Paul Claudel

Atik sa a se yon ebòch.

ou kapab pataje konesans ou pandan w ap amelyore l (Kijan ?).


Atik sa oswa yon pati nan atik sa a bezwen tradui depi angle

Atik Paul Claudel sa a an devlòpman. Li bezwen tradui, diskite sou li sou paj diskisyon li a

Biyografi

== [1] His father, Louis-Prosper, dealt in mortgages and bank transactions. His mother, the former Louise Cerveaux, came from a Champagne family of Catholic farmers and priests. Having spent his first years in Champagne, he studied at the lycée of Bar-le-Duc and at the Lycée Louis-le-Grand in 1881, when his parents moved to Paris.

Paul Claudel, age sixteen, by his sister, Camille Claudel, modeled in 1884 and cast in 1893

An unbeliever in his teenage years, Claudel experienced a conversion at age 18 on Christmas Day 1886 while listening to a choir sing Vespers in the cathedral of Notre Dame de Paris: "In an instant, my heart was touched, and I believed." He remained an active Catholic for the rest of his life. In addition, he discovered Arthur Rimbaud's book of poetry Illuminations. He worked towards "the revelation through poetry, both lyrical and dramatic, of the grand design of creation".[2]

Claudel studied at the Paris Institute of Political Studies.

Diplomat

The young Claudel considered entering a monastery, but instead had a career in the French diplomatic service, in which he served from 1893 to 1936.

Claudel was first vice-consul in New York (April 1893),[3] and later in Boston (December 1893). He was French consul in China during the period 1895 to 1909, with time in Shanghai (June 1895). On a break in 1900, he spent time at Ligugé Abbey, but his proposed entry to the Benedictine Order was postponed.[4]

Claudel returned to China as vice-consul in Fuzhou (October 1900). He had a further break in France in 1905–6, when he married. He was one of a group of writers enjoying the support and patronage of Philippe Berthelot of the Foreign Ministry, who became a close friend; others were Jean Giraudoux, Paul Morand and Saint-John Perse.[5][6] Because of his position in the Diplomatic Service, at the beginning of his career Claudel published either anonymously or under a pseudonym, "since permission to publish was needed from the Ministry of Foreign Affairs".[7]:11

For that reason, Claudel remained rather obscure as an author to 1909, unwilling to ask permission to publish under his own name because the permission might not be granted.[7]:11 In that year, the founding group of the Nouvelle Revue Française (NRF), and in particular his friend André Gide, were keen to recognise his work. Claudel sent them, for the first issue, the poem Hymne du Sacre-Sacrement, to fulsome praise from Gide, and it was published under his name. He had not sought permission to publish, and there was a furore in which he was criticised. Attacks based on his religious views were in February also affecting the production of one of his plays.[7]:15–17 Berthelot's advice was to ignore the critics.[7]:18 note 42 The affair began a long collaboration of the NRF with Claudel.[7]:12

Claudel also wrote extensively about China, with a definitive version of his Connaissance de l'Est published in 1914 by Georges Crès and Victor Segalen.[8] In his final posting to China, he was consul in Tianjin (1906–1909).

In a series of European postings to the outbreak of World War I, Claudel was in Prague (December 1909), Frankfurt am Main (October 1911), and Hamburg (October 1913). At this period he was interested in the theatre festival at Hellerau, which put on one of his plays, and the ideas of Jacques Copeau.[9]

Claudel was in Rome (1915–1916), ministre plénipotentiaire in Rio de Janeiro (1917–1918), Copenhagen (1920), ambassador in Tokyo (1921–1927),[3] Washington, D.C. (1928–1933, Dean of the Diplomatic Corps in 1933)[10] and Brussels (1933–1936).[3] While he served in Brazil during World War I he supervised the continued provision of food supplies from South America to France. His secretaries during the Brazil mission included Darius Milhaud, who wrote incidental music to a number of Claudel's plays.

Cover of Time Magazine (21 March 1927)

Later life

The château of Brangues, 2009 photograph

In 1935 Claudel retired to Brangues in Dauphiné, where he had bought the château in 1927. He still spent winters in Paris.[11][12]

During World War II Claudel made his way to Algeria in 1940, after the Battle of France, and offered to serve Free France.[13] Not having a response to the offer, he returned to Brangues. He supported the Vichy regime, but disagreed with Cardinal Alfred Baudrillart's policy of collaboration with Nazi Germany.[14]

Close to home, Paul-Louis Weiller, married to Claudel's daughter-in-law's sister, was arrested by the Vichy government in October 1940. Claudel went to Vichy to intercede for him, to no avail; Weiller escaped (with Claudel's assistance, the authorities suspected) and fled to New York. Claudel wrote in December 1941 to Isaïe Schwartz, expressing his opposition to the Statut des Juifs enacted by the regime.[15] The Vichy authorities responded by having Claudel's house searched and keeping him under observation.

Claudel was elected to the Académie française on 4 April 1946, replacing Louis Gillet. It followed a rejection in 1935, considered somewhat scandalous, when Claude Farrère was preferred.[16] He was nominated for the Nobel Prize in Literature in six different years.[17]

Work

Modèl:Main Claudel often referred to Stéphane Mallarmé as his teacher.[18] His poetic has been seen as Mallarmé's, with the addition of the idea of the world as a revelatory religious text.[19] He rejected traditional prosody, developing the verset claudelien, his own form of free verse. It was within the orbit of experimentation by followers of Walt Whitman, impressive for Claudel, of whom Charles Péguy and André Spire were two others working on a form of verset.[20] The influence of the Latin Vulgate has been disputed by Jean Grosjean.[21]

The best known of his plays are Le Partage de Midi ("The Break of Noon", 1906), L'Annonce faite à Marie ("The Tidings Brought to Mary", 1910) focusing on the themes of sacrifice, oblation and sanctification through the tale of a young medieval French peasant woman who contracts leprosy, and Le Soulier de Satin ("The Satin Slipper", 1931). The last is an exploration of human and divine love and longing, set in the Spanish empire of the siglo de oro. It was staged at the Comédie-Française in 1943. Jeanne d'Arc au Bûcher ("Joan of Arc at the Stake", 1939) was an oratorio with music by Arthur Honegger.[22] The settings of his plays tended to be romantically distant, medieval France or sixteenth-century Spanish South America. He used scenes of passionate, obsessive human love. The complexity, structure and scale of the plays meant that a positive reception of Claudel's drama by audiences was long delayed.[23] His final dramatic work, L'Histoire de Tobie et de Sara, was first produced by Jean Vilar for the Festival d'Avignon in 1947.[24]

As well as his verse dramas, Claudel also wrote lyric poetry. A major example is the Cinq Grandes Odes (Five Great Odes, 1907).[25]

Views and reputation

Claudel was a conservative of the old school, sharing the antisemitism of conservative France. He addressed a poem ("Paroles au Maréchal," "Words to the Marshal") after the defeat of France in 1940, commending Marshal Pétain for picking up and salvaging France's broken, wounded body. As a Catholic, he could not avoid a sense of satisfaction at the fall of the anti-clerical French Third Republic.

His diaries make clear his consistent contempt for Nazism (condemning it as early as 1930 as "demonic" and "wedded to Satan," and referring to communism and Nazism as "Gog and Magog"). He wrote an open letter to the World Jewish Conference in 1935, condemning the Nuremberg Laws as "abominable and stupid." His support for Charles de Gaulle and the Free French forces culminated in his victory ode addressed to de Gaulle when Paris was liberated in 1944.

