Blue Moves is the eleventh studio album by English musician Elton John. It was released on 22 October 1976 through John's own Rocket Record Company (his first for the label), alongside MCA Records in certain countries. John's second double album, it was recorded at EMI Studios, Brother Studios, Eastern Sound and Sunset Sound Recorders, and was his last to be produced by longtime collaborator Gus Dudgeon until Ice on Fire (1985). Additionally, the album would be the last collaboration between John and lyricist Bernie Taupin for the next few years[a] until a partial resumption of their working partnership with 21 at 33 (1980).
Upon its release, Blue Moves received mixed reviews. Some critics found the album to be excessive, while others felt it did not include enough strong material to warrant its length. However, some retrospective reviews have been more positive, highlighting it as one of John's most underrated releases and praising its experimental nature, and John himself has declared it one of his favorites. Blue Moves reached number 3 on the US Billboard 200, breaking his streak of number one albums there, while it matched that position on the UK Albums Chart. The album's first single, "Sorry Seems to Be the Hardest Word", reached the top 10 in the US and the top 20 in the UK, while further singles "Bite Your Lip (Get Up and Dance!)" and "Crazy Water" (only released in the UK) both reached the top 30. The album would go on to be certified both Platinum by the RIAA and Gold by the BPI.
After embarking on the Rock of the Westies Tour and Louder Than Concorde Tour in 1975 and 1976, respectively, John decided to take an indefinite break from touring.[4] In an October 1976 interview with Rolling Stone, John expressed his desire to focus on other projects for the time being, saying he felt it would be "silly" to keep his band members under a contract for an additional year while not being sure what his plans for future performing would be.[4] While Davey Johnstone, Ray Cooper, and James Newton Howard continued to collaborate with John following the release of Blue Moves, the album marked the last time John worked with Caleb Quaye and drummer Roger Pope. In the same interview John came out publicly as bisexual, stating "There's nothing wrong with going to bed with somebody of your own sex. I think everybody's bisexual to a certain degree"; he would later come out as gay in 1992.[4][5]
Overview
"Cage the Songbird" was a tribute to legendary French singer Edith Piaf, and a year or so later was covered by Kiki Dee on an unreleased Rocket album Cage the Songbird, which finally was issued in 2008. ("Songbird" originated as part of the Rock of the Westies sessions, but was not completed during them, probably because the song's acoustic, delicate sound did not fit with the more rock 'n' roll approach of the rest of the songs that made the Westies final track list.) The Beach Boys turned down "Chameleon" (which was written two years prior to the album's release), but Bruce Johnston, a former Beach Boy, performed backing vocals on John's version, along with former Beach Boys touring member Toni Tennille. John also performed the song at Wembley Stadium in 1975, where he also performed the Captain Fantastic and the Brown Dirt Cowboy album in its entirety. An excerpt from "Out of the Blue" was used for the closing titles on Top Gear until the end of that Top Gear format (in 2001).[6] This is one of two John albums on which Davey Johnstone does not provide backing vocals; 1997's The Big Picture is the other.[citation needed]
In the summer of 2011, George Michael embarked on what would be his final tour, the orchestral Symphonica Tour of Europe, the UK, and Australia. From the 19 September concert at Budapest Sports Arena, Michael performed "Idol" in place of "It Doesn't Really Matter" on the setlist. At a special gig in the Royal Albert Hall raising money for the Elton John AIDS Foundation, Michael introduced the song, saying: "This next song was written by someone I hope has made it in here already – Elton. It's a song he wrote in the late 70s and it's about an ageing pop star. Funny that." As Michael cast his gaze around the audience, John waved from the stalls, where he sat beside his civil partner David Furnish and broadcaster Janet Street-Porter. Having already recorded his own version of "Tonight" for the Two Rooms album in 1991, Michael's vocals at that concert ended up on 2014's Symphonica.[7]
Blue Moves has received mixed reviews since its release. A contemporary review for Rolling Stone said the album "contains nowhere near enough good songs to justify the extended length" and that the interludes and instrumentals were done "to the exclusion of sense".[11]Village Voice critic Robert Christgau described it as "impossibly weepy" and "excessive".[9] Lindsay Planer of Allmusic later said the album showed the "inevitable fatigue" of John's "immense creativity" that had helped create the previous albums of his career.[8]
Note: Initial CD versions of the album maintain the same running order, but omit various combinations of the following tracks: "Cage the Songbird", "Shoulder Holster", "The Wide-Eyed and Laughing" and "Where's the Shoorah?".[13] It has since been remastered and re-released as a 2-CD set retaining the original LP track listing.
Personnel
Track numbering refers to the 2-CD and digital releases of the album.
^Roach, Martin (2012). The Top Gear Story: The 100% Unofficial Story of the Most Famous Car Show . . . In the World. John Blake. p. 38. ISBN978-1857826623.
^Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. ISBN978-951-1-21053-5.
