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A 17.ª edición dos premios Óscar tivo lugar o día 15 de marzo de 1945 no Grauman’s Chines Theatre dos Ánxeles. Os mestres de cerimonias foron John Cromwell e Bob Hope. A cerimonia de entrega durou setenta minutos e incluíu fragmentos de filmes que requiriron explicacións para a audiencia da radio.^[1]

Esta foi a única edición en que unha persoa foi candidata como mellor actor e mellor actor secundario polo mesmo papel: Barry Fitzgerald como o pai Fitzgibbon en Going My Way. Gañou como secundario.

Premios

Cedric Gibbons, mellor dirección artística en branco e negro

Os gañadores aparecen en primeiro lugar e en grosas.^[2]

Mellor filme	Mellor director
Leo McCarey para Paramount Pictures –Going My Way Joseph Sistrom para Paramount Pictures – Double Indemnity Arthur Hornblow, Jr. para Metro-Goldwyn-Mayer – Gaslight David O. Selznick para United Artists – Since You Went Away Darryl F. Zanuck para 20th Century Fox – Wilson	Leo McCarey – Going My Way Billy Wilder – Double Indemnity Otto Preminger – Laura Alfred Hitchcock – Lifeboat Henry King – Wilson
Mellor actor	Mellor actriz
Bing Crosby – Going My Way Charles Boyer – Gaslight Barry Fitzgerald – Going My Way Cary Grant – None But the Lonely Heart Alexander Knox – Wilson	Ingrid Bergman – Gaslight Claudette Colbert – Since You Went Away Bette Davis – Mr. Skeffington Greer Garson – Mrs. Parkington Barbara Stanwyck – Double Indemnity
Mellor actor secundario	Mellor actriz secundaria
Barry Fitzgerald – Going My Way Hume Cronyn – The Seventh Cross Claude Rains – Mr. Skeffington Clifton Webb – Laura Monty Woolley – Since You Went Away	Ethel Barrymore – None But the Lonely Heart Jennifer Jones – Since You Went Away Angela Lansbury – Gaslight Aline MacMahon – Dragon Seed Agnes Moorehead – Mrs. Parkington
Mellor guión orixinal	Mellor guión adaptado
Wilson – Lamar Trotti Hail the Conquering Hero – Preston Sturges The Miracle of Morgan's Creek – Preston Sturges Two Girls and a Sailor – Richard Connell e Gladys Lehman Wing and a Prayer – Jerome Cady	Going My Way – Frank Butler e Frank Cavett Double Indemnity – Raymond Chandler e Billy Wilder Gaslight – John L. Balderston, Walter Reisch e John Van Druten Laura – Jay Dratler, Samuel Hoffenstein e Elizabeth Reinhardt Meet Me in St. Louis – Irving Brecher e Fred F. Finklehoffe
Mellor argumento	Mellor curtametraxe de animación
Going My Way – Leo McCarey A Guy Named Joe – David Boehm e Chandler Sprague Lifeboat – John Steinbeck None Shall Escape – Alfred Neumann e Joseph Than The Sullivans – Edward Doherty e Jules Schermer	Mouse Trouble – Fred Quimby And to Think I Saw It on Mulberry Street – George Pal Dog, Cat and Canary – Raymond Katz Fish Fry – Walter Lantz How to Play Football – Walt Disney My Boy, Johnny – Paul Terry Swooner Crooner – Edward Selzer
Mellor documental	Mellor curtametraxe documental
The Fighting Lady Resisting Enemy Interrogation	With the Marines at Tarawa Hymn of the Nations New Americans
Mellor curtametraxe de ficción, un rolo	Mellor curtametraxe de ficción, dous rolos
Who's Who in Animal Land – Jerry Fairbanks Blue Grass Gentlemen – Edmund Reek Jammin' the Blues – Gordon Hollingshead Movie Pests – Pete Smith Screen Snapshots' 50th Anniversary of Motion Pictures – Ralph Staub	I Won't Play – Gordon Hollingshead Bombalera – Louis Harris Main Street Today – Jerry Bresler