The British poet W. H. Auden acknowledged the importance of Paul Claudel in his poem "In Memory of W. B. Yeats" (1939). Writing about Yeats, Auden says in lines 52–55 (from the originally published version, then excised by Auden in a later revision):

« 

Time that with this strange excuse
Pardoned Kipling and his views,
And will pardon Paul Claudel,
Pardons him for writing well

 »

George Steiner, in The Death of Tragedy, called Claudel one of the three "masters of drama" in the 20th century, with Henry de Montherlant and Bertolt Brecht.[26]

Family

While in China, Claudel had a long affair with Rosalie Vetch née Ścibor-Rylska (1871–1951), wife of Francis Vetch (1862–1944) and granddaughter of Hamilton Vetch. Claudel knew Francis Vetch through his diplomatic work, and had met Rosalie on a sea voyage out from Marseille to Hong Kong in 1900. She had four children, and was pregnant with Claudel's child when the affair ended in February 1905. She married in 1907 Jan Willem Lintner.[27][28][29][30] Louise Marie Agnes Vetch (1905–1996), born in Brussels, was Claudel's daughter by Rosalie.[31] Francis Vetch and Claudel had caught up with Rosalie at a railway station on the German border in 1905, a meeting at which Rosalie signalled that her relationship with Claudel was over.[32]

Claudel married on 15 March 1906 Reine Sainte-Marie Perrin (1880–1973). She was the daughter of Louis Sainte-Marie Perrin (1835–1917), an architect from Lyon known for completing the Basilica of Notre-Dame de Fourvière.[33][34] They had two sons and three daughters.[35]

Treatment of his sister

Camille Claudel

Claudel committed his sister Camille to a psychiatric hospital in March 1913, where she remained for the last 30 years of her life, visiting her seven times in those 30 years.[36] Records show that while she did have mental lapses, she was clear-headed while working on her art. Doctors tried to convince the family that she need not be in the institution, but still they kept her there.

The story forms the subject of a novel by Michèle Desbordes, La Robe bleue, The Blue Dress.[37] Jean-Charles de Castelbajac wrote a song "La soeur de Paul" for Mareva Galanter, 2010.

Gade tou

References

  1. ↑ {{Cite web|url= Modèl:Use dmy dates Modèl:Infobox writer Paul Claudel (Modèl:IPA-fr; 6 August 1868 – 23 February 1955) was a French poet, dramatist and diplomat, and the younger brother of the sculptor Camille Claudel. He was most famous for his verse dramas, which often convey his devout Catholicism.

    Early life

    He was born in Villeneuve-sur-Fère (Aisne), into a family of farmers and government officials.<ref name=":1">« Paul Claudel, Encyclopedia.com ». www.encyclopedia.com. Retrieved 2020-05-10. 

  2. ↑ « Paul Claudel, French author ». Encyclopedia Britannica (in anglais). Retrieved 2020-05-10. 
  3. ↑ 3,0 3,1 et 3,2 Erè nan sitasyon : Baliz <ref> pa valab ; nou pa bay tèks pou ref yo ki rele :1
  4. ↑ Ubersfeld, Anne (1999). Paul Claudel, Partage de midi: autobiographie et histoire (in français). Presses Univ. Franche-Comté. p. 10. ISBN 978-2-913322-48-6. 
  5. ↑ O'Neil, Mary Anne (2006). Twentieth-century French Dramatists (in anglais) 321. Thomson Gale. p. 219. ISBN 978-0-7876-8139-5. 
  6. ↑ Nelis, Jan; Morelli, Anne; Praet, Danny (1 me 2015). Catholicism and Fascism in Europe 1918 - 1945 (in anglais). Georg Olms Verlag. p. 184. ISBN 978-3-487-15243-1. 
  7. ↑ 7,0 7,1 7,2 7,3 et 7,4 Vagianos, Sylvia Caides (1979). Paul Claudel and La Nouvelle Revue Française (1909-1918) (in anglais). Librairie Droz. ISBN 978-2-600-03573-6. 
  8. ↑ Hsieh, Yvonne Ying (1996). From Occupation to Revolution: China Through the Eyes of Loti, Claudel, Segalen, and Malraux (1895-1933) (in anglais). Summa Publications, Inc. p. 34. ISBN 978-1-883479-13-8. 
  9. ↑ Vagianos, Sylvia Caides (1979). Paul Claudel and La Nouvelle Revue Française (1909-1918) (in anglais). Librairie Droz. pp. 113–114. ISBN 978-2-600-03573-6. 
  10. ↑ « Deans of the Diplomatic Corps ». Bureau of Public Affairs, U.S. Department of State. 1 mas 2013. Retrieved 24 septanm 2018. 
  11. ↑ Nichols, Aidan (28 jen 2013). The Poet as Believer: A Theological Study of Paul Claudel (in anglais). Ashgate Publishing, Ltd. p. 16. ISBN 978-1-4094-8148-5. 
  12. ↑ Werner, Roberta (2013). Reaching for God: The Benedictine Oblate Way of Life (in anglais). Liturgical Press. p. 8. ISBN 978-0-8146-3551-3. 
  13. ↑ Majault, Joseph (1966). Littérature de notre temps (in français) I. Casterman. p. 88. 
  14. ↑ Michlin, Gilbert (17 septanm 2004). Of No Interest to the Nation: A Jewish Family in France, 1925-1945 (in anglais). Wayne State University Press. p. 124. ISBN 978-0-8143-3848-3. 
  15. ↑ Pryce-Jones, David (fevriye 2011). Betrayal: France, the Arabs, and the Jews (Large Print 16pt) (in anglais). ReadHowYouWant.com. pp. 59–60. ISBN 978-1-4587-3170-8. 
  16. ↑ « Paul Claudel, Académie française ». www.academie-francaise.fr. 
  17. ↑ Nobel Prize.org: "Paul Claudel (Nomination Database)".
  18. ↑ Erwin, John F. (1973). « Claudel and the Lesson of Mallarmé: The Theme of Absence ». L'Esprit Créateur 13 (1): 44–54. ISSN 0014-0767. JSTOR 26279825. 
  19. ↑ Bush, Christopher (1 fevriye 2010). Ideographic Modernism: China, Writing, Media (in anglais). Oxford University Press. p. 48. ISBN 978-0-19-974139-7. 
  20. ↑ Erkkila, Betsy (14 jiyè 2014). Walt Whitman Among the French: Poet and Myth (in anglais). Princeton University Press. p. 138. ISBN 978-1-4008-5454-7. 
  21. ↑ Dethurens, Pascal (1996). Claudel et l'avènement de la modernité: création littéraire et culture européenne dans l'œuvre théâtrale de Claudel (in français). Presses Univ. Franche-Comté. p. 219 and note 2. ISBN 978-2-251-60601-9. 
  22. ↑ Smither, Howard E. (1 septanm 2012). A History of the Oratorio (in anglais). 4: The Oratorio in the Nineteenth and Twentieth Centuries. UNC Press Books. p. 661. ISBN 978-0-8078-3778-8. 
  23. ↑ Kennedy, Dennis (26 out 2010). The Oxford Companion to Theatre and Performance (in anglais). OUP Oxford. p. 123. ISBN 978-0-19-957419-3. 
  24. ↑ Hartnoll, Phyllis (1983). The Oxford Companion to the Theatre (4th ed.). Oxford: Oxford University Press. p. 182. ISBN 0192115464. 
  25. ↑ Hellerstein, Nina S. (1990). Mythe et structure dans les Cinq grandes odes de Paul Claudel (in français). Presses Univ. Franche-Comté. p. 27. 
  26. ↑ Steiner, George (1 janvye 1996). The Death of Tragedy (in anglais). Yale University Press. p. xii. ISBN 978-0-300-06916-7. 
  27. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 103 and 111. ISSN 1991-7295. JSTOR 23890010. 
  28. ↑ Castel, Yves (2021). Histoire de familles des Mascareignes. p. 171. ISBN 9782957766802. 
  29. ↑ Thibaudat, Jean-Pierre (2017-01-24). « La Pléiade lève le voile sur Rosalie, grand amour de Claudel ». L'Obs. Archived from the original on 2021-05-08. Retrieved 2021-05-08. 
  30. ↑ Claudel, Paul (2 jiyè 2014). Partage de Midi. Crisi di Mezzogiorno (in italien). EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica. pp. 12 and 13 notes. ISBN 978-88-6780-435-1. 
  31. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 110 and 113. ISSN 1991-7295. JSTOR 23890010. 
  32. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 118. ISSN 1991-7295. JSTOR 23890010. 
  33. ↑ Ayral-Clause, Odile, Camille Claudel, A Life, pp. 167–168
  34. ↑ Gide, André; Schlumberger, Jean (1993). Correspondance: 1901-1950 (in français). Gallimard. p. 226. ISBN 978-2-07-073122-0. 
  35. ↑ Kohler, Sue A. (1978). Sixteenth Street Architecture (in anglais). Commission of Fine Arts. p. 443. 
  36. ↑ Ayral-Clause, Odile, p. 217, 222, 225, 242, 245, 250
  37. ↑ Jean-Baptiste Harang (2004-04-01). « Folle Claudel ». Libération. Archived from the original on 2021-05-08. Retrieved 2021-05-08. 

