Drama (Greek: Δράμα, romanized: Dráma[ˈðrama]) is a city and municipality in Macedonia, northeastern Greece. Drama is the capital of the regional unit of Drama which is part of the East Macedonia and Thraceregion. The city (pop. 44,257 in the 2021 census)[2] is the economic center of the municipality (pop. 55,679), which in turn comprises 60 percent of the regional unit's population. The next largest communities in the municipality are Χiropótamos (2,535), Choristi (pop. 2,512), Kallífytos (1,627), Kalós Agrós (838), and Koudoúnia (814).
Built at the foot of mount Falakro, in a verdant area with abundant water sources, Drama has been an integral part of the Hellenic world since the classical era;[3] under the Byzantine Empire, Drama was a fortified city with a castle and rose to great prosperity under the Komnenoi as a commercial and military junction.[4]
During the Ottomanera, tobacco production and trade, the operation of the railway (1895) and improvement of the road network towards the port of Kavala, led to an increase in the population of the city and to the enhancement of commercial activity.[3]
Drama hosts the "Eleftheria", cultural events in commemoration of the city's liberation, at the end of June or beginning of July, and an annual film festival in September.
Name
Archaeological finds show that in the area of the modern city there used to be an ancient Greek settlement named Dyrama (Greek: Δύραμα) or alternatively Hydrama (Greek: Ύδραμα), both meaning "rich in water".[4] Some scholars associate Drama with the ancient Greek Drabescus (Greek: Δράβησκος).[5] Hydrama was notable as the place of worship for many gods of classical Greek mythology, especially Apollo and Artemis. With the passage of time Dyrama became Drama. In the South Slavic languages, the city is known as Драма which is itself a transliteration of the Greek name.[3]
History
The ancient Greeks knew the city as Hydrama or Dyrama (Ύδραμα, Δύραμα) owing to its abundant water. Later known as Drabescus, it became part of the Roman and Byzantine Empires along with the rest of Greece.
Byzantine Era
During the early Christian period (4th–7th centuries), Drama was a small fortified settlement closely tied both administratively and religiously to the declining Roman colony of Philippi. Over time, Drama emerged as the region's most important urban center, a status it maintained during the Middle Byzantine period. Around the 10th century, the city was heavily fortified and flourished as a significant military and commercial hub.[citation needed]
Following the Fourth Crusade, Drama and its surrounding region became contested territory. It fell under the control of various powers, including the Kingdom of Thessalonica, the Bulgarians, the Serbs, and the Despotate of Epirus, before being reclaimed by the Byzantine Empire under the Palaiologos dynasty. Empress Irene of Montferrat, wife of Andronikos II, died in Drama during this period. However, the city was destabilized by the
Byzantine civil wars of the 14th century, struck by the plague, and fell under Serbian control in 1345. Although briefly recaptured by the Byzantines in 1371, Drama was ultimately seized by the Ottomans in 1383, marking the definitive end of Byzantine rule in the area.[6]
Ottoman Era
The Ottoman Empire conquered the region in 1383. In 1519 (Hijri 925) the town had 116 Muslim and 153 Christian households; it was in the jurisdiction of the beylerbey of Rumeli, Ferhad Pasha.[7] In the 19th century, the town became centre of the Sanjak of Drama. In 1912, during the First Balkan War, Bulgarian troops took Drama from the Ottomans. In 1913, as a result of the Treaty of Bucharest following the Second Balkan War, the area became part of Greece - along with the rest of eastern Macedonia.
On 28 September 1941, the local communist party organized a series of guerrilla attacks against the occupying forces in the villages of Drama and the surrounding villages. In response, the Bulgarian occupation forces applied harsh reprisals in Drama, Doxato and several villages like Choristi, Kyrgia, Koudounia, and Prosotsani.[8] The following day, 29 September, the leaders of the attacks were all killed in battle or in their attempts to escape to the German occupation zone.[9] Bulgarian troops moved into Drama to suppress the uprising and arrested all men between 18 and 45. They were reported to have executed between 360 and 500 people in Drama.[10] According to the Bulgarian military reports, up to 1,600 Greeks were killed in the uprising and in the weeks that followed.[11]
The massacres precipitated an exodus of Greeks from the Bulgarian to the German occupation zone in Central Macedonia. The terror and famine became so severe that the government in Athens considered plans for evacuating the entire Greek population to German-occupied Greece.[12]
On 4 March 1943, after midnight, the Bulgarian military authorities rounded up the Jewish population across their zone of occupation in eastern Macedonia and Thrace. The 4,000-strong community, including 589 Jews from Drama, was carried by train into Bulgarian territory and assembled in tobacco warehouses, which were empty at that time of year. From there they were taken by train to the Treblinka extermination camp. None of the 589 Jews from Drama ever returned.[13][14]
The municipality Drama was formed at the 2011 local government reform by the merger of the following 2 former municipalities, that became municipal units (constituent communities in brackets):[16]
The municipality has an area of 840.103 km2, the municipal unit 488.830 km2.[17]
Population
Year
City
Municipal community
Municipality
1981
36,109
37,118
37,118
1991
37,604
38,546
47,925
2001
42,501
43,485
55,632
2011
44,823
45,828
58,944
2021
44,257
55,440
55,679
Economy
In the recent past, the economy of the Drama area relied heavily on the local paper and textile-clothingindustries. However, these industries have either closed down or moved across the border to Bulgaria,[18] because of the low demands of the Bulgarian workforce,[19] with a negative impact on the local economy and employment. The situation worsened after 2007, when Bulgaria was admitted to the EU, and local Greek businessmen moved to expand their operations there. Other sources of revenue include agriculture, consisting mainly of tobacco plantations, small-scale mining (particularly of marble) and forestry. Recently, there have been efforts to exploit the rich local natural environment and to develop ecotourism.
