Deborah Pritchard is a British composer. She is known for her concert works, a compositional approach informed by her synaesthesia, and her work in response to visual artists, most notably Maggi Hambling, Hugie O'Donoghue and Marc Chagall. She also paints music in the form of visualisations and music maps. The London Symphony Orchestra premiered her large orchestral piece The Angel Standing in the Sun at LSO St Lukes in 2015, her violin concerto Calandra was premiered by Jennifer Pike and the BBC Symphony Orchestra at the Barbican, London in 2022 and Radiance for solo cello, responding to The Peace Window by Marc Chagall at the United Nations, was premiere by Natalie Clein at the Purbeck International Chamber Music Festival in 2022. She won a British Composer Award for her solo violin piece Inside Colour in 2017,[1]
Education
Pritchard was awarded an undergraduate degree and postgraduate diploma from the Guildhall School of Music and Drama where she studied as both composer and double bassist.[2] She then completed a MMus degree in composition at the Royal Academy of Music with Simon Bainbridge, subsequently holding the position of Manson Fellow in Composition. She was awarded her DPhil from Worcester College, Oxford where she studied with Robert Saxton, now holding Associate Membership of The Faculty of Music, Oxford. She was made Associate of the Royal Academy of Music in 2019 and held the tenure of Visiting Research Fellow at Keble College, Oxford, from 2022 to 2023.
Recent works includes her large work for choir and symphony orchestra Kandinsky Songs premiered at the Forbidden City Concert Hall, Beijing, China in 2024; her new song Everyone Sang for Carolyn Sampson and Joseph Middleton, premiered at the Wigmore Hall in 2023 and Chagall's Light for solo violin and orchestra, inspired by the Marc Chagall windows of All Saints Church, Tudeley, premiered by Greta Multu and Chamber Domain, conducted by Thomas Kemp in 2023.
She was composer in residence at the 2016 Lichfield Festival[6] and the 2022 Purbeck International Chamber Music Festival where Natalie Clein premiered her new work for solo cello.
Synaesthesia
Pritchard experiences synaesthesia, specifically perceiving sound as colour, light and darkness. In her own words;
"Ever since I was a child, I’ve been aware that some harmonies seemed warm whilst others appeared cold. The relationship between colours and intervals seemed so natural to me that I didn’t question it ... When I engage with colour, light and darkness in my work, I become aware of a broader emotional content and hope to illuminate some kind of beauty to the listener.[7]"
Pritchard frequently paints visualisations of her musical works, and has also been commissioned by the London Sinfonietta to paint music maps of works by other composers (such as György Ligeti, Unsuk Chin and Thomas Adès) for inclusion in concert programme notes.[8][9][2] Her visualisations and music maps were exhibited at the Royal Academy of Music's Amazing Women of the Academy exhibition from 2018 to 2019. In 2020 she was commissioned a graphic score Colour Circle by the London Sinfonietta to launch their Postcard Pieces project over lockdown, inspired by Wassily Kandinsky's book Concerning the Spiritual in Art.
Pritchard's visualisation of her solo violin piece Inside Colour
Works inspired by visual art
Pritchard has written several pieces inspired by Marc Chagall including Radiance for solo cello responding to The Peace Window at the United Nations premiered by Natalie Clein at the Purbeck International Chamber Music Festival in 2022, and Chagall's Light for solo violin and orchestra, written after the series of windows at All Saints Church, Tudeley, premiered by Greta Mutlu and Chamber Domaine at the 2023 Music@Malling Festival in Kent.
She has also written a number of pieces after the contemporary artist Maggi Hambling, working in collaboration at her studio in Suffolk.[7]
The first of these was the violin concertoWall of Water (2014), which was premiered by violinist Harriet Mackenzie and the English String Orchestra during the Frieze Art Fair in London. Images of Hambling's series of seascape paintings, also titled Wall of Water, were projected during the performance.[10]
Subsequent pieces written in response to Hambling's work were Edge, a double concerto for violin, harp and string orchestra (after Hambling's paintings on global warming), premiered by Harriet Mackenzie, Catrin Finch and the Aldeburgh Festival Orchestra, conducted by Jonathan Berman at the 2017 Aldeburgh Festival[11] and a solo violin piece for Harriet Mackenzie called March 2020 in response to Hambling's painting of the same name, with both painting and music created over lockdown.