Sources

  • Thody, P.M.W. "Paul Claudel", in The Fontana Biographical Companion to Modern Thought, eds. Bullock, Alan and Woodings, R.B., Oxford, 1983.
  • Ayral-Clause, Odile, Camille Claudel, A Life, 2002.
  • Ashley, Tim: "Evil Genius", The Guardian, 14 August 2004.
  • Price-Jones, David, "Jews, Arabs and French Diplomacy: A Special Report", Commentary, 22 May 2005, https://web.archive.org/web/20051218141558/http://www.benadorassociates.com/article/15043
  • Album Claudel. Iconographie choisie et annotée par Guy Goffette. Bibliothèque de la Pléiade. Éditions Gallimard, 2011. (ISBN 9782070123759). (Illustrated biography.)

Lyen deyò

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Wikimedia Commons genyen dokiman medya, imaj, video sou :

Modèl:Académie française Seat 13 Modèl:Camille Claudel Modèl:Authority control Modèl:Portal bar|title=

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Paul Claudel (Modèl:IPA-fr; 6 August 1868 – 23 February 1955) was a French poet, dramatist and diplomat, and the younger brother of the sculptor Camille Claudel. He was most famous for his verse dramas, which often convey his devout Catholicism.

Early life

He was born in Villeneuve-sur-Fère (Aisne), into a family of farmers and government officials.[1] His father, Louis-Prosper, dealt in mortgages and bank transactions. His mother, the former Louise Cerveaux, came from a Champagne family of Catholic farmers and priests. Having spent his first years in Champagne, he studied at the lycée of Bar-le-Duc and at the Lycée Louis-le-Grand in 1881, when his parents moved to Paris.

Paul Claudel, age sixteen, by his sister, Camille Claudel, modeled in 1884 and cast in 1893

An unbeliever in his teenage years, Claudel experienced a conversion at age 18 on Christmas Day 1886 while listening to a choir sing Vespers in the cathedral of Notre Dame de Paris: "In an instant, my heart was touched, and I believed." He remained an active Catholic for the rest of his life. In addition, he discovered Arthur Rimbaud's book of poetry Illuminations. He worked towards "the revelation through poetry, both lyrical and dramatic, of the grand design of creation".[2]

Claudel studied at the Paris Institute of Political Studies.

Diplomat

The young Claudel considered entering a monastery, but instead had a career in the French diplomatic service, in which he served from 1893 to 1936.

Claudel was first vice-consul in New York (April 1893),[1] and later in Boston (December 1893). He was French consul in China during the period 1895 to 1909, with time in Shanghai (June 1895). On a break in 1900, he spent time at Ligugé Abbey, but his proposed entry to the Benedictine Order was postponed.[3]

Claudel returned to China as vice-consul in Fuzhou (October 1900). He had a further break in France in 1905–6, when he married. He was one of a group of writers enjoying the support and patronage of Philippe Berthelot of the Foreign Ministry, who became a close friend; others were Jean Giraudoux, Paul Morand and Saint-John Perse.[4][5] Because of his position in the Diplomatic Service, at the beginning of his career Claudel published either anonymously or under a pseudonym, "since permission to publish was needed from the Ministry of Foreign Affairs".[6]:11

For that reason, Claudel remained rather obscure as an author to 1909, unwilling to ask permission to publish under his own name because the permission might not be granted.[6]:11 In that year, the founding group of the Nouvelle Revue Française (NRF), and in particular his friend André Gide, were keen to recognise his work. Claudel sent them, for the first issue, the poem Hymne du Sacre-Sacrement, to fulsome praise from Gide, and it was published under his name. He had not sought permission to publish, and there was a furore in which he was criticised. Attacks based on his religious views were in February also affecting the production of one of his plays.[6]:15–17 Berthelot's advice was to ignore the critics.[6]:18 note 42 The affair began a long collaboration of the NRF with Claudel.[6]:12

Claudel also wrote extensively about China, with a definitive version of his Connaissance de l'Est published in 1914 by Georges Crès and Victor Segalen.[7] In his final posting to China, he was consul in Tianjin (1906–1909).

In a series of European postings to the outbreak of World War I, Claudel was in Prague (December 1909), Frankfurt am Main (October 1911), and Hamburg (October 1913). At this period he was interested in the theatre festival at Hellerau, which put on one of his plays, and the ideas of Jacques Copeau.[8]

Claudel was in Rome (1915–1916), ministre plénipotentiaire in Rio de Janeiro (1917–1918), Copenhagen (1920), ambassador in Tokyo (1921–1927),[1] Washington, D.C. (1928–1933, Dean of the Diplomatic Corps in 1933)[9] and Brussels (1933–1936).[1] While he served in Brazil during World War I he supervised the continued provision of food supplies from South America to France. His secretaries during the Brazil mission included Darius Milhaud, who wrote incidental music to a number of Claudel's plays.

Cover of Time Magazine (21 March 1927)

Later life

The château of Brangues, 2009 photograph

In 1935 Claudel retired to Brangues in Dauphiné, where he had bought the château in 1927. He still spent winters in Paris.[10][11]

During World War II Claudel made his way to Algeria in 1940, after the Battle of France, and offered to serve Free France.[12] Not having a response to the offer, he returned to Brangues. He supported the Vichy regime, but disagreed with Cardinal Alfred Baudrillart's policy of collaboration with Nazi Germany.[13]

Close to home, Paul-Louis Weiller, married to Claudel's daughter-in-law's sister, was arrested by the Vichy government in October 1940. Claudel went to Vichy to intercede for him, to no avail; Weiller escaped (with Claudel's assistance, the authorities suspected) and fled to New York. Claudel wrote in December 1941 to Isaïe Schwartz, expressing his opposition to the Statut des Juifs enacted by the regime.[14] The Vichy authorities responded by having Claudel's house searched and keeping him under observation.

Claudel was elected to the Académie française on 4 April 1946, replacing Louis Gillet. It followed a rejection in 1935, considered somewhat scandalous, when Claude Farrère was preferred.[15] He was nominated for the Nobel Prize in Literature in six different years.[16]

Work

Modèl:Main Claudel often referred to Stéphane Mallarmé as his teacher.[17] His poetic has been seen as Mallarmé's, with the addition of the idea of the world as a revelatory religious text.[18] He rejected traditional prosody, developing the verset claudelien, his own form of free verse. It was within the orbit of experimentation by followers of Walt Whitman, impressive for Claudel, of whom Charles Péguy and André Spire were two others working on a form of verset.[19] The influence of the Latin Vulgate has been disputed by Jean Grosjean.[20]

The best known of his plays are Le Partage de Midi ("The Break of Noon", 1906), L'Annonce faite à Marie ("The Tidings Brought to Mary", 1910) focusing on the themes of sacrifice, oblation and sanctification through the tale of a young medieval French peasant woman who contracts leprosy, and Le Soulier de Satin ("The Satin Slipper", 1931). The last is an exploration of human and divine love and longing, set in the Spanish empire of the siglo de oro. It was staged at the Comédie-Française in 1943. Jeanne d'Arc au Bûcher ("Joan of Arc at the Stake", 1939) was an oratorio with music by Arthur Honegger.[21] The settings of his plays tended to be romantically distant, medieval France or sixteenth-century Spanish South America. He used scenes of passionate, obsessive human love. The complexity, structure and scale of the plays meant that a positive reception of Claudel's drama by audiences was long delayed.[22] His final dramatic work, L'Histoire de Tobie et de Sara, was first produced by Jean Vilar for the Festival d'Avignon in 1947.[23]

As well as his verse dramas, Claudel also wrote lyric poetry. A major example is the Cinq Grandes Odes (Five Great Odes, 1907).[24]

Views and reputation

Claudel was a conservative of the old school, sharing the antisemitism of conservative France. He addressed a poem ("Paroles au Maréchal," "Words to the Marshal") after the defeat of France in 1940, commending Marshal Pétain for picking up and salvaging France's broken, wounded body. As a Catholic, he could not avoid a sense of satisfaction at the fall of the anti-clerical French Third Republic.

His diaries make clear his consistent contempt for Nazism (condemning it as early as 1930 as "demonic" and "wedded to Satan," and referring to communism and Nazism as "Gog and Magog"). He wrote an open letter to the World Jewish Conference in 1935, condemning the Nuremberg Laws as "abominable and stupid." His support for Charles de Gaulle and the Free French forces culminated in his victory ode addressed to de Gaulle when Paris was liberated in 1944.

