弗朗西斯科·戈雅

弗朗西斯科·戈雅
戈雅自畫像
出生Francisco José de Goya y Lucientes
1746年3月30日
 西班牙薩拉戈薩
逝世1828年4月15日(1828歲—04—15)(82歲)
法國 法國波爾多
国籍 西班牙
知名于绘画
知名作品详见代表作一节

弗朗西斯科·何塞·德·戈雅-卢西恩特斯(西班牙語:Francisco José de Goya y Lucientes,1746年3月30日—1828年4月15日),西班牙浪漫主义画派画家[1]。戈雅是西班牙皇室宮廷畫家半岛战争時留在馬德里,繪製了西班牙王位覬覦者約瑟夫·波拿巴的像,也用畫作記錄了戰爭,也就是在研究上仍有很多歧見的《戰爭的災難》。

戈雅画风奇异多变,从早期巴洛克式画风到后期类似表现主义的作品,他一生总在改变,虽然他从没有建立自己的门派,但对后世的现实主义画派浪漫主义画派印象派都有很大的影响,是一位承前启后的人物。 他的畫風啟發了後來的愛德華·馬奈巴勃羅·畢卡索弗朗西斯·培根等畫家[2]

生平

弗朗西斯科·戈雅1746年出生於西班牙东北部阿拉贡自治区的首府萨拉戈萨附近的小村,父亲是农民,家境贫寒,没有受过正规的教育,14岁时一位教士发现了他绘画才能,鼓励他父亲将他送往萨拉戈萨,随何塞·鲁赞·伊·马尔蒂尼斯学画4年,1763年到马德里投靠同乡宫廷画师弗朗西斯科·巴耶乌,两次投考圣费南多皇家美术学院,都没有被录取。(另一說為沒有拿到獎學金而作罷)

1769年弗朗西斯科·戈雅随一队斗牛士去意大利旅行,参加了帕尔玛美术学院的绘画竞赛,得了二等奖。1773年再次回马德里并结婚定居。经弗朗西斯哥·巴耶乌的推荐,为宫廷承担绘制壁毯画稿,其草图明显受当时宫廷指导的古典主义风格影响。后来他有可以进出宫廷,自己研究委拉斯开兹的作品,将宫廷收藏的委拉士开兹的作品翻刻成蚀版画,形成自己的风格,他曾经自称自己有三位老师:委拉斯开兹伦勃朗和自然。

由于其画作《基督受难图》被聘为圣费南多皇家美术院成员,1785年成为副院长,1789年国王卡洛斯四世任命他为宫廷画师,這也是他聲望的頂峰[3],在此期间他画了许多宫廷成员及贵族的画像,明显受委拉斯开兹画风的影响,当时西班牙是一个宗教法规严厉的国家,禁止描绘裸体,他敢于画《裸体的马哈[4](马哈是西班牙语“姑娘”的意思)。由于当时的社会舆论对《裸体的马哈》强烈不满,他又重新绘制了一幅表情、姿态一模一样的《着衣的马哈》,但拒绝在原画上修改。20世纪80年代西班牙将《裸体的马哈》印成邮票,成为集邮界热门的收藏品[5]

1792年因耳聋辞去美术院职务,开始创作带有色彩的蚀版画,用风俗画的方式讽刺教会和国家,1803年完成创作了版画组画《狂想曲》,用各种希奇古怪的人物代表来进行讽刺。

1799年弗朗西斯科·戈雅被任命为宫廷首席画师,1800年国王卡洛斯四世令他为自己和家人画像,他将国王一家画成的群像受到国王的赞赏。但后人根据国王一家的姿态表情,将该画取笑为“刚刚中了彩票大奖的杂货商和他的一家”。[來源請求]

1808年發生了拿破仑入侵西班牙的半島戰爭,戈雅當時仍留在西班牙,而這戰爭對他影響很大。戈雅沒有公開發表他的評論,不過于1814年创作了《1808年5月2日的起义西班牙语El dos de mayo de 1808 en Madrid》和《1808年5月3日的枪杀》两幅油画,用色尖酸刻薄,一反其以前和谐的颜色。在西班牙藝術裡,後者與畢卡索的《格爾尼卡》這兩幅雙連畫被認為是這類悲劇性作品的巓峰之作。[6]后来有画了许多关于战争、死亡、疾病的主题,稱為黑色繪畫,像画作《农神吞噬其子》描绘的是罗马神话农神为了防止自己的子女推翻自己的统治,将孩子一个个吃掉的故事,但描绘的农神萨坦类似魔鬼,活灵活现地在吞噬一个成人。戈雅的《戰爭的災難》系列版畫作品也可能是他對半島戰爭五月二日起义的看法,不過這一系列的作品是在他死後35年才問世。

戈雅去世后被安葬在圣安多尼皇家小堂

1824年,他辞去宫廷画师职务,妻子已去世,他年老孤独,独自在法国波尔多疗养,一直到生命最后岁月还在作画,仍然创作了《波尔多的卖牛奶姑娘英语The Milkmaid of Bordeaux》肖像。他後來中風,右半邊肢體瘫痪,因视力衰退以及難以取得繪畫材料而苦。他最后1828年4月16日於波尔多去世,遗体于1900年运回西班牙,安葬在马德里郊外的圣安多尼皇家小堂,这座教堂的壁画都是他创作的。

