A 1943 photograph of a charwoman in Pittsburgh, Pennsylvania, United States
Charwoman, chargirl, charlady and char are occupational terms referring to a paid part-time worker who comes into a house or other building to clean it for a few hours of a day or week, as opposed to a maid, who usually lives as part of the household within the structure of domestic service. A charwoman might work independently, often for cash in hand, or might come through an employment agency.
Charwomen have also sometimes been referred to as "scrubwomen". The word has the same root as "chore woman", one hired to do odd chores around the house. In British English, "cleaner" is now used much more often. In American English, the term "maid" is often used for any woman who cleans a home or hotel, whether she lives there or not.[1] "American Gothic" is an iconic photograph of "charwoman" Ella Watson by Gordon Parks.[2][3]
Etymology
A char or chare was a term (of work) in the sixteenth century,[4] which gave rise to the word being used as a prefix to denote people working in domestic service. The usage of "charwoman" was common in the mid-19th century, often appearing as an occupation in the UK census of 1841. It fell out of common use in the later decades of the 20th century, often replaced by the term "daily (woman)". Unlike a maid or housekeeper (typically live-in positions), the charwoman usually worked for hourly wages, usually on a part-time contract, often having several different employers.
In fiction
The position has often featured as a stock character in fiction.
In 1926, Lord Dunsany's fantasy novel The Charwoman's Shadow was published to good reviews. A woman granted eternal life, but not eternal youth, finds herself working forever as a magician's charwoman.[6]
A charwoman, Sarah Cobbin, is a critical character in the detective novel Part for a Poisoner (1948) by E.C.R. Lorac. In the comic strip Andy Capp (from 1957), Andy's wife Flo is a charwoman. Another well-known fictional charwoman is Ada Harris, the central character in Paul Gallico's novel Mrs 'Arris goes to Paris (1958) and its three sequels.
Acting
Carol Burnett's charwoman character, 1974
Charwomen have often appeared on stage, radio, film, and television. The music hall comedian Arthur Lucan portrayed throughout his career a feisty Irish charwoman named Mrs. Riley opposite his wife Kitty McShane, who depicted Mrs Riley's daughter. The public's enthusiasm for these stage characters prompted the couple to make the pair a part of their repertoire and this led to sixteen Old Mother Riley films, from 1937 to 1952. In the radio comedy series It's That Man Again (1939–1949), Dorothy Summers played the part of Mrs Mopp, an office char whose catchphrase was "Can I do you now, Sir?" (i.e., "May I clean your office now, Sir?" but with an obvious double entendre). Coronation Street character Hilda Ogden (Jean Alexander) achieved mass popularity in the United Kingdom, and has become synonymous with charwoman due to her several jobs cleaning for businesses and neighbours in the show's local area, Weatherfield.
In 1963, Peggy Mount starred in Ladies Who Do, in which a group of charwomen go into high finance under the guidance of the eccentric Colonel Whitforth (Robert Morley), in order to save their old neighbourhood from a team of ruthless developers led by Harry H. Corbett. In 1966–67, Kathleen Harrison starred as a charwoman who inherits £10 million from her employer, on the television series Mrs. Thursday. Mabel (played by Barbara New) was the lowly charwoman and a main character in the 1990s British sitcomYou Rang, M'Lord?, which was set in the 1920s.
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