The British poet W. H. Auden acknowledged the importance of Paul Claudel in his poem "In Memory of W. B. Yeats" (1939). Writing about Yeats, Auden says in lines 52–55 (from the originally published version, then excised by Auden in a later revision):

« 

Time that with this strange excuse
Pardoned Kipling and his views,
And will pardon Paul Claudel,
Pardons him for writing well

 »

George Steiner, in The Death of Tragedy, called Claudel one of the three "masters of drama" in the 20th century, with Henry de Montherlant and Bertolt Brecht.[25]

Family

While in China, Claudel had a long affair with Rosalie Vetch née Ścibor-Rylska (1871–1951), wife of Francis Vetch (1862–1944) and granddaughter of Hamilton Vetch. Claudel knew Francis Vetch through his diplomatic work, and had met Rosalie on a sea voyage out from Marseille to Hong Kong in 1900. She had four children, and was pregnant with Claudel's child when the affair ended in February 1905. She married in 1907 Jan Willem Lintner.[26][27][28][29] Louise Marie Agnes Vetch (1905–1996), born in Brussels, was Claudel's daughter by Rosalie.[30] Francis Vetch and Claudel had caught up with Rosalie at a railway station on the German border in 1905, a meeting at which Rosalie signalled that her relationship with Claudel was over.[31]

Claudel married on 15 March 1906 Reine Sainte-Marie Perrin (1880–1973). She was the daughter of Louis Sainte-Marie Perrin (1835–1917), an architect from Lyon known for completing the Basilica of Notre-Dame de Fourvière.[32][33] They had two sons and three daughters.[34]

Treatment of his sister

Camille Claudel

Claudel committed his sister Camille to a psychiatric hospital in March 1913, where she remained for the last 30 years of her life, visiting her seven times in those 30 years.[35] Records show that while she did have mental lapses, she was clear-headed while working on her art. Doctors tried to convince the family that she need not be in the institution, but still they kept her there.

The story forms the subject of a novel by Michèle Desbordes, La Robe bleue, The Blue Dress.[36] Jean-Charles de Castelbajac wrote a song "La soeur de Paul" for Mareva Galanter, 2010.

See also

References

  1. ↑ 1,0 1,1 1,2 et 1,3 « Paul Claudel, Encyclopedia.com ». www.encyclopedia.com. Retrieved 2020-05-10. 
  2. ↑ « Paul Claudel, French author ». Encyclopedia Britannica (in anglais). Retrieved 2020-05-10. 
  3. ↑ Ubersfeld, Anne (1999). Paul Claudel, Partage de midi: autobiographie et histoire (in français). Presses Univ. Franche-Comté. p. 10. ISBN 978-2-913322-48-6. 
  4. ↑ O'Neil, Mary Anne (2006). Twentieth-century French Dramatists (in anglais) 321. Thomson Gale. p. 219. ISBN 978-0-7876-8139-5. 
  5. ↑ Nelis, Jan; Morelli, Anne; Praet, Danny (1 me 2015). Catholicism and Fascism in Europe 1918 - 1945 (in anglais). Georg Olms Verlag. p. 184. ISBN 978-3-487-15243-1. 
  6. ↑ 6,0 6,1 6,2 6,3 et 6,4 Vagianos, Sylvia Caides (1979). Paul Claudel and La Nouvelle Revue Française (1909-1918) (in anglais). Librairie Droz. ISBN 978-2-600-03573-6. 
  7. ↑ Hsieh, Yvonne Ying (1996). From Occupation to Revolution: China Through the Eyes of Loti, Claudel, Segalen, and Malraux (1895-1933) (in anglais). Summa Publications, Inc. p. 34. ISBN 978-1-883479-13-8. 
  8. ↑ Vagianos, Sylvia Caides (1979). Paul Claudel and La Nouvelle Revue Française (1909-1918) (in anglais). Librairie Droz. pp. 113–114. ISBN 978-2-600-03573-6. 
  9. ↑ « Deans of the Diplomatic Corps ». Bureau of Public Affairs, U.S. Department of State. 1 mas 2013. Retrieved 24 septanm 2018. 
  10. ↑ Nichols, Aidan (28 jen 2013). The Poet as Believer: A Theological Study of Paul Claudel (in anglais). Ashgate Publishing, Ltd. p. 16. ISBN 978-1-4094-8148-5. 
  11. ↑ Werner, Roberta (2013). Reaching for God: The Benedictine Oblate Way of Life (in anglais). Liturgical Press. p. 8. ISBN 978-0-8146-3551-3. 
  12. ↑ Majault, Joseph (1966). Littérature de notre temps (in français) I. Casterman. p. 88. 
  13. ↑ Michlin, Gilbert (17 septanm 2004). Of No Interest to the Nation: A Jewish Family in France, 1925-1945 (in anglais). Wayne State University Press. p. 124. ISBN 978-0-8143-3848-3. 
  14. ↑ Pryce-Jones, David (fevriye 2011). Betrayal: France, the Arabs, and the Jews (Large Print 16pt) (in anglais). ReadHowYouWant.com. pp. 59–60. ISBN 978-1-4587-3170-8. 
  15. ↑ « Paul Claudel, Académie française ». www.academie-francaise.fr. 
  16. ↑ Nobel Prize.org: "Paul Claudel (Nomination Database)".
  17. ↑ Erwin, John F. (1973). « Claudel and the Lesson of Mallarmé: The Theme of Absence ». L'Esprit Créateur 13 (1): 44–54. ISSN 0014-0767. JSTOR 26279825. 
  18. ↑ Bush, Christopher (1 fevriye 2010). Ideographic Modernism: China, Writing, Media (in anglais). Oxford University Press. p. 48. ISBN 978-0-19-974139-7. 
  19. ↑ Erkkila, Betsy (14 jiyè 2014). Walt Whitman Among the French: Poet and Myth (in anglais). Princeton University Press. p. 138. ISBN 978-1-4008-5454-7. 
  20. ↑ Dethurens, Pascal (1996). Claudel et l'avènement de la modernité: création littéraire et culture européenne dans l'œuvre théâtrale de Claudel (in français). Presses Univ. Franche-Comté. p. 219 and note 2. ISBN 978-2-251-60601-9. 
  21. ↑ Smither, Howard E. (1 septanm 2012). A History of the Oratorio (in anglais). 4: The Oratorio in the Nineteenth and Twentieth Centuries. UNC Press Books. p. 661. ISBN 978-0-8078-3778-8. 
  22. ↑ Kennedy, Dennis (26 out 2010). The Oxford Companion to Theatre and Performance (in anglais). OUP Oxford. p. 123. ISBN 978-0-19-957419-3. 
  23. ↑ Hartnoll, Phyllis (1983). The Oxford Companion to the Theatre (4th ed.). Oxford: Oxford University Press. p. 182. ISBN 0192115464. 
  24. ↑ Hellerstein, Nina S. (1990). Mythe et structure dans les Cinq grandes odes de Paul Claudel (in français). Presses Univ. Franche-Comté. p. 27. 
  25. ↑ Steiner, George (1 janvye 1996). The Death of Tragedy (in anglais). Yale University Press. p. xii. ISBN 978-0-300-06916-7. 
  26. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 103 and 111. ISSN 1991-7295. JSTOR 23890010. 
  27. ↑ Castel, Yves (2021). Histoire de familles des Mascareignes. p. 171. ISBN 9782957766802. 
  28. ↑ Thibaudat, Jean-Pierre (2017-01-24). « La Pléiade lève le voile sur Rosalie, grand amour de Claudel ». L'Obs. Archived from the original on 2021-05-08. Retrieved 2021-05-08. 
  29. ↑ Claudel, Paul (2 jiyè 2014). Partage de Midi. Crisi di Mezzogiorno (in italien). EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica. pp. 12 and 13 notes. ISBN 978-88-6780-435-1. 
  30. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 110 and 113. ISSN 1991-7295. JSTOR 23890010. 
  31. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 118. ISSN 1991-7295. JSTOR 23890010. 
  32. ↑ Ayral-Clause, Odile, Camille Claudel, A Life, pp. 167–168
  33. ↑ Gide, André; Schlumberger, Jean (1993). Correspondance: 1901-1950 (in français). Gallimard. p. 226. ISBN 978-2-07-073122-0. 
  34. ↑ Kohler, Sue A. (1978). Sixteenth Street Architecture (in anglais). Commission of Fine Arts. p. 443. 
  35. ↑ Ayral-Clause, Odile, p. 217, 222, 225, 242, 245, 250
  36. ↑ Jean-Baptiste Harang (2004-04-01). « Folle Claudel ». Libération. Archived from the original on 2021-05-08. Retrieved 2021-05-08. 

