Carola Neher

Carola Neher
Born(1900-11-02)2 November 1900
Munich, Bavaria, Germany
Died26 June 1942(1942-06-26) (aged 41)
NKVD Prison No. 2, Sol-Iletsk, Russian SFSR, Soviet Union
Other namesKarola Neher
Occupation(s)Actress, singer
Years active1920–1931
Spouses
  • ​
    ​
    (m. 1925; died 1928)​
  • Anatol Becker
    ​
    ​
    (m. 1932; executed 1937)​
ChildrenGeorg

Carola Neher (born Karola Neher; 2 November 1900 – 26 June 1942) was a German actress and singer.[1]

Biography

Neher was born in Munich in 1900. She worked as a bank clerk at the Munich branch of the Deutsche Bank from 11 June 1917 to 15 October 1919.[2] In the summer of 1920, she made her debut performance at the Baden-Baden theater without a specific stage education, later also working at the theaters of Darmstadt, Nuremberg and at the Munich Kammerspiele. In 1920 and 1921, she worked with Therese Giehse and Peter Lorre.[2] In 1924, Neher started to work at the Lobe-Theater Breslau.[3]

On 7 May 1925 she married Alfred Henschke (the poet Klabund), who had followed her from Munich to Breslau, at that time already a well known and successful poet.[2] The first performance of his Circle of Chalk ("Der Kreidekreis") turned into her first great success.[3]

In 1926, Neher went to Berlin to work with Bertolt Brecht. He wrote the role of Polly Peachum in The Threepenny Opera for her, but late in rehearsals her husband died at Davos on 14 August 1928. She was therefore unable to appear at the premiere, but acted the role of Polly in the later performances. Brecht wrote several roles for her, such as Lilian Holiday in Happy End and the title role in his Saint Joan of the Stockyards.[citation needed] She enjoyed success as Marianne in Ödön von Horváth's Tales from the Vienna Woods, and embodied and immortalized Polly in G.W. Pabst's 1931 film version of The Threepenny Opera.[4]

Portrait of Neher, by Julie Wolfthorn (1929)

While in Berlin, she practiced boxing with Turkish trainer and prizefighter Sabri Mahir at his studio, which opened to women (including Vicki Baum and Marlene Dietrich) in the 1920s. Posing for a photograph opposite Mahir and equipped with boxing gloves and a maillot, she asserted herself as a "New Woman", challenging traditional gender categories.[5]

In 1932 she married Anatol Becker and left Germany after Adolf Hitler's ascension to power in spring 1933. She first emigrated to Prague, where she worked at the New German Theater, but went on to the Soviet Union in 1934, where she met Gustav von Wangenheim and worked with him at his cabaret Kolonne Links.[citation needed]

In 1936, during the Great Purge, Wangenheim denounced Neher and Becker as Trotskyites[6][7] and she was arrested on 25 July 1936. Becker was executed in 1937, while Neher was sentenced to ten years in prison and sent to the prison for political convicts in Oryol.[8]

She is mentioned in the memoirs both of Yevgenia Ginzburg (as Carola Heintschke)) and Margarete Buber-Neumann.[9] According to Buber-Neumann, in 1940 the Soviets included her in a prisoner exchange with the Nazis, which was part of the NKVD-Gestapo cooperation initiated by Ribbentrop-Molotov Pact. She was sent to Moscow on her transit to Germany where the two met in Butyrka prison. Buber was transferred to Germany but Neher for unknown reasons was returned to the Oryol prison.

As the German army approached Oryol in October 1941, she was transferred to NKVD Prison No. 2 near Orenburg, where she died of typhus on 26 June 1942, aged 41.[10][11] Neher (prisoner number 59783) was buried in an unmarked mass grave. Her son, Georg, became a music teacher and only found out about his parents' identity in 1975.[12]

Filmography

The Threepenny Opera (German: Die 3 Groschen-Oper) is a 1931 German musical film directed by G. W. Pabst. It was produced by Seymour Nebenzal's Nero-Film for Tonbild-Syndikat AG (Tobis), Berlin and Warner Bros. Pictures GmbH, Berlin. The film is loosely based on the 1928 musical theatre success The Threepenny Opera by Bertolt Brecht and Kurt Weill. As was usual in the early sound film era, Pabst also directed a French language version of the film, L'Opéra de quat'sous, with some variation of plot details (the French title literally translates as "the four penny opera"). A planned English version was not made. The two existing versions were released by The Criterion Collection on home video.

