The Adnyamathanha (Pronounced: /ˈɑːdnjəmʌdənə/) are a contemporarily formed grouping of several distinct Aboriginal Australian peoples of the northern Flinders Ranges, South Australia. The ethnonym Adnyamathanha was an alternative name for the Wailpi but the contemporary grouping also includes the Guyani, Jadliaura, Pilatapa and sometimes the Barngarla peoples. The origin of the name is in the words "adnya" ("rock") and "matha" ("group" or "group of people").
Adnyamathanha is also used to refer to their traditional language, although Adnyamathanha people themselves call their language "yura ngarwala" (roughly translated as "our speech") and refer to themselves as "yura".
On the northern edges of the Adnyamathanha tribal lands are the Diyari lands, on the western edges are the Kokatha lands. To the south are the Barngarla (also sometimes included in the Adnyamathanya group[2]), Nukunu, and Ngadjuri. To the east are the Malyangapa.
On 30 March 2009, the Adnyamathanha people were recognised by the Federal Court of Australia as having native title rights over about 41,000 square kilometres (16,000 sq mi) running east from the edge of Lake Torrens, through the northern Flinders Ranges, approaching the South Australian border with New South Wales.[citation needed]
Nantawarrina IPA, the first Indigenous Protected Area in Australia, was established in 1998, with extensive work done by Indigenous rangers to restore the land and protect the native flora and fauna since then.[4]
In 2016, Ikara-Flinders Ranges National Park was renamed from Flinders Ranges National Park in recognition of its Adnyamathanha heritage. The word ikara means "meeting place" in Adnyamathanha language, and refers in this instance to Wilpena Pound (situated within the park), a traditional meeting place of the Adnyamathanha people.[5]
People
The ethnonym Adnyamathanha was, according to Tindale, an alternative name for the Wailpi,[6] but the contemporarily formed grouping also includes the Guyani (Kuyani), Jadliaura (Yardliyawara), Pilatapa,[7] and, according to the people themselves, the Pangkala (Barngarla) peoples.[2]
The name Adnyamathanha means "rock people", with "adnya" meaning "rock" and "matha", a "group" or "group of people", in the Adnyamathanha language,[2] and is a term referring to the Lakes Culture societies living in that area. They share common ancestral bonds of language and culture, they call Yura Muda. Adnyamathanha people often[further explanation needed] refer to themselves as "yura", and non-Aboriginal people as "udnyu".[citation needed]
Traditional mythology of the origins of the Adnyamathanha is told through creation stories, passed down from generation to generation.[9] The primordial creator figure of the rainbow serpent is, among them, known as akurra.[10]
The Pleiades (Seven Sisters) are known to them as the Makara, seen as a group of marsupial-like women with pouches, while the Magellanic Clouds are known as Vutha Varkla, seen as two male lawmen also known as the Vaalnapa.[10][11]
Traditionally, the Adnyamathanha bear strong respect for lizards such as geckoes and goannas. This is explained in myth as the cannibal sun goddess Bila having been defeated by the Lizard Men Kudnu and Muda.[12]
Pastoralist from the British colonies reached Adnyamathanha lands prior to 1850. In 1851, the first colonial leases were granted for colonists to settle some of the area. One recent account claims this led to many conflicts[verification needed] because Adnyamathanha people were pushed off their land[verification needed] by the Europeans, who lived on pastoral leases established by the colonial government. In response to the loss of their land, food and water,[7][better source needed] Aboriginal people stole sheep, which in turn led to retaliatory killings.[verification needed] Contrary to this account, Adnyamathanha people soon became stockmen and housekeepers[9] and Adnyamathanha people adopted western dress and ways by the 1900s.[7]
Some Adnyamathanha retained strong links to their language and culture and would gather at the campsite and ration depot at Mount Serle Station (Atuwarapanha), a significant cultural site to speak in their languages and pass on their lore. After rations stopped, they relocated to Ram Paddock Gate (Minerawuta) during the 1920s. After the Nepabunna Mission was established by the United Aborigines Mission in 1931, most of the residents of Ram Paddock moved there.[7] Some Nepabunna Mission residents worked at R. M. Williams's workshop nearby, where Williams developed his trademark boots and horse-riding equipment, helping to build his business in the first two years of its existence.[13] In 2011, on the 80th anniversary of the establishment of Nepabunna, there were a few people alive who had been born when it was a mission, the eldest being Ronald Coulthard, then aged 80.
An exhibition entitled "Unsettled: Colonial Ruin in the Flinders Ranges", described as "a critical examination of settler-colonial nostalgia in the Flinders Ranges, within an artistic context", was mounted by the State Library of South Australia in partnership with the Adnyamathanha Traditional Lands Association in March–May 2017.[16] It included many photographs taken by Mountford on the 1937 and subsequent trips to the Flinders. The photos were complemented by story-telling by descendants of the people represented, including Terrence Coulthard (see Notable people, below).[17]
Coulthard design flag
In 2011, a flag was created by Vince Coulthard[who?] and has been mistakenly claimed to be the flag of the Adnyamathanha peoples but was only adopted[further explanation needed] by the Adnyamathanha Traditional Lands Association.[18] The flag was raised at Nepabunna on the 80th anniversary of its establishment.[19]
Juanella McKenzie, artist and daughter of Regina McKenzie, had two works (containing similar storylines subject matter) acquired by the National Museum of Australia in 2008,[23] and in early 2019 at the age of 29, Juanella was acquired into the National Museum of Scotland with a bark painting she did using traditional methods depicting women's business.[25] She won an Achievement award from TAFE NSW in 2019, a category of the Gili (pronounced kill-ee) Awards which celebrate the achievements of Aboriginal students, as well as the accomplishments of TAFE NSW employees and innovative programs that have empowered Aboriginal and Torres Strait Islander communities.[26] She won Country Arts SA’s 2020 Breaking Ground visual arts development award, and her work Yurndu (Sun) which uses the traditional technique of weaving emu feathers, was selected as a finalist for the Ramsay Art Prize at the Art Gallery of South Australia in 2021.[27]
Faith Thomas AM (née Coulthard; 1933 – 15 April 2023) was an Australian cricketer and hockey player.[29] She was also a nurse in regional South Australia. Thomas is known for being the first Indigenous woman to represent Australia in any sport as well as her distinguished service to the Australian Indigenous community.