Sources

  • Thody, P.M.W. "Paul Claudel", in The Fontana Biographical Companion to Modern Thought, eds. Bullock, Alan and Woodings, R.B., Oxford, 1983.
  • Ayral-Clause, Odile, Camille Claudel, A Life, 2002.
  • Ashley, Tim: "Evil Genius", The Guardian, 14 August 2004.
  • Price-Jones, David, "Jews, Arabs and French Diplomacy: A Special Report", Commentary, 22 May 2005, https://web.archive.org/web/20051218141558/http://www.benadorassociates.com/article/15043
  • Album Claudel. Iconographie choisie et annotée par Guy Goffette. Bibliothèque de la Pléiade. Éditions Gallimard, 2011. (ISBN 9782070123759). (Illustrated biography.)

Modèl:Wikiquote Modèl:Wikisource author

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Modèl:Académie française Seat 13 Modèl:Camille Claudel Modèl:Authority control Modèl:Portal bar|last=paul|first=claudel|date=

Modèl:Use dmy dates Modèl:Infobox writer Paul Claudel (Modèl:IPA-fr; 6 August 1868 – 23 February 1955) was a French poet, dramatist and diplomat, and the younger brother of the sculptor Camille Claudel. He was most famous for his verse dramas, which often convey his devout Catholicism.

Early life

He was born in Villeneuve-sur-Fère (Aisne), into a family of farmers and government officials.[1] His father, Louis-Prosper, dealt in mortgages and bank transactions. His mother, the former Louise Cerveaux, came from a Champagne family of Catholic farmers and priests. Having spent his first years in Champagne, he studied at the lycée of Bar-le-Duc and at the Lycée Louis-le-Grand in 1881, when his parents moved to Paris.

Paul Claudel, age sixteen, by his sister, Camille Claudel, modeled in 1884 and cast in 1893

An unbeliever in his teenage years, Claudel experienced a conversion at age 18 on Christmas Day 1886 while listening to a choir sing Vespers in the cathedral of Notre Dame de Paris: "In an instant, my heart was touched, and I believed." He remained an active Catholic for the rest of his life. In addition, he discovered Arthur Rimbaud's book of poetry Illuminations. He worked towards "the revelation through poetry, both lyrical and dramatic, of the grand design of creation".[2]

Claudel studied at the Paris Institute of Political Studies.

Diplomat

The young Claudel considered entering a monastery, but instead had a career in the French diplomatic service, in which he served from 1893 to 1936.

Claudel was first vice-consul in New York (April 1893),[1] and later in Boston (December 1893). He was French consul in China during the period 1895 to 1909, with time in Shanghai (June 1895). On a break in 1900, he spent time at Ligugé Abbey, but his proposed entry to the Benedictine Order was postponed.[3]

Claudel returned to China as vice-consul in Fuzhou (October 1900). He had a further break in France in 1905–6, when he married. He was one of a group of writers enjoying the support and patronage of Philippe Berthelot of the Foreign Ministry, who became a close friend; others were Jean Giraudoux, Paul Morand and Saint-John Perse.[4][5] Because of his position in the Diplomatic Service, at the beginning of his career Claudel published either anonymously or under a pseudonym, "since permission to publish was needed from the Ministry of Foreign Affairs".[6]:11

For that reason, Claudel remained rather obscure as an author to 1909, unwilling to ask permission to publish under his own name because the permission might not be granted.[6]:11 In that year, the founding group of the Nouvelle Revue Française (NRF), and in particular his friend André Gide, were keen to recognise his work. Claudel sent them, for the first issue, the poem Hymne du Sacre-Sacrement, to fulsome praise from Gide, and it was published under his name. He had not sought permission to publish, and there was a furore in which he was criticised. Attacks based on his religious views were in February also affecting the production of one of his plays.[6]:15–17 Berthelot's advice was to ignore the critics.[6]:18 note 42 The affair began a long collaboration of the NRF with Claudel.[6]:12

Claudel also wrote extensively about China, with a definitive version of his Connaissance de l'Est published in 1914 by Georges Crès and Victor Segalen.[7] In his final posting to China, he was consul in Tianjin (1906–1909).

In a series of European postings to the outbreak of World War I, Claudel was in Prague (December 1909), Frankfurt am Main (October 1911), and Hamburg (October 1913). At this period he was interested in the theatre festival at Hellerau, which put on one of his plays, and the ideas of Jacques Copeau.[8]

Claudel was in Rome (1915–1916), ministre plénipotentiaire in Rio de Janeiro (1917–1918), Copenhagen (1920), ambassador in Tokyo (1921–1927),[1] Washington, D.C. (1928–1933, Dean of the Diplomatic Corps in 1933)[9] and Brussels (1933–1936).[1] While he served in Brazil during World War I he supervised the continued provision of food supplies from South America to France. His secretaries during the Brazil mission included Darius Milhaud, who wrote incidental music to a number of Claudel's plays.

Cover of Time Magazine (21 March 1927)

Later life

The château of Brangues, 2009 photograph

In 1935 Claudel retired to Brangues in Dauphiné, where he had bought the château in 1927. He still spent winters in Paris.[10][11]

During World War II Claudel made his way to Algeria in 1940, after the Battle of France, and offered to serve Free France.[12] Not having a response to the offer, he returned to Brangues. He supported the Vichy regime, but disagreed with Cardinal Alfred Baudrillart's policy of collaboration with Nazi Germany.[13]

Close to home, Paul-Louis Weiller, married to Claudel's daughter-in-law's sister, was arrested by the Vichy government in October 1940. Claudel went to Vichy to intercede for him, to no avail; Weiller escaped (with Claudel's assistance, the authorities suspected) and fled to New York. Claudel wrote in December 1941 to Isaïe Schwartz, expressing his opposition to the Statut des Juifs enacted by the regime.[14] The Vichy authorities responded by having Claudel's house searched and keeping him under observation.

Claudel was elected to the Académie française on 4 April 1946, replacing Louis Gillet. It followed a rejection in 1935, considered somewhat scandalous, when Claude Farrère was preferred.[15] He was nominated for the Nobel Prize in Literature in six different years.[16]

Work

Modèl:Main Claudel often referred to Stéphane Mallarmé as his teacher.[17] His poetic has been seen as Mallarmé's, with the addition of the idea of the world as a revelatory religious text.[18] He rejected traditional prosody, developing the verset claudelien, his own form of free verse. It was within the orbit of experimentation by followers of Walt Whitman, impressive for Claudel, of whom Charles Péguy and André Spire were two others working on a form of verset.[19] The influence of the Latin Vulgate has been disputed by Jean Grosjean.[20]

The best known of his plays are Le Partage de Midi ("The Break of Noon", 1906), L'Annonce faite à Marie ("The Tidings Brought to Mary", 1910) focusing on the themes of sacrifice, oblation and sanctification through the tale of a young medieval French peasant woman who contracts leprosy, and Le Soulier de Satin ("The Satin Slipper", 1931). The last is an exploration of human and divine love and longing, set in the Spanish empire of the siglo de oro. It was staged at the Comédie-Française in 1943. Jeanne d'Arc au Bûcher ("Joan of Arc at the Stake", 1939) was an oratorio with music by Arthur Honegger.[21] The settings of his plays tended to be romantically distant, medieval France or sixteenth-century Spanish South America. He used scenes of passionate, obsessive human love. The complexity, structure and scale of the plays meant that a positive reception of Claudel's drama by audiences was long delayed.[22] His final dramatic work, L'Histoire de Tobie et de Sara, was first produced by Jean Vilar for the Festival d'Avignon in 1947.[23]

As well as his verse dramas, Claudel also wrote lyric poetry. A major example is the Cinq Grandes Odes (Five Great Odes, 1907).[24]

Views and reputation

Claudel was a conservative of the old school, sharing the antisemitism of conservative France. He addressed a poem ("Paroles au Maréchal," "Words to the Marshal") after the defeat of France in 1940, commending Marshal Pétain for picking up and salvaging France's broken, wounded body. As a Catholic, he could not avoid a sense of satisfaction at the fall of the anti-clerical French Third Republic.

