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Flesh and the Devil
Flesh and the Devil
	Theatrical release poster
Directed by	Clarence Brown
Written by	Benjamin Glazer; Marian Ainslee (titles)
Based on	The Undying Past; 1893 novel; by Hermann Sudermann
Produced by	Irving Thalberg
Starring	Greta Garbo; John Gilbert; Lars Hanson; Barbara Kent
Cinematography	William H. Daniels
Edited by	Lloyd Nosler
Distributed by	Metro-Goldwyn-Mayer
Release date	December 25, 1926;
Running time	109 minutes (USA); 113 minutes (UK)
Country	United States
Languages	Silent film; English intertitles
Budget	$372,618.21
Box office	$1,261,000

Flesh and the Devil is an American silent romantic drama film^[3]^[4]^[5] released in 1926 by Metro-Goldwyn-Mayer and stars Greta Garbo, John Gilbert, Lars Hanson, and Barbara Kent, directed by Clarence Brown, and based on the novel The Undying Past by Hermann Sudermann.

In 2006, Flesh and the Devil was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".^[6]^[7]

Plot

The film.

Two childhood friends, Leo and Ulrich, grow up to be soldiers in Germany. Leo becomes infatuated with Felicitas, the wife of a powerful count (a marriage about which Felicitas neglects to inform Leo). The count calls for a duel of honor with Leo, but insists that it be done under the false pretense that the quarrel was due to angry words exchanged between the two at a card game to protect the count's reputation. Leo kills the count in the duel, but then is punished by the military by being sent to Africa for five years.

Due to Ulrich's intervention, Leo only serves three years before being recalled home. On his return journey, he focuses on his dream of being reunited with Felicitas. Before he left for Africa, Leo had asked Ulrich to take care of Felicitas's needs while he was away. Ulrich — unaware that his friend is in love with Felicitas — falls in love with her and marries her.

Upon his return, Leo finds himself torn between Felicitas — which the woman encourages — and his friendship for Ulrich. Condemned by a local pastor for continuing to associate with Felicitas, Leo eventually loses control of his emotions, leading to a climactic duel between the two boyhood friends. While racing to stop the duel, Felicitas falls through a layer of thin ice and drowns. With her dead and out of the way, the friends reconcile, realizing that their friendship is more important than Felicitas ever was.

Cast

John Gilbert as Leo von Harden
Greta Garbo as Felicitas von Rhaden
Lars Hanson as Ulrich von Eltz
Barbara Kent as Hertha
William Orlamond as Uncle Kutowski
George Fawcett as Pastor Voss
Eugenie Besserer as Leo's Mother
Marc McDermott as Count von Rhaden
Marcelle Corday as Minna

Uncredited

Max Barwyn as Ball Guest
Philippe De Lacy as Leo as a Boy
Polly Moran as Woman with Bouquet
Cecilia Parker as Twin at Ball and the Church
Linda Parker as Twin at Ball and the Church
Russ Powell as Family Retainer w/Flag
Carl 'Major' Roup as Train Station Vendor
Rolfe Sedan as Women's Hat Salesman
Ellinor Vanderveer as Guest at Ball
Glen Walters as Family Retainer

Production

Flesh and the Devil, produced in 1926, premiered at New York's Capitol Theatre^[8] on January 9, 1927^[9] and marked a turning point for Garbo's personal and professional life. Initially, she refused to participate in the film. She had just finished The Temptress and was tired, plus her sister had recently died of cancer and she was upset that her contract with Metro-Goldwyn-Mayer did not allow her to take the long trip back to Sweden.^[10] A sternly worded letter from MGM (read by Garbo biographer Barry Paris on the audio commentary for the 2005 DVD release of the film) warned her of dire consequences if she did not report for work. This was a rehearsal of sorts for a pitched battle Garbo would fight against studio heads after Flesh and the Devil was completed, which ended up with Garbo becoming one of the highest-paid actresses in Hollywood up to that time.^[11]

The romantic chemistry between Garbo and Gilbert was a director's dream because it was not faked. The two actors quickly became involved in their own romantic affair and before production of the film was completed had already moved in together (per Paris' commentary). Hollywood legend has it that it was also during production that Gilbert proposed to Garbo; she accepted, a high-profile wedding was arranged, but Garbo backed out. Paris disputes that this could have happened in the midst of production.

