"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a fade-in, marking one of the first times the technique had been used on a studio recording.
"Come See About Me" was written and produced by Motown's main production team Holland–Dozier–Holland.[4] It was recorded during a two-week period in which the Supremes also cut "Baby Love", after "Where Did Our Love Go" became their most successful single to date.[4] It was #1 on the Billboard Hot 100 chart for two separate weeks: December 13, 1964, to December 18, 1964, and January 10, 1965, to January 16, 1965, and reached #3 on the soul chart.[4]
Billboard said the song has a "pronounced Detroit beat, steady and exacting" and that the "gals weave silky and controlled vocal through beat."[5]Cash Box described it as "a pulsating stomp-a-rhythmic… that the gals carve out in ultra-commercial manner" and in which the group was "in top-of-the-chart form."[6]
The Supremes were the first to record the song, but not the first to issue it as a single. That distinction fell to Nella Dodds: her version climbed to #74 on the BillboardHot 100, but Motown quickly released the Supremes' version as a single, which killed Dodds' sales. Cash Box described Dodds' version as "an exciting pop-r&b, choral-backed handclap-shuffler about a gal who pleads for her ex-boyfriend to return to her," hailing the singer as "a new talent who promises to be an important wax name in the coming weeks".[6]
The Supremes recorded a German-language version of the song, titled "Jonny und Joe" as the b-side of the 1965 single "Thank You Darling" (also sung in German) in Germany, Switzerland and the Netherlands. "Jonny und Joe" was later included on two various Motown artists compilation albums Motown Around the World (1987, 1CD) and Motown Around the World: The Classic Singles (2010, 2CD)[30] and also on Diana Ross & the Supremes compilation 50th Anniversary: The Singles Collection 1961–1969 (2011, 3CD).[31]
In 1967, the song was a repeat hit for Motown act Jr. Walker & the All Stars, whose version reached the top 10 on the R&B chart and the top 25 on the pop chart.[citation needed]
Chronology(The band's name history: The Primettes 1959–1961 / The Supremes 1961–1967 / Diana Ross & The Supremes 1967–1970 / The Supremes 1970 / Diana Ross & The Supremes 1970 / The Supremes 1970–)