His diaries make clear his consistent contempt for Nazism (condemning it as early as 1930 as "demonic" and "wedded to Satan," and referring to communism and Nazism as "Gog and Magog"). He wrote an open letter to the World Jewish Conference in 1935, condemning the Nuremberg Laws as "abominable and stupid." His support for Charles de Gaulle and the Free French forces culminated in his victory ode addressed to de Gaulle when Paris was liberated in 1944.

The British poet W. H. Auden acknowledged the importance of Paul Claudel in his poem "In Memory of W. B. Yeats" (1939). Writing about Yeats, Auden says in lines 52–55 (from the originally published version, then excised by Auden in a later revision):

« 

Time that with this strange excuse
Pardoned Kipling and his views,
And will pardon Paul Claudel,
Pardons him for writing well

 »

George Steiner, in The Death of Tragedy, called Claudel one of the three "masters of drama" in the 20th century, with Henry de Montherlant and Bertolt Brecht.[25]

Family

While in China, Claudel had a long affair with Rosalie Vetch née Ścibor-Rylska (1871–1951), wife of Francis Vetch (1862–1944) and granddaughter of Hamilton Vetch. Claudel knew Francis Vetch through his diplomatic work, and had met Rosalie on a sea voyage out from Marseille to Hong Kong in 1900. She had four children, and was pregnant with Claudel's child when the affair ended in February 1905. She married in 1907 Jan Willem Lintner.[26][27][28][29] Louise Marie Agnes Vetch (1905–1996), born in Brussels, was Claudel's daughter by Rosalie.[30] Francis Vetch and Claudel had caught up with Rosalie at a railway station on the German border in 1905, a meeting at which Rosalie signalled that her relationship with Claudel was over.[31]

Claudel married on 15 March 1906 Reine Sainte-Marie Perrin (1880–1973). She was the daughter of Louis Sainte-Marie Perrin (1835–1917), an architect from Lyon known for completing the Basilica of Notre-Dame de Fourvière.[32][33] They had two sons and three daughters.[34]

Treatment of his sister

Camille Claudel

Claudel committed his sister Camille to a psychiatric hospital in March 1913, where she remained for the last 30 years of her life, visiting her seven times in those 30 years.[35] Records show that while she did have mental lapses, she was clear-headed while working on her art. Doctors tried to convince the family that she need not be in the institution, but still they kept her there.

The story forms the subject of a novel by Michèle Desbordes, La Robe bleue, The Blue Dress.[36] Jean-Charles de Castelbajac wrote a song "La soeur de Paul" for Mareva Galanter, 2010.

See also

References

  1. ↑ 1,0 1,1 1,2 et 1,3 « Paul Claudel, Encyclopedia.com ». www.encyclopedia.com. Retrieved 2020-05-10. 
  2. ↑ « Paul Claudel, French author ». Encyclopedia Britannica (in anglais). Retrieved 2020-05-10. 
  3. ↑ Ubersfeld, Anne (1999). Paul Claudel, Partage de midi: autobiographie et histoire (in français). Presses Univ. Franche-Comté. p. 10. ISBN 978-2-913322-48-6. 
  4. ↑ O'Neil, Mary Anne (2006). Twentieth-century French Dramatists (in anglais) 321. Thomson Gale. p. 219. ISBN 978-0-7876-8139-5. 
  5. ↑ Nelis, Jan; Morelli, Anne; Praet, Danny (1 me 2015). Catholicism and Fascism in Europe 1918 - 1945 (in anglais). Georg Olms Verlag. p. 184. ISBN 978-3-487-15243-1. 
  6. ↑ 6,0 6,1 6,2 6,3 et 6,4 Vagianos, Sylvia Caides (1979). Paul Claudel and La Nouvelle Revue Française (1909-1918) (in anglais). Librairie Droz. ISBN 978-2-600-03573-6. 
  7. ↑ Hsieh, Yvonne Ying (1996). From Occupation to Revolution: China Through the Eyes of Loti, Claudel, Segalen, and Malraux (1895-1933) (in anglais). Summa Publications, Inc. p. 34. ISBN 978-1-883479-13-8. 
  8. ↑ Vagianos, Sylvia Caides (1979). Paul Claudel and La Nouvelle Revue Française (1909-1918) (in anglais). Librairie Droz. pp. 113–114. ISBN 978-2-600-03573-6. 
  9. ↑ « Deans of the Diplomatic Corps ». Bureau of Public Affairs, U.S. Department of State. 1 mas 2013. Retrieved 24 septanm 2018. 
  10. ↑ Nichols, Aidan (28 jen 2013). The Poet as Believer: A Theological Study of Paul Claudel (in anglais). Ashgate Publishing, Ltd. p. 16. ISBN 978-1-4094-8148-5. 
  11. ↑ Werner, Roberta (2013). Reaching for God: The Benedictine Oblate Way of Life (in anglais). Liturgical Press. p. 8. ISBN 978-0-8146-3551-3. 
  12. ↑ Majault, Joseph (1966). Littérature de notre temps (in français) I. Casterman. p. 88. 
  13. ↑ Michlin, Gilbert (17 septanm 2004). Of No Interest to the Nation: A Jewish Family in France, 1925-1945 (in anglais). Wayne State University Press. p. 124. ISBN 978-0-8143-3848-3. 
  14. ↑ Pryce-Jones, David (fevriye 2011). Betrayal: France, the Arabs, and the Jews (Large Print 16pt) (in anglais). ReadHowYouWant.com. pp. 59–60. ISBN 978-1-4587-3170-8. 
  15. ↑ « Paul Claudel, Académie française ». www.academie-francaise.fr. 
  16. ↑ Nobel Prize.org: "Paul Claudel (Nomination Database)".
  17. ↑ Erwin, John F. (1973). « Claudel and the Lesson of Mallarmé: The Theme of Absence ». L'Esprit Créateur 13 (1): 44–54. ISSN 0014-0767. JSTOR 26279825. 
  18. ↑ Bush, Christopher (1 fevriye 2010). Ideographic Modernism: China, Writing, Media (in anglais). Oxford University Press. p. 48. ISBN 978-0-19-974139-7. 
  19. ↑ Erkkila, Betsy (14 jiyè 2014). Walt Whitman Among the French: Poet and Myth (in anglais). Princeton University Press. p. 138. ISBN 978-1-4008-5454-7. 
  20. ↑ Dethurens, Pascal (1996). Claudel et l'avènement de la modernité: création littéraire et culture européenne dans l'œuvre théâtrale de Claudel (in français). Presses Univ. Franche-Comté. p. 219 and note 2. ISBN 978-2-251-60601-9. 
  21. ↑ Smither, Howard E. (1 septanm 2012). A History of the Oratorio (in anglais). 4: The Oratorio in the Nineteenth and Twentieth Centuries. UNC Press Books. p. 661. ISBN 978-0-8078-3778-8. 
  22. ↑ Kennedy, Dennis (26 out 2010). The Oxford Companion to Theatre and Performance (in anglais). OUP Oxford. p. 123. ISBN 978-0-19-957419-3. 
  23. ↑ Hartnoll, Phyllis (1983). The Oxford Companion to the Theatre (4th ed.). Oxford: Oxford University Press. p. 182. ISBN 0192115464. 
  24. ↑ Hellerstein, Nina S. (1990). Mythe et structure dans les Cinq grandes odes de Paul Claudel (in français). Presses Univ. Franche-Comté. p. 27. 
  25. ↑ Steiner, George (1 janvye 1996). The Death of Tragedy (in anglais). Yale University Press. p. xii. ISBN 978-0-300-06916-7. 
  26. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 103 and 111. ISSN 1991-7295. JSTOR 23890010. 
  27. ↑ Castel, Yves (2021). Histoire de familles des Mascareignes. p. 171. ISBN 9782957766802. 
  28. ↑ Thibaudat, Jean-Pierre (2017-01-24). « La Pléiade lève le voile sur Rosalie, grand amour de Claudel ». L'Obs. Archived from the original on 2021-05-08. Retrieved 2021-05-08. 
  29. ↑ Claudel, Paul (2 jiyè 2014). Partage de Midi. Crisi di Mezzogiorno (in italien). EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica. pp. 12 and 13 notes. ISBN 978-88-6780-435-1. 
  30. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 110 and 113. ISSN 1991-7295. JSTOR 23890010. 
  31. ↑ Stevens, Keith (2006). « Henri Vetch (1898-1978): Soldier, Bookseller And Publisher ». Journal of the Royal Asiatic Society Hong Kong Branch 46: 118. ISSN 1991-7295. JSTOR 23890010. 
  32. ↑ Ayral-Clause, Odile, Camille Claudel, A Life, pp. 167–168
  33. ↑ Gide, André; Schlumberger, Jean (1993). Correspondance: 1901-1950 (in français). Gallimard. p. 226. ISBN 978-2-07-073122-0. 
  34. ↑ Kohler, Sue A. (1978). Sixteenth Street Architecture (in anglais). Commission of Fine Arts. p. 443. 
  35. ↑ Ayral-Clause, Odile, p. 217, 222, 225, 242, 245, 250
  36. ↑ Jean-Baptiste Harang (2004-04-01). « Folle Claudel ». Libération. Archived from the original on 2021-05-08. Retrieved 2021-05-08. 