Regardless of the chronology, Flesh and the Devil marked the beginning of one of the most famous romances of Hollywood's golden age. They would also continue making movies together into the Sound Era, though Gilbert's career would collapse in the early 1930s while Garbo's soared.^[11]

Garbo was so impressed with Clarence Brown's direction and William Daniels's cinematography that she continued to work with both of them in her subsequent films. Brown directed her in a total of seven films, while Daniels served as cinematographer on all but four of her 25 films for MGM.^[11]^[12]

Reception

In his two reviews for The New York Times, on January 10, 1927^[13], and January 16, 1927, ^[14] Mordaunt Hall focuses on paying tribute to Clarence Brown's direction and the resulting cinematography. On January 10, he describes the film as “Produced with admirable artistry, both in the unfurling of the chronicle and in the character delineation,… "The Undying Past," is a compelling piece of work in which there are but few conventional movie notes.” He describes Garbo as “undeniably alluring,” but does not examine her “impersonation” further. The longer piece in the Sunday paper is packed with in-depth examination of the film. One gets the impression that just as Hall wishes that the picture could have a longer run on Broadway, he would have liked a longer run in the paper.^[14]

On the other hand, Carl Sandburg found a great deal to appreciate in the portrayal of passion in the film. In his February 18, 1927, review for the Chicago Daily News, Sandburg raved: “If there was ever, in screendom, as earnest an exchange of kisses as that between John Gilbert and Greta Garbo in Flesh and the Devil let him who knows of it speak now or forever hold his peace….Miss Garbo is hereafter a star to be reckoned with, so perfectly does she create a character for the heroine, lovely, pitiful, thrilling Felicitas, who drifts downward without ever realizing that the world holds such things as morals.”^[15]

On Rotten Tomatoes, the film has a rating of 94% based on 16 contemporary and modern reviews.^[16]

Home media

Flesh and the Devil was restored and released to DVD with The Temptress in September 2005 as part of a collection by Turner Classic Movies entitled The Garbo Silents Collection. The DVD includes an alternative, upbeat ending.

References

^ Alexander Walker; Metro-Goldwyn-Mayer (October 1980). Garbo: a portrait. Macmillan. p. 184. ISBN 978-0-02-622950-0. Retrieved July 27, 2010.
^ The Eddie Mannix Ledger, Los Angeles, California: Margaret Herrick Library, Center for Motion Picture Study
^ Variety film review; January 12, 1927, page 14.
^ Harrison's Reports film review; January 15, 1927, page 10.
^ American Film Institute (1971). The American Film Institute catalog of motion pictures produced in the United States. University of California Press. p. 253. ISBN 978-0-520-20969-5. Retrieved July 19, 2010.
^ "Librarian of Congress Adds Home Movie, Silent Films and Hollywood Classics to Film Preservation List". Library of Congress. Retrieved October 2, 2020.
^ "Complete National Film Registry Listing". Library of Congress. Retrieved October 2, 2020.
^ "Flesh and the Devil". garboforever.com.
^ David Robinson; Paul Duncan (2007). Greta Garbo. Taschen. p. 180. ISBN 978-3-8228-2209-8. Retrieved July 18, 2010.
^ Paris, Barry. Commentary track on Flesh and the Devil. DVD. Warner Brothers / Turner Entertainment, 2005.
^ ^a ^b ^c "Flesh and the Devil". prod.tcm.com. Retrieved September 6, 2024.
^ "Greta Garbo". prod.tcm.com. Retrieved September 6, 2024.
^ ""The Undying Past."". The New York Times. ISSN 0362-4331. Retrieved September 6, 2024.
^ ^a ^b "A WELL-TOLD STORY; " Flesh and Devil" Has Interesting Backgrounds and Camera Effects By MORDAUNT HALL". The New York Times. ISSN 0362-4331. Retrieved September 6, 2024.
^ Sandburg, Carl; Fetherling, Dale; Fetherling, George (1985). Carl Sandburg at the movies : a poet in the silent era, 1920-1927. Internet Archive. Metuchen, N.J. : Scarecrow Press. ISBN 978-0-8108-1738-8.
^ "Flesh and the Devil | Rotten Tomatoes". www.rottentomatoes.com. Retrieved September 6, 2024.