Police officer Danny Barr is chasing jewel robbers. His girlfriend, Eve Fallon, is initially working as a manicurist, but quickly takes a job as a reporter assisting in the effort against the jewel thieves. Fallon and Barr become disgusted when one jewel gang member is acquitted after killing a baby in Central Park, and both leave their jobs. Soon thereafter, Fallon gets a lucky break while giving a manicure and the case is solved.
The film recorded a loss of $14,645.[1] Critics have regarded it as "disposable"[3] and "inconsequential"[4] with "shoddy writing and generally uninspired performances."[5]
Writing for The Spectator in 1936, Graham Greene gave the film a positive review, characterizing it as "a fast well-directed and quite unsentimental gangster film, pleasantly free from emotion".[6]
More recent writers have been kinder to the film. Grant biographer Scott Eyman called it an "unheralded gem in Grant's catalogue, a snappy comedy-drama [...] a cheerfully disreputable pre-Code film unaccountably made after the Code, with speedy cross-talk that prefigures His Girl Friday."[7] Writing for The New Yorker, Richard Brody hailed the film's "cocksure grifters and workaday wiseacres who dish out sharp-edged patter—none more than Grant and Bennett, whose gibing often resembles quasi-Beckettian doubletalk. Here, Grant offers early flashes of the brash, suave, and intricate antics on which his enduring comedic persona is based."[8]
References
^ abcBernstein, Matthew (1994). Walter Wagner: Hollywood Independent. University of California Press. p. 436. ISBN978-0520081277.