Sources

  • Thody, P.M.W. "Paul Claudel", in The Fontana Biographical Companion to Modern Thought, eds. Bullock, Alan and Woodings, R.B., Oxford, 1983.
  • Ayral-Clause, Odile, Camille Claudel, A Life, 2002.
  • Ashley, Tim: "Evil Genius", The Guardian, 14 August 2004.
  • Price-Jones, David, "Jews, Arabs and French Diplomacy: A Special Report", Commentary, 22 May 2005, https://web.archive.org/web/20051218141558/http://www.benadorassociates.com/article/15043
  • Album Claudel. Iconographie choisie et annotée par Guy Goffette. Bibliothèque de la Pléiade. Éditions Gallimard, 2011. (ISBN 9782070123759). (Illustrated biography.)

Modèl:Wikiquote Modèl:Wikisource author

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Modèl:Académie française Seat 13 Modèl:Camille Claudel Modèl:Authority control Modèl:Portal bar}}</ref>Jenn Claudel te konsidere antre nan yon monastè,men olye li te fè yon karyè nan diplomasi franse, kote li te sèvi soti nan 1893 a 1936. Claudel te premye vis-konsil nan New York (avril 1893) answit nan Boston(desanm 1893). Li te konsil franse nan peyi Lachin soti nan 1895 a 1909,ak yon rete nan Shanghai ( jen 1895). Pandan yon ti repo nan 1900, li te rete nan Ligugé Abbey, men plan li pou antre nan lòd Benediktin an te ranvwaye.(nan angle sèlman)Claudel tounen nan peyi Lachin kòm vis-konsil nan Fuzhou (Oktòb 1900). Li te pran yon lòt repo an Frans an 1905–6, kote li te marye. Li te fè pati yon gwoup ekriven ki te benefisye sipò ak patwonaj Philippe Berthelot, nan Ministè Afè Etranjè a, ki te vin yon bon zanmi ; lòt moun te Jean Giraudoux, Paul Morand ak Saint-John Perse. Akòz pozisyon li nan sèvis diplomatik la,byen bonè nan karyè li Claudel pibliye anonim oswa anba yon psedonim, "paske otorizasyon Ministè Afè Etranjè a te nesesè pou pibliye. Pou rezon sa a, Claudel te rete byen fènwa kòm yon otè jiska 1909, li pa vle mande pèmisyon pou pibliye sou pwòp non li paske pèmisyon pa ka akòde. 11 Ane sa a, gwoup fondatè Nouvelle Revue Française (NRF),e sitou zanmi l André Gide, te vle rekonèt travay li. Claudel voye yo, pou premye nimewo a,powèm Hymne du Sacré, ki te resevwa lwanj Gide, epi ki te pibliye sou non li. Li pa t 'mande pèmisyon pou pibliye,e te gen yon rèl kote li te kritike. An fevriye, atak ki baze sou opinyon relijye li yo te afekte pwodiksyon youn nan pyès teyat li yo tou. Konsèy Berthelot se te inyore kritik yo.18 nòt 42 Zafè a make kòmansman yon long kolaborasyon ant NRF ak Claudel. Claudel te ekri tou anpil sou Lachin, ak yon vèsyon definitif nan Konesans lipibliye an 1914 pa Georges Crès ak Victor Segalen. Pandan dènye afiche li nan peyi Lachin, li te konsil nan Tianjin (7-1906)[1909].Pandan yon seri afichaj ann Ewòp jiskaske premye Gè Mondyal la te kòmanse, Claudel te nan Prag (desanm 1909), Frankfurt am Main (Oktòb 1911) ak Hamburg (Oktòb 1913). Nan tan sa a, li te vin enterese nan festival la teyat Hellerau, ki te prezante youn nan pyès teyat li yo, ak nan lide Jacques Copeau. (nan angle sèlman) Claudel se nan lavil Wòm (1915-1916), minis plenipotansye nan Rio de Janeiro (1917-1918), Copenhagen (1920),anbasadè nan Tokyo (1921-1927)[1], Washington, D.C. (1928-1933,dwayen an).kò diplomatik an 1933)[9] ak Brussels (1933-1936). Pandan l t ap sèvi nan Brezil pandan Premye Gè Mondyal la, li te sipèvize pwovizyon manje ki soti nan Amerik di Sid rive nan Lafrans. Pami sekretè li yo pandan misyon Brezil la te gen Darius Milhaud, ki te ekri mizik ensidan pou plizyè pyès teyat Claudel. ==

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National Assembly of People's Power

Legislative parliament of Cuba National Assembly of People's Power Asamblea Nacional del Poder Popular10th LegislatureTypeTypeUnicameral HistoryFounded2 December 1976; 46 years ago (1976-12-02)Preceded byCongress of CubaLeadershipPresidentEsteban Lazo Hernández since 24 February 2013 Vice presidentAna María Marí Machado since 2013 StructureSeats470Political groupsCommunist Party of Cuba and affiliated   Communist Party of Cuba[a] (442)   Independent...

 

Quốc kỳ Nam Tư

Nam TưSử dụngQuốc kỳ Tỉ lệ1:2Ngày phê chuẩn31 tháng 1 năm 1946 (1946-01-31)[1]Thiết kếThree equal horizontal bands of blue (top), white and red, charged with a gold-bordered red star in the centerThiết kế bởiĐorđe Andrejević-Kun Biến thể của Nam TưSử dụngCờ hiệu dân sự và nhà nước Tỉ lệ2:3Ngày phê chuẩn21 tháng 3 năm 1950 (1950-03-21)[2]Thiết kếThree equal horizontal bands of blue (top), white and r...

 

Perawan Vesta

Patung perawan vesta Perawan Vesta (Latin: Virgo Vestalis) adalah pendeta wanita bagi Dewi Vesta (dewi perapian) pada masa Romawi kuno. Tugas utama mereka adalah menjaga api suci Vesta. Tugas ini merupakan suatu kehormatan bagi wanita yang melakukannya. Perawan Vesta adalah satu-satunya posisi yang dipegang oleh wanita dalam sistem keagamaan Romawi. Ditemukannya kuil Vesta di kota Pompeii membuat Perawan Vesta menjadi subjek yang populer pada abad ke-18 dan 19. Lihat pula Pontifex Maximus Rex...

Яструбині

Яструбині Яструб великий Біологічна класифікація Царство: Тварини (Animalia) Тип: Хордові (Chordata) Клас: Птахи (Aves) Ряд: Яструбоподібні (Accipitriformes) Родина: Яструбові (Accipitridae) Підродина: Яструбині (Accipitrinae)Vieillot, 1916 Яструби́ні[1] (Accipitrinae) — підродина хижих птахів з родини яструбов

 

سيف الأمازون كبير الأزهار

اضغط هنا للاطلاع على كيفية قراءة التصنيف سيف الأمازون كبير الأزهار   المرتبة التصنيفية نوع  التصنيف العلمي النطاق: حقيقيات النوى المملكة: نباتات العويلم: النباتات الجنينية غير مصنف: حقيقيات الأوراق غير مصنف: البذريات غير مصنف: كاسيات البذور غير مصنف: أحاديات الفلقة غي...

 

نويبع

نويبع نويبععلم نويبعشعار تقسيم إداري البلد  مصر[1][2] محافظة جنوب سيناء المسؤولون المحافظ خالد فوده.[3] رئيس المدينة علي الشحات عبد المنعم.[4] خصائص جغرافية إحداثيات 29°01′N 34°39′E / 29.02°N 34.65°E / 29.02; 34.65 المساحة 5097 كم² الارتفاع 11 متر[5]  السكان ...