The Threepenny Opera differs in significant respects from the play and the internal timeline is somewhat vague. The whole of society is presented as corrupt in one form or another. Only some of the songs from the play are used, in a different order.

Legacy

Carola Neher Str Hellersdorf

Literature

  • Matthias Wegner: Klabund und Carola Neher: Eine Geschichte von Liebe und Tod. Rowohlt, Reinbek bei Hamburg 1996. ISBN 3-87134-266-1
  • Tita Gaehme: Dem Traum folgen. Das Leben der Schauspielerin Carola Neher und ihre Liebe zu Klabund.. Dittrich, Köln 1996. ISBN 3-920862-11-2.
  • Guido von Kaulla: Und verbrenn in seinem Herzen: Die Schauspielerin Carola Neher und Klabund. Herder, Freiburg/Br. 1984
  • Michaela Karl: "Carola Neher: Die Silberfüchsin". In Bayerische Amazonen – 12 Porträts. Pustet, Regensburg 2004. ISBN 3-7917-1868-1. S. 168–189

References

  1. ^ "Neher, Carola (1900–1942) | Encyclopedia.com". www.encyclopedia.com. Retrieved 13 December 2024.
  2. ^ a b c Wieland, Karin (2016). "Liebe ohne Heimat: Carola Neher und Klabund". In Nir-Vered, Bettina; Müller, Reinhard; Reznikova, Olga; Scherbakowa, Irina (eds.). Carola Neher: gefeiert auf der Bühne, gestorben im Gulag: Kontexte eines Jahrhundertschicksals. Studien und Dokumente zu Alltag, Verfolgung und Widerstand im Nationalsozialismus (in German) (Erstausgabe, 1. Auflage ed.). Berlin: Lukas Verlag. pp. 89–90, 92, 96. ISBN 978-3-86732-243-0.
  3. ^ a b Völker, Flaus (2016). "Carola Neher". In Nir-Vered, Bettina; Müller, Reinhard; Reznikova, Olga; Scherbakowa, Irina (eds.). Carola Neher: gefeiert auf der Bühne, gestorben im Gulag: Kontexte eines Jahrhundertschicksals. Studien und Dokumente zu Alltag, Verfolgung und Widerstand im Nationalsozialismus (in German) (Erstausgabe, 1. Auflage ed.). Berlin: Lukas Verlag. pp. 40, 73–74. ISBN 978-3-86732-243-0.
  4. ^ Die 3 Groschen-Oper at IMDb
  5. ^ Irene Gammel, Lacing up the Gloves: Women, Boxing and Modernity, Cultural and Social History 9.3 (2012), page 375
  6. ^ Hans Schoots, Living Dangerously – A Biography of Joris Ivens
  7. ^ Reinhard Müller, "Menschenfalle Moskau. Exil und stalinistische Verfolgung" Hamburg 2001
  8. ^ Carola Neher biography, IMDb. Retrieved 28 May 2017.
  9. ^ Ginzburg, E. Journey into the Whirlwind, ch. 25; Buber, Margarete. Under Two Dictators: Prisoner of Stalin and Hitler, (tr. Fitzgerald, Edward, London: Victor Gollancz, 1949), p 162.
  10. ^ Carola Neher biography, IMDb. Retrieved 28 May 2017.
  11. ^ Walter Held "Stalins deutsche Opfer und die Volksfront", in der Untergrund-Zeitschrift Unser Wort, Nr. 4/5, Oktober 1938, S. 7 f.; Michael Rohrwasser, Der Stalinismus und die Renegaten, Die Literatur der Exkommunisten, Stuttgart 1991, p. 163
  12. ^ Carola Neher biography, IMDb. Retrieved 28 May 2017.
  13. ^ "Москва, Краснопрудная ул., 36". poslednyadres.ru (in Russian). Retrieved 29 July 2022.

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