There are two separate buildings. The building which housed the original National Sun Yat-sen University became the Lu Xun Memorial Hall and contains an exhibition of objects related to Lu Xun and some other intellectuals who influenced Chinese modernization and indirectly prepared the way for the communist revolution.
The newer building to the right was initially built in 1957-1959 and greatly enlarged in 1992. It contains several distinct exhibitions and has notices in English. In the historical exhibition of "Chaozhou wood carving", on display are screens and other objects elaborately carved in wood as well as an explanation of the history and different techniques used in the art.
The next section on the ground floor was an exhibition of modern ceramic figures sculpted in the traditional Shiwan (Foshan) style. Each window was dedicated to a different artist with a brief biography and some examples of their work.
Upstairs there was a section dedicated to the history of the city of Guangzhou from prehistoric times to the modern days. Guangzhou was always a center of trade with foreign nations and many of the objects from the semi-colonial years come from England (postcards, pictures and other documents).
Another section housed an exhibition of old Chinese pottery and china wares while yet another section contains posters in traditional Chinese calligraphy.
Not long after the opening of the new Guangdong Museum in May 2010, the old Guangdong Province Museum closed its doors permanently.
Relocation
In 2003, the Guangdong government made a master plan for Zhujiang New Town to make it a new center of Guangzhou. According to this plan, Zhujiang New Town Plaza would be the cultural center of the city with a series of pavilions and public facilities, such as the Guangdong Museum, Guangzhou Opera House, Guangdong Library and an activity center for teenagers. In 2004, the old Guangdong Museum was relocated to Zhujiang New Town. The new museum occupies 41,000 square meters above ground and 15,000 square meters underground. The building holds an interior area of 66,980 square meters with viewing areas for patrons comprising 21,000 square meters, including a large open grass slope around the building to the public.
Architecture
The design of the museum, comprising a kind of multi-layer and transparent spatial configuration, was inspired by the traditional Cantonese ivory puzzle ball, which is characterized by a stack of carved ivory, similar to an onion. Thus, the spatial arrangement of the museum is designed to follow the ivory-layered composition of traditional Cantonese crafted artwork with multiple transparent concentric layers expanding from the atrium towards the periphery spaces. The main circulation space is a spiral staircase that goes from the first floor to the top floor, landed in different exhibition areas on each floor. Separated by transparent glass and iron curtain, the corridors on each floor lead visitors from outside into the four-story atrium to gain an overall view of the interior space. The ivory puzzle ball represents the technique of Cantonese vernacular craftsmanship.
Exhibition spaces
The museum's main exhibition space consists of a room for historical artifacts, an exhibition space for the nature, and a vernacular art exhibition area, which together house the museum's permanent collections. Temporary exhibitions are updated frequently for the public, offering the citizens a chance to look at foreign art works and exotic treasures. The atrium and corridors are places for people to take a rest, while the office and administration spaces are on the top floor of the museum.