Since 1978, Drama has hosted the Drama International Short Film Festival. In 1987, the festival was recognized nationally. In 1995, it added the International competition section, where short films from all over the world visit the city every year.[21] In 1996, the festival was included in the National Cultural Network of Cities by the Greek Ministry of Culture.
Hagia Sophia is the oldest surviving preserved monument in Drama. It was built during the tenth century AD, along with Drama's city walls. It was probably erected on the site of a previous early Christian basilica. During the Ottoman rule, it was turned into a mosque.[citation needed]
The Archaeological Museum of Drama covers human presence in the regional unit of Drama from the mid-Paleolithic Period (50,000 years before present) with traces of life from Paleolithic hunts in the caves of the source of the Angitis, up to modern times (1913).
The exhibition space consists of three main halls. In the first, archaeological finds from the cave of Maara give witness to the presence of nomadic hunters in the area from the mid-Palaeolithic period, while other finds demonstrate the life of settled farmers and animal rearers from Neolithic villages and the passage of the Copper Age in the city of Drama and the village of Sitagri. The reproduction of a Neolithic house with finds which describe the activities of Neolithic man and his daily activities is the main centre of interest for visitors of all ages.
Bust of Dionysius, found in the area of Kali Vrysi. The same hall continues the journey through time to the Iron Age and later years where the main element was the worship of Dionysius at the city of Drama itself and at Kali Vrysi and other areas of the regional unit. In the second hall architectural sculptures, pottery and coins confirm that life continued in the city and throughout the whole regional unit during early Christian, Byzantine and post-Byzantine years.
The visitor is taken through modern recent history by a photographic exhibition relating to the city of Drama, the towns of the regional unit and the mountain villages. The exhibition covers the period from the beginning of the Ottoman period up to the middle of the 19th century. In the third hall which is roofed with an atrium, the visitor can admire sculptures arranged into three thematic groups. The first includes architectural sculptures dating from ancient times up to Turkish occupation. The second contains votive monuments connected with the worship of various gods in the Greco-Roman pantheon as well as local deities, with particular reference to Dionysius while the third group of sculptures focuses on funerary monuments from Hellenistic and Roman times.
Ecclesiastical Museum
The history of the Christian Church in Drama began during the Byzantine period and underwent difficult and troubled times. From the 14th century when the city was captured by the Ottomans until the 20th century with successive foreign occupations, the Greek Orthodox Church in Drama struggled without end, fed by the blood of many faithful, martyrs to the faith and to the Hellenic ideal and provided succor to its followers through difficult periods.
The collection of icons dating from Byzantine times to the 20th century forms the basic core of the museum's exhibits. The Museum of the Cathedral of Drama, founded during the reign of the honourable Bishop Dionysius 1st, is now housed in a recently restored five-storey wing of the Bishop of Drama's palace on Venizelou St. In the spacious and well-attended halls, ecclesiastical treasures of priceless spiritual and artistic value are on exhibition. The Icons of the Virgin Ηοdegetria and the Blessing Lord from the 13th century, icons from the 17th century and particularly from the 19th century decorate and sanctify the place. Moreover, the episcopal canonicals, holy vessels and their covers, many from the 19th century, relics of Chrysostomos of Drama and Smyrni, constitute the most important exhibits in the museum.
Many of the exhibits are relics brought by refugees from Asia Minor and Pontus in 1922 from the churches of their ancient homes to their new home, valuable reminders of who they were and where they came from. Organized groups of pilgrims and visitors to the city are advised to contact the office of the Diocese of Drama before visiting the museum to make arrangements.
Gaydarska, B. "Prehistoric Drama and its regional context," in Stoyanov, T., Angelova, S. & Lozanov (eds), Stephanos Archaeologicos in honorem Professoris Ludmilli Getov, Vol. I (Sofia: Sofia University Press, 2005), 116 – 133.
External links
Wikimedia Commons has media related to Drama city.
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