Spółgłoska zwarta dwuwargowa dźwięczna

Spółgłoska zwarta dwuwargowa dźwięczna Numer IPA 102 b Jednostka znakowa &#98; Unikod U+0062 UTF-8 (hex) 62 Inne systemy X-SAMPA b Kirshenbaum b IPA Braille↗ ⠃ Przykład informacje • pomoc Obraz znaku Ta strona zawiera symbole fonetyczne MAF. Bez właściwego wsparcia renderowania wyświetlane mogą być puste prostokąty lub inne symbole zamiast znaków Unikodu. Spółgłoska zwarta dwuwargowa dźwięczna – rodzaj dźwięku spółgłoskowego występujący w językach natural...

 

Adblock Plus

Artikel ini bukan mengenai AdBlock (Chrome). Adblock PlusPengembangCurrent lead developer:Wladimir PalantFormer lead developers:Henrik Aasted Sørensen,Michael McDonaldRilis perdana2006Rilis stabil2.4 / 1.7.2[1][2] / 19 Desember 2013; 9 tahun lalu (2013-12-19) Bahasa pemrogramanJavaScript, XUL, CSSSistem operasiCross-platformJenisMozilla extension, Google Chrome ExtensionLisensiGPLSitus webadblockplus.org/ Adblock Plus (ABP) adalah ekstensi penyaringan konten dan pembloki...

 

Daftar kecamatan dan kelurahan di Kabupaten Maluku Tenggara

Lokasi Kabupaten Maluku Tenggara di Provinsi Maluku Berikut ini adalah daftar kecamatan, kelurahan, dan desa di Kabupaten Maluku Tenggara, Provinsi Maluku. Kabupaten Maluku Tenggara terdiri atas 11 kecamatan, 1 kelurahan, dan 190 desa dengan luas wilayah 1.031,81 km² dan jumlah penduduk 125.704 jiwa (2017). Kode Wilayah Kabupaten Maluku Tenggara adalah 81.02.[1][2][3] Kode Wilayah Nama Kecamatan Ibu kota Jumlah Daftar Kelurahan dan Desa Kelurahan Desa 81.02.01 Kei Kec...

Antonín Procházka (peintre)

Pour les articles homonymes, voir Antonín Procházka. Cet article est une ébauche concernant un peintre et une personnalité tchécoslovaque. Vous pouvez partager vos connaissances en l’améliorant (comment ?) selon les recommandations des projets correspondants. Antonín ProcházkaBiographieNaissance 5 juin 1882Vážany, Margraviat de MoravieDécès 9 juin 1945 (à 63 ans)BrnoSépulture Cimetière central de Brno (d)Nationalité tchécoslovaqueFormation École des arts appliqu...

 

Norfolk Naval Shipyard

Norfolk Naval Shipyard, sering disebut Norfolk Navy Yard dan disingkat NNSY, adalah fasilitas Angkatan Laut AS di Portsmouth, Virginia, untuk membangun, renovasi, dan memperbaiki kapal Angkatan Laut. Ini adalah fasilitas industri tertua dan terbesar yang dimiliki oleh Angkatan Laut Amerika Serikat serta yang paling beragam. Terletak di Sungai Elizabeth, dekat dengan Hampton Roads. Galangan ini didirikan sebagai Gosport Shipyard di 1767. Hancur selama Perang Revolusi Amerika, dibangun kembali ...

 

Tate's fat-tailed mouse opossum

Species of marsupial Tate's fat-tailed mouse opossum Conservation status Data Deficient (IUCN 3.1)[1] Scientific classification Domain: Eukaryota Kingdom: Animalia Phylum: Chordata Class: Mammalia Infraclass: Marsupialia Order: Didelphimorphia Family: Didelphidae Genus: Thylamys Species: T. tatei Binomial name Thylamys tateiHandley, 1957 Tate's fat-tailed mouse opossum range Tate's fat-tailed mouse opossum (Thylamys tatei) is a species of opossum in the family Didelphidae,&#...

Luís Carlos, Conde de Áquila

Luís Carlos Príncipe Real das Duas SicíliasConde de Áquila Luís Carlos, Conde de Áquila Príncipe Imperial Consorte do Brasil Período 28 de abril de 1844a 23 de fevereiro de 1845 Sucessor(a) Gastão de Orléans, Conde d'Eu Vice-Rei da Sicília Eleição 18 de janeiro de 1848 Monarca Fernando II   Nascimento 19 de julho de 1824   Palácio Real, Nápoles, Duas Sicílias Morte 5 de março de 1897 (72 anos)   Paris, França Sepultado em Cemitério Perè-Lachaise, P...

 

Monmouth Mall

Shopping center in Eatontown, New Jersey Monmouth MallThe 1987–2010 logo at Monmouth MallLocationEatontown, New Jersey, U.S.Coordinates40°17′13″N 74°03′20″W / 40.287°N 74.0556°W / 40.287; -74.0556Opening dateMarch 1, 1960; 63 years ago (March 1, 1960)[1]DeveloperMassachusetts Mutual Life[1]ManagementWestminster ManagementOwnerKushner CompaniesNo. of stores and services150No. of anchor tenants4Total retail floor area1,500,0...

 

Muncie, Kansas

Neighborhood in Wyandotte, Kansas, United StatesMuncieNeighborhoodMuncieLocation within the state of KansasCoordinates: 39°5′15″N 94°44′50″W / 39.08750°N 94.74722°W / 39.08750; -94.74722CountryUnited StatesStateKansasCountyWyandotteTime zoneUTC-6 (Central (CST)) • Summer (DST)UTC-5 (CDT) Muncie is a neighborhood in Kansas City, Kansas on the north bank of the Kansas River. Rail lines run through it. The area[1] derives its name from the ...

Rollin S. Sturgeon

American film director Rollin Summers SturgeonFrom a 1920 magazineBorn(1877-08-25)August 25, 1877Rock Island, (Illinois)DiedMay 10, 1961(1961-05-10) (aged 83)Santa Monica,(California)NationalityAmericanOccupation(s)film director and screenwriter Rollin Summers Sturgeon (August 25, 1877 – May 10, 1961) was an American film director of silent films [1] active from 1910 to 1924. He directed 101 films during this period. Filmography Video of the romantic adventure silent film B...

 

August Grahl

German painter (1791–1868) You can help expand this article with text translated from the corresponding article in German. (April 2017) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text tha...

 

Andi Maradang Mackulau

Topik artikel ini mungkin tidak memenuhi kriteria kelayakan umum. Harap penuhi kelayakan artikel dengan: menyertakan sumber-sumber tepercaya yang independen terhadap subjek dan sebaiknya hindari sumber-sumber trivial. Jika tidak dipenuhi, artikel ini harus digabungkan, dialihkan ke cakupan yang lebih luas, atau dihapus oleh Pengurus.Cari sumber: Andi Maradang Mackulau – berita · surat kabar · buku · cendekiawan · JSTOR (Pelajari cara dan kapan saatnya ...

Battle of Big Bethel

1861 American Civil War battle in Virginia Battle of Big BethelPart of the American Civil WarBig BethelAlfred R. Waud, artist, June 10, 1861.DateJune 10, 1861 (1861-06-10)LocationTabb and Hampton, VirginiaResult Confederate victoryBelligerents  United States (Union)  CSA (Confederacy)Commanders and leaders Benjamin F. ButlerEbenezer W. Peirce John B. MagruderDaniel H. HillStrength 3,500 1,400Casualties and losses 18 killed53 wounded5 missing 1 killed9 wounded vteBlockade of the...

 

Abd al-Rahman Shahbandar

Abd al-Rahman Shahbandar Información personalNombre nativo عبد الرحمن الشهبندرNacimiento 6 de noviembre de 1880 Damasco (Imperio otomano) Fallecimiento 1940 Damasco (Mandato francés de Siria) Causa de muerte Homicidio doloso Nacionalidad SiriaEducaciónEducado en Universidad Estadounidense de Beirut Información profesionalOcupación Político y diplomático Partido político Partido Popular (Siria) [editar datos en Wikidata] Abd al-Rahman Shahbandar (en árabe: ...

 

Strategi Solo vs Squad di Free Fire: Cara Menang Mudah!