 of the 85 filming locations were previously used. The most challenging shooting location proved to be Los Angeles International Airport, with the film crew nearly missing the shot due to a threat to the airport by the Unabomber.[19] On the DVD commentary, Mann noted that it would be impossible to film the airport climax in the way following the events of 9/11.
To make the long shootout more realistic, they hired British ex-Special Air Service sergeant Andy McNab as a technical weapons trainer and adviser.[24] He designed a weapons-training curriculum to train the actors for three months using live ammunition before shooting with blanks for the actual take and worked with training them for the bank robbery.[25]
Casting
De Niro was the first cast member to receive the film script, showing it to Pacino, who also wanted to be part of the film. De Niro believed that Heat was a "very good story, had a particular feel to it, a reality and authenticity".[19] In 2016, Pacino revealed that he viewed his character as having been under the influence of cocaine throughout the film.[26]
Mann took Kilmer, Sizemore and De Niro to Folsom State Prison to interview actual career criminals to prepare for their roles. While researching her role, Judd met several former prostitutes who became housewives.[19]
Keanu Reeves was offered the role of Chris Shiherlis, but he turned it down in favor of playing Hamlet at the Manitoba Theatre Centre.[27] As a result, Val Kilmer was given the role.
Filming
Principal photography for Heat lasted 107 days during the summer of 1995.[28] All of the shooting was done on location in and around Los Angeles due to Mann's decision not to use a soundstage.[19] Among the key filming locations were the Citigroup Center, where the bank heist and police shootout takes place, and the Kate Mantilini restaurant, which serves as the location of the meeting over coffee between Pacino and De Niro's characters.
The film's cinematographer Dante Spinotti used a combination of natural and practical lighting to capture grittiness and realism for the film. The film's visual style also captures the vastness of Los Angeles and the isolation of its characters within the urban sprawl. Mann and Spinotti often use wide shots and long takes to create a sense of scale and immersion.[29]
Both Al Pacino and Robert De Niro prepared extensively for their roles. They spent time with real detectives and criminals to understand their characters in depth. The diner scene with Pacino and De Niro was shot with minimal rehearsals to maintain the spontaneity and intensity of their interaction. Mann used multiple cameras to capture the scene from different angles, focusing on close-ups to highlight the tension and subtleties of each actor's performance.[30][29]
Post-production
Sound design
Heat is recognized for its realistic sound design, particularly during the iconic bank heist scene. Real gunfire sounds are used to capture the intensity and chaos of the shootout. The sound design plays a significant role in immersing the audience in the action, making the sequences feel immediate and visceral.[29]
Editing
The editing of Heat focuses on maintaining its narrative pace and tension. Editor Dov Hoenig worked closely with Mann to ensure that each scene flowed naturally and kept the audience engaged. The film's editing balanced intense action sequences with quieter, character-driven moments, which is noted for creating a dynamic and compelling viewing experience.[29]
Mann and Goldenthal decided on an atmospheric situation for the film soundtrack. Goldenthal uses a setup consisting of multiple guitars, which he termed "guitar orchestra", and thought that it brought the film score closer to a European style.[34]
Release
Box office
Heat was released on December 15, 1995, and opened at the box office with $8.4 million from 1,325 theaters, finishing in third place behind Jumanji and Toy Story.[35][36] It went on to earn a total gross of $67.4 million in United States, and $120 million in foreign box offices.[37]Heat was ranked the #25 highest-grossing film of 1995.[37]
Home media
Heat was released on VHS on November 12, 1996, by Warner Home Video.[38][39] Due to its running time, the film had to be released on two cassettes.[39] A DVD release followed on July 27, 1999.[40] A two-disc special-edition DVD was released by Warner Home Video on February 22, 2005, featuring an audio commentary by Michael Mann, deleted scenes and numerous documentaries detailing the film's production.[41] This edition contains the original theatrical cut.[42]
The initial Blu-ray release was by Warner Home Video on November 10, 2009, featuring a high-definition film transfer, supervised by Mann.[43] Among the disc extras are Mann's audio commentary, a one-hour documentary about the making of the film, and ten minutes of scenes deleted from the film.[44] As well as approving the look of the transfer, Mann also recut two scenes slightly differently, referring to them as "new content changes".[45]
A "Director's Definitive Edition" blu-ray was released on May 9, 2017, by 20th Century Fox Home Entertainment, who acquired the distribution rights to the film through their part-ownership of Regency back in 2015. Sourced from a 4K remaster of the film supervised by Mann, the two-disc set contains all the extras from the 2009 Blu-ray, with two filmmakers panels from 2015 and 2016, one of which was moderated by Christopher Nolan.[46]
A 4K Ultra HD Blu-ray Ultimate Collector's Edition of Heat that contains the Director's Definitive Edition of the film on UHD Blu-ray and Blu-ray, along with legacy bonus materials released on August 9, 2022, by Walt Disney Studios Home Entertainment (under the 20th Century Studios label), was released coinciding with the release date of Mann's sequel novel.[47] Unlike the previous home media releases, the Director's Definitive Edition Blu-ray and the 4K Ultra HD Blu-ray Ultimate Collector's Edition did not feature the Warner Bros. Pictures logo at the beginning, although the in-credit closing is retained.
