In a town in Austria at the turn of the 20th century, Frederich Egerman, a widower, works as a successful lawyer but is struggling with his marriage to Anne, his 18-year-old second wife. Anne nervously has protected her virginity for the first 11 months of marriage, though she continues to tell Frederich she will be ready to make love to him for the first time "soon". Frederich's son (from his first marriage) Erich is studying to be a member of the church. However, Erich has been lusting after Anne, whom he is only one year older than. In an effort to please his wife, Frederich purchases tickets to a play touring through the city. The play stars Desiree Armfeldt, a very renowned actress and Frederich's old flame from 14 years ago, and when they lock eyes in the theatre, Anne becomes aggravated and demands to leave. After the play, Frederich and Desiree reunite in her dressing room.
While Desiree tours around Europe in play after play, her 14-year-old daughter, Fredericka, lives with Desiree's mother, Madame Armfeldt, in her estate in the country. Madame Armfeldt does not approve of the actress lifestyle her daughter leads but she does not push the matter any further. Instead, she teaches Fredericka all the things she missed out on during her childhood touring with her mother.
Desiree, who is getting tired of her life, is thinking of settling down, and sets her sights on Frederich, despite his marriage. But when Desiree's own married lover Count Carl-Magnus Mittelheim arrives at her dressing room, he goes toe-to-toe with Frederich. Desiree lies and tells Carl-Magnus that Frederich is Madame Armfeldt's personal lawyer and he was just dropping off some documents for Desiree to sign. However, Carl-Magnus does not believe this for one moment. He reports the encounter to his wife Charlotte and tells her to visit Anne Egerman (whom she knows through her younger sister) to expose the affair. Charlotte indeed does tell Anne about her husband and Desiree but Anne chooses not to confront Frederich.
Desiree persuades her mother to invite the Egermans to her country estate for the weekend so that Desiree can convince Frederich to leave Anne to be with her. Upon receiving the invitation, Anne is insulted and refuses the offer. However, Charlotte tells her it would be in her best interest to accept and sabotage Desiree's attempts at seducing Frederich. Anne accepts the invitation but once Carl-Magnus gets wind of the weekend in the country, he makes it his mission to go and challenge Frederich to a duel. The Egermans (Frederich, Anne, Erich and their maid Petra) along with the Mittelheims all drive out to the estate.
Everyone arrives at Madame Armfeldt's estate and Desiree is shocked to see Carl-Magnus and his wife have arrived. She invites everyone to stay despite the complications this presents. Charlotte tells Anne that she intends to flirt openly with Frederich in an effort to make her own husband jealous. Erich confides in Fredericka that he is in love with his step-mother but cannot do anything about it.
At dinner, tensions rise with Charlotte and Desiree throwing jabs at each other and Charlotte overtly flirting with Frederich. Erich calls everyone out for their absurd behavior before running outside to kill himself. However, Fredericka tells Anne the truth about Erich's love for her and she stops him from committing suicide. The two passionately kiss before deciding to run away together.
In the privacy of her bedroom, Desiree attempts to follow through on her intentions with Frederich and confesses how much she wants to be with him. While Frederich does admit there is a part of him that wants to be with Desiree, he cannot bring himself to leave Anne. Desiree is heartbroken by this and Frederich gallantly offers to leave. However, upon meeting up with a sorrowful Charlotte in the gardens, Frederich and Charlotte witness Anne and Erich running off together. Charlotte consoles Frederich but when Carl-Magnus sees this interaction, he jumps to conclusions and challenges Frederich to a game of Russian Roulette.
Despite being the one to get the loaded chamber, Frederich only grazes his ear with the bullet. Desiree runs to his side while Charlotte and Carl-Magnus decide to return home together. Frederich tells Desiree about seeing his son and Anne run off together and agrees to be with Desiree.
The film largely transposes the music and lyrics of the stage production, though some songs were cut. Sondheim made several notable adaptations for the screen: augmenting the "Night Waltz" theme with lyrics ("Love Takes Time"), adding a verse to "Every Day a Little Death", expanded lyrics for "Weekend in the Country", and entirely rewriting "The Glamorous Life" (a version that has been incorporated into several subsequent productions of the stage musical).
Location
The setting for the film was moved from Sweden to Austria and was filmed on location. This location shift changed the name of Frederich's son from Henrik to Erich.
Release and reception
The film received mostly negative reviews, with much being made of Taylor's wildly fluctuating weight from scene to scene.[citation needed] Some critics talked more positively of the film, with Variety calling it "an elegant looking, period romantic charade".[citation needed] The film has received critical praise for Diana Rigg's performance. The film holds a 17% rating on Rotten Tomatoes based on 12 reviews.[3]
A soundtrack was released on LP. In 2013, Masterworks Broadway released an expanded edition on compact disc featuring one previously unreleased stereo track prepared for the LP and three mono tracks taken directly from the film's soundtrack.
The film was, for a time, available on VHS and LaserDisc. A DVD release was issued in June 2007. A newer version of "The Glamorous Life" was included on the new remastered version of the Original Broadway Cast Recording.
References
^Corman, Roger; Di Franco, J. Philip; Browne, Karyn G. (1979). The Movie World of Roger Corman. Chelsea House. p. 223. ISBN978-0-8775-4050-2.
^Grover, Stephen (December 23, 1976). "Hard Act to Follow: Making Broadway Hit Into a Movie Involves Much Work, Big Risks 'A Little Night Music' Runs Over Budget, Into Snags; Few Musicals Strike Gold Miss Taylor in a Lunch Line Hard Act to Follow: A Hit on Stage Becomes a Movie Only at Big Risk". The Wall Street Journal. p. 1.