Mellor banda sonora, comedia ou drama	Mellor banda sonora, musical
Since You Went Away – Max Steiner Address Unknown – Morris Stoloff e Ernst Toch The Adventures of Mark Twain – Max Steiner The Bridge of San Luis Rey – Dimitri Tiomkin Casanova Brown – Arthur Lange Christmas Holiday – H. J. Salter Double Indemnity – Miklós Rózsa The Fighting Seabees – Walter Scharf e Roy Webb Paixón salvaxe – Edward Paul e Michel Michelet It Happened Tomorrow – Robert Stolz Jack London – Frederic Efrem Rich Kismet – Herbert Stothart None but the Lonely Heart – Hanns Eisler e C. Bakaleinikoff The Princess and the Pirate – David Rose Summer Storm – Karl Hajos Three Russian Girls – W. Franke Harling Up in Mabel's Room – Edward Paul Voice in the Wind – Michel Michelet Wilson – Alfred Newman Woman of the Town – Miklós Rózsa	As modelos – Morris Stoloff e Carmen Dragon Brazil – Walter Scharf Higher and Higher – C. Bakaleinikoff Hollywood Canteen – Ray Heindorf Irish Eyes Are Smiling – Alfred Newman Knickerbocker Holiday – Werner R. Heymann e Kurt Weill Lady in the Dark – Robert Emmett Dolan Lady, Let's Dance – Edward Kay Meet Me in St. Louis – Georgie Stoll The Merry Monahans – H. J. Salter Minstrel Man – Ferde Grofe e Leo Erdody Sensations of 1945 – Mahlon Merrick Song of the Open Road – Charles Previn Up in Arms – Ray Heindorf e Louis Forbes
Mellor canción	Mellor son
*"Swinging on a Star" de Going My Way* – Música de James Van Heusen; Letra de Johnny Burke** "I Couldn't Sleep a Wink Last Night" de Higher and Higher – Música de Jimmy McHugh; Letra de Harold Adamson "I'll Walk Alone" de Follow the Boys – Música de Jule Styne; Letra de Sammy Cahn "I'm Making Believe" de Sweet and Lowdown – Música de James V. Monaco; Letra de Mack Gordon "Long Ago (and Far Away)" de As modelos – Música de Jerome Kern; Letra de Ira Gershwin "Now I Know" de Up in Arms – Música de Harold Arlen; Letra de Ted Koehler "Remember Me to Carolina" de Minstrel Man – Música de Harry Revel; Letra de Paul Webster "Rio de Janeiro" de Brazil – Música de Ary Barroso; Letra de Ned Washington "Silver Shadows and Golden Dreams" from Lady, Let's Dance – Música de Lew Pollack; Letra de Charles Newman "Too Much in Love" de Song of the Open Road – Música de Walter Kent; Letra de Kim Gannon "The Trolley Song" de Meet Me in St. Louis – Música e letra de Ralph Blane e Hugh Martin "Sweet Dreams Sweetheart" de Hollywood Canteen – Música de Maurice K. Jerome e Letra de Ted Koehler	Wilson – E. H. Hansen, Fox Studio Sound Department Brazil – Daniel J. Bloomberg, Republic Studio Sound Department Casanova Brown – Thomas T. Moulton, Samuel Goldwyn Studio Sound Department As modelos – John Livadary, Columbia Studio Sound Department Double Indemnity – Loren L. Ryder, Paramount Studio Sound Department His Butler's Sister – Bernard B. Brown, Universal Studio Sound Department Hollywood Canteen – Nathan Levinson, Warner Bros. Studio Sound Department It Happened Tomorrow – Jack Whitney, Sound Service, Inc. Kismet – Douglas Shearer, MGM Studio Sound Department Music in Manhattan – Stephen Dunn, RKO Radio Studio Sound Department Voice in the Wind – W. M. Dalgleish, RCA Sound
Mellor dirección de arte, branco e negro	Mellor dirección de arte, cor