意大利的美术史学家文杜里英语Lionello Venturi评价他:“他是一个在理想方面和技法方面全部打破了18世纪传统的画家和新传统的创造者⋯⋯正如古代希腊罗马诗歌是从荷马开始的一样,近代绘画是从戈雅开始的。”

他的许多作品收藏在马德里普拉多博物馆

影片

代表作

參看

參考資料

  1. ^ Fred Kleiner. Gardner's Art through the Ages: The Western Perspective. Cengage Learning. 7 January 2009: 283 [2015-09-21]. ISBN 0-495-57364-7. (原始内容存档于2016-07-29). Romantic artists, including Francisco Goya in Spain and Théodore Géricault and Eugène Delacroix in France, explored the exotic, erotic, and fantastic in their paintings. 
  2. ^ Rico, Pablo J., Goya and Modernism, XXIII Bienal Internacional de São Paulo,存于互联网档案馆, archived from the original on 17 January 2008.
  3. ^ Galeria de Arte transparencias Ancora A Todo Color 1961 Goya biography from the Museo del Prado. As quoted on eeweems.com 互联网档案馆存檔,存档日期2012-03-22.
  4. ^ 裸體的瑪哈 The Nude Maja. [2016-09-07]. (原始内容存档于2016-09-16). 
  5. ^ 李予心. 偉大藝術作品背後的故事. 紅螞蟻圖書有限公司. 15 December 2007: 153–. ISBN 978-957-659-646-9. 
  6. ^ Baticle, Jeannine. 見證與文獻:哥雅進入傳奇與眞實. 《哥雅:既華美浪漫又殘酷寫實》. 發現之旅. 80. 廖慧貞/譯. 臺北: 時報文化. 2006年2月20日: 第159頁 [2018年10月18日]. ISBN 957-13-4438-9. (原始内容存档于2018年10月18日) (中文(臺灣)). 

延伸阅读

  • Baticle, Jeannine. Goya: Painter of Terrible Splendor, "Abrams Discoveries" series. New York: Harry N. Abrams, 1994
  • Buchholz, Elke Linda. Francisco de Goya. Cologne: Könemann, 1999. ISBN 3-8290-2930-6
  • Ciofalo, John J. The Self-Portraits of Francisco Goya. Cambridge University Press, 2002
  • Connell, Evan S. Francisco Goya: A Life. New York: Counterpoint, 2004. ISBN 978-1-58243-307-3
  • Eitner, Lorenz. An Outline of 19th Century European Painting. New York: Harper & Row, 1997. ISBN 978-0-0643-2977-4
  • Gassier, Pierre. Goya: A Biographical and Critical Study. New York: Skira, 1955
  • Gassier, Piere and Juliet Wilson. The Life and Complete Work of Francisco Goya. New York 1971.
  • Glendinning, Nigel. Goya and his Critics. New Haven 1977.
  • Glendinning, Nigel. "The Strange Translation of Goya's Black Paintings". The Burlington Magazine, Volume 117, No. 868, 1975
  • Hagen, Rose-Marie & Hagen, Rainer. Francisco Goya, 1746–1828. London: Taschen, 1999. ISBN 978-3-8228-1823-7
  • Havard, Robert. "Goya's House Revisited: Why a Deaf Man Painted his Walls Black". Bulletin of Spanish Studies, Volume 82, Issue 5 July 2005
  • Hennigfeld, Ursula (ed.). Goya im Dialog der Medien, Kulturen und Disziplinen. Freiburg: Rombach, 2013. ISBN 978-3-7930-9737-2
  • Hilt, Douglas. "Goya: Turmoils of a Patriot" History Today (Aug 1973), Vol. 23 Issue 8, pp 536–545, online
  • Hughes, Robert. Goya. New York: Alfred A. Knopf, 2004. ISBN 978-0-394-58028-9
  • Junquera, Juan José. The Black Paintings of Goya. London: Scala Publishers, 2008. ISBN 1-85759-273-5
  • Kravchenko, Anastasiia. Mythological subjects in Francisco Goya’s work. 2019
  • Licht, Fred S. Goya in Perspective. New York 1973.
  • Licht, Fred. Goya: The Origins of the Modern Temper in Art. Universe Books, 1979. ISBN 0-87663-294-0
  • Litroy, Jo. Jusqu'à la mort. Paris: Editions du Masque, 2013. ISBN 978-2702440193
  • Symmons, Sarah. Goya: A Life in Letters. Pimlico, 2004. ISBN 978-0-7126-0679-0
  • Tomlinson, Janis. Francisco Goya y Lucientes 1746–1828. London: Phaidon, 1994. ISBN 978-0-7148-3844-1
  • Tomlinson, Janis. "Burn It, Hide It, Flaunt It: Goya's Majas and the Censorial Mind". The Art Journal, Volume 50, No. 4, 1991

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