Heat was broadcast on NBC television on January 3, 1999, in a significantly edited version. Mann had offered the network some scenes that had been filmed but omitted from the theatrical edit with hope of having the film shown in four hours (with commercials) over two nights. Instead, NBC chose to cut nearly 40 minutes from the theatrical version so that Heat could be shown in a three-hour time slot (with commercials). Mann told Variety, "They cut so much out of the movie that they destroyed the narrative of the film along with its integrity.... Too much time was taken out of the film that wasn't due to language or other content." As a result, Mann had his director's credit on the TV version replaced with the pseudonym "Alan Smithee".[48]
Reception
On Rotten Tomatoes, Heat holds an approval rating of 83%, based on 151 reviews and an average rating of 7.8/10. The website's critical consensus reads, "Though Al Pacino and Robert De Niro share but a handful of screen minutes together, Heat is an engrossing crime drama that draws compelling performances from its stars – and confirms Michael Mann's mastery of the genre."[3] On Metacritic, the film has a weighted average score of 76 out of 100, based on 22 critics, indicating "generally favorable" reviews.[49] Audiences polled by CinemaScore gave the film an average grade of "A−" on a scale of A+ to F.[50]
Roger Ebert of the Chicago Sun-Times gave the film three and a half stars out of four. He described Mann's script as "uncommonly literate", with a psychological insight into the symbiotic relationship between police and criminals, and the fractured intimacy between the male and female characters: "It's not just an action picture. Above all, the dialogue is complex enough to allow the characters to say what they're thinking: They are eloquent, insightful, fanciful, poetic when necessary. They're not trapped with cliches. Of the many imprisonments possible in our world, one of the worst must be to be inarticulate – to be unable to tell another person what you really feel."[51] Simon Cote of The Austin Chronicle called the film "one of the most intelligent crime-thrillers to come along in years", and said Pacino and De Niro's scenes together were "poignant and gripping."[52]
Kenneth Turan of the Los Angeles Times called the film a "sleek, accomplished piece of work, meticulously controlled and completely involving. The dark end of the street doesn't get much more inviting than this."[53]Todd McCarthy of Variety wrote, "Stunningly made and incisively acted by a large and terrific cast, Michael Mann's ambitious study of the relativity of good and evil stands apart from other films of its type by virtue of its extraordinarily rich characterizations and its thoughtful, deeply melancholy take on modern life."[4]Owen Gleiberman of Entertainment Weekly gave it a B− rating, saying that "Mann's action scenes ... have an existential, you-are-there jitteriness," but called the heist-planning and Hanna's investigation scenes "dry, talky."[54]
Rolling Stone ranked Heat #28 on its list of "The 100 Greatest Movies of the '90s",[55] and The Guardian ranked it #22 on its list of "The Greatest Crime Films of All Time",[56] while other publications have noted its influence on numerous subsequent films.[57]
French gangster Rédoine Faïd told Mann at a film festival "You were my technical adviser".[59] The media described later robberies as resembling scenes from Heat, including armored car robberies in South Africa,[60]Colombia,[61]Denmark, and Norway[62] and the 1997 North Hollywood shootout, in which Larry Phillips Jr. and Emil Mătăsăreanu robbed the North Hollywood branch of the Bank of America and, similarly to the film, were confronted by the LAPD as they left the bank. A copy of "Heat" was found in the VCR at Phillips' residence.[63] This shootout is considered one of the longest and bloodiest events of its type in American police history. Both robbers were killed, and eleven police officers and seven civilians were injured during the shootout.[64]Heat was widely referenced during the coverage of the shootout.[65]
For his 2008 film The Dark Knight, director Christopher Nolan drew inspiration in his portrayal of Gotham City from Heat in order "to tell a very large, city story or the story of a city".[66] In 2016, a year after the 20th anniversary of Heat, Nolan moderated a Q&A session with Michael Mann and cast and crew at the Samuel Goldwyn Theater.[67]
Heat was one of the inspirations behind the highly influential 2001 video game Grand Theft Auto III[68] as well as the 2008 sequel Grand Theft Auto IV, notably the mission "Three Leaf Clover", which was inspired by the climactic bank robbery and police shootout,[69] and the 2013 sequel Grand Theft Auto V, notably the mission "Blitz Play" where the crew blocks and then knocks over an armored car in order to rob it.[70]
Director Mia Hansen-Løve has said she is "obsessed" with Heat and said "the themes of Heat, actually, are themes of my films, except in a very different way, in a very different world".[71]
On March 16, 2016, Mann announced that he was developing a Heatprequel novel, as a part of launching his company Michael Mann Books.[72] On April 27, 2017, Reed Farrel Coleman joined the project as co-author.[73] On May 15, 2020, Mann stated that the novel would function as both a prequel and a sequel, with plot taking place before and after the film's main events.[74] By January 19, 2022, it was revealed that the novel would be a collaboration between Mann and Meg Gardiner; it was subsequently released in August 2022. The title is Heat 2.[75][76]
In September 2019, Michael Mann stated that he intends to produce an adaptation of the novel, acknowledging film and television as possible mediums for release.[77] By July 5, 2022, Mann reaffirmed his plans to adapt the novel follow-up into a feature film, while stating that the principal cast from the first installment may be recast for the adaptation.[78] In April 2023, it was reported that the sequel was in development, with Adam Driver in talks to play young McCauley.[79][80]