Gaslight – Dirección artística: Cedric Gibbons e William Ferrari; Decorados: Paul Huldschinsky e Edwin B. Willis Address Unknown – Dirección artística: Lionel Banks e Walter Holscher; Decorados: Joseph Kish The Adventures of Mark Twain – Dirección artística: John Hughes; Decorados: Fred M. MacLean Casanova Brown – Dirección artística: Perry Ferguson; Decorados: Julia Heron Laura – Dirección artística: Lyle Wheeler e Leland Fuller; Decorados: Thomas Little No Time for Love – Dirección artística: Hans Dreier e Robert Usher; Decorados: Samuel M. Comer Since You Went Away – Dirección artística: Mark-Lee Kirk; Decorados: Victor A. Gangelin Step Lively – Dirección artística: Albert S. D'Agostino e Carroll Clark; Decorados: Darrell Silvera e Claude Carpenter Song of the Open Road – N/A (candidatura revogado)	Wilson – Dirección artística: Wiard Ihnen; Decorados: Thomas Little The Climax – Dirección artística: John B. Goodman e Alexander Golitzen; Decorados: Russell A. Gausman e Ira S. Webb As modelos – Dirección artística: Lionel Banks e Cary Odell; Decorados: Fay Babcock The Desert Song – Dirección artística: Charles Novi; Decorados: Jack McConaghy Kismet – Dirección artística: Cedric Gibbons e Daniel B. Cathcart; Decorados: Edwin B. Willis e Richard Pefferle Lady in the Dark – Dirección artística: Hans Dreier e Raoul Pene du Bois; Decorados: Ray Moyer The Princess and the Pirate – Dirección artística: Ernst Fegte; Decorados: Howard Bristol
Mellor fotografía, branco e negro	Mellor fotografía, cor
Laura – Joseph LaShelle Double Indemnity – John F. Seitz Dragon Seed – Sidney Wagner Gaslight – Joseph Ruttenberg Going My Way – Lionel Lindon Lifeboat – Glen MacWilliams Since You Went Away – Stanley Cortez e Lee Garmes The Uninvited – Charles Lang The White Cliffs of Dover – George J. Folsey Thirty Seconds Over Tokyo – Robert Surtees e Harold Rosson	Wilson – Leon Shamroy As modelos – Rudolph Maté e Allen M. Davey Home in Indiana – Edward Cronjager Kismet – Charles Rosher Lady in the Dark – Ray Rennahan Meet Me in St. Louis – George J. Folsey
Mellor montaxe	Mellores efectos especiais
Wilson – Barbara McLean Going My Way – Leroy Stone Janie – Owen Marks None but the Lonely Heart – Roland Gross Since You Went Away – Hal C. Kern e James E. Newcom	Thirty Seconds Over Tokyo – Fotografía: A. Arnold Gillespie, Donald Jahraus e Warren Newcombe; Son: Douglas Shearer Días de gloria – Fotografía: Vernon L. Walker; Son: James G. Stewart e Roy Granville Secret Command – Fotografía: David Allen, Ray Cory e Robert Wright; Son: Russell Malmgren e Harry Kusnick Since You Went Away – Fotografía: Jack Cosgrove; Son: Arthur Johns The Adventures of Mark Twain – Fotografía: Paul Detlefsen e John Crouse; Son: Nathan Levinson The Story of Dr. Wassell – Fotografía: Farciot Edouart e Gordon Jennings; Son: George Dutton Wilson – Fotografía: Fred Sersen; Son: Roger Heman Sr.

Oscar honorífico

Bob Hope, "polos seus moitos servizos á Academia"

Academy Juvenile Award

Margaret O'Brien

Irving G. Thalberg Memorial Award

Darryl F. Zanuck

Notas

↑ Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio (Revised ed.). Nova York: Oxford University Press. pp. 4–5. ISBN 978-0-19-507678-3. Consultado o 2019-10-01. The Academy Awards Show.
↑ "The 17th Academy Awards (1945) Nominees and Winners". oscars.org. Arquivado dende o orixinal o 6 de xullo de 2011. Consultado o 2011-08-14.