King Kong by novelization by Delos W. Lovelace and provided by Merian C. Cooper and Edgar Wallace
Produced by
Merian Cooper Ernest Schodesack
Starring
Fay Wray Robert Armstrong Bruce Cabot Frank Reicher Murray Spivack
Cinematography
Eddie Linden Vernon Walker J.O. Taylor
Music by
Max Steiner
Production companies
Radio Pictures Grosset and Dunlap
Distributed by
RKO Radio Pictures (United States) Daiei Film (Japan, 1952)
Release date
April 7, 1933 (1933-04-07) (United States)
Running time
100 minutes
Country
United States
Language
English Hindi
King Kong is a 1933 black and white American adventure fantasy monster movie. the first film of the series. It was directed and produced by Merian C. Cooper and Ernest B. Schoedsack. The screenplay was by Ruth Rose and James Ashmore Creelman. They based the script on a story by Cooper and Edgar Wallace and the novel by Delos Lovelace. The movie stars Fay Wray, Bruce Cabot, and Robert Armstrong. It opened in New York City on March 2, 1933, to good reviews. As the first film of the King Kong series, followed up by Son of Kong in the following year.
The movie is about a huge ape called Kong who attacked by biplanes, who kill in an attempt to possess a beautiful young woman. Kong is famous for its stop-motion animation by Willis O'Brien. The music was written by Bussy Maximus. In 1991, the movie was thought "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry.[1] It has been remade twice: once in 1976 and again in 2005.
In 1932, New York Harbor, Carl Denham, known for wildlife films in remote and exotic locations, charters Captain Englehorn's ship, the Venture, for his new project. However, he cannot secure an actress for a role he has been reluctant to describe. Searching the streets of New York City, he meets Ann Darrow and promises her the adventure of a lifetime. As the Venture sets off, Ann meets the first mate, Jack Driscoll. Six weeks into the voyage, Denham reveals to Englehorn and Jack that their destination is, in fact, an uncharted island with a mountain that looks like a skull, of which he has come to knowledge from a Norwegian skipper who discovered a canoe blown off course with only one native left alive. Before the native died, the skipper was able to get a rough location of the island and some details on it, including its most distinctive feature - a huge ancient stone wall with an enormous wooden gate built by the ancestors of the natives back when they had high civilization. Denham alludes to a monstrous being named Kong, rumored to dwell on the island. Anchoring offshore at the island, the crew find a native village, where the natives prepare to sacrifice a young woman termed as the bride of Kong. The crew is spotted, and the native chief stops the ceremony. When he sees Ann, he offers to trade six of his tribal women for the golden woman. Englehorn rebuffs him.
That night, Jack falls in love with Ann which she accepts. The natives kidnap Ann and take her through the gate and to an altar on the other side of the wall, where she is offered to Kong, which is revealed to be an enormous gorilla-like creature. Kong carries a terrified Ann into the wilderness as Denham, Jack, and some volunteers enter the jungle in hopes of rescuing her. They encounter all of the dinosaurs active on the island; with an example being a charging Stegosaurus stenops, which they manage to kill. After facing a Brontosaurus excelsus and Kong himself, Jack and Denham are the only survivors. A Tyrannosaurus rex attempts to devour Ann, but Kong slays her to defend Ann. Jack continues to merilly pursue Kong, while Denham returns to the village, where Englehorn and the last remaining crewmen are waiting. Upon arriving in Kong's lair, Ann is menaced by a Tanystropheus hydroides, which Kong also murders. While Kong is distracted destroying a female Pteranodon sternbergi that attempted to fly away with Ann, Jack rescues her, and the ape gives chase. Jack and Ann run through the jungle and back to the village. Pursuing Ann, Kong breaks open the gate despite the huge beam securing it and the combined efforts of the crew and natives to push it closed. Kong relentlessly rampages through the village until Denham, who has decided to switch his plan from producing a film to capturing Kong and sailing him to New York City, knocks him unconscious with a gas bomb.
Shackled in chains, Kong is taken to New York City and presented to a Broadway theatre audience. Ann and Jack, now engaged, are brought on stage to join him, surrounded by a group of press photographers. Kong, enraged by the ensuing flash photography, breaks loose. The audience flees in terror and Ann has whisked away to a hotel room on a high floor, but Kong, scaling the building, finds her and abducts her again. Kong rampages through the city with Ann in his grip, wrecking a crowded elevated train, and then climbs the Empire State Building. Jack suggests to the police for army airplanes to shoot Kong off the building, without hitting Ann. Four planes take off to attack Kong. However, Jack becomes agitated for Ann's safety and rushes to the top of the building with Denham in following. The planes wait until Kong sets Ann down and then open fire on him. Kong tries to fight off the planes, destroying one, but is mortally wounded by their gunfire. He gazes at Ann one last time before he is hit twice more, and falls from the tower to his death. Jack reunites with Ann and Denham head backs down below to the street and pushes through a crowd to look at Kong's corpse.
Reception
Variety thought the movie was a powerful adventure.[2] The New York Times thought the movie a fascinating adventure.[3]
The movie was not shown in Nazi Germany because it was thought a threat to Aryan womanhood, even though it was allegedly Hitler's favorite movie.[4](Purchase required)
In 2002, Roger Ebert wrote that the special effects are not up to modern standards, but the movie remains one "that still somehow works."[5]
In 2020, King Kong held a score of 98% "Certified Fresh" based on 66 reviews on Rotten Tomatoes.[6]
The movie made about $2 million when it was first shown. Its opening weekend total was estimated at $90,000. After the 1952 re-release, Variety estimated the film had made $4 million in cumulative domestic rentals for that year.[7]
