William Compton, 1st Earl of Northampton, KG (died 24 June 1630), known as 2nd Baron Compton from 1589 to 1618, was an English nobleman, peer, and politician.
Lord Northampton married in 1599 or 1600 Elizabeth Spencer, a daughter of Sir John Spencer who had been Lord Mayor of London in 1594.[3] Their children included:
In March 1610 Elizabeth's father died leaving a fortune, and a letter (purportedly) sets out her expectations from her husband. These included; £1,600 per year and £600 for charitable works; three horses of her own; two gentlewomen attendants and horses for them; six or eight gentlemen; two coaches one for herself and another for her women each with a coachman and four horses, with carriages and carts for her things; twenty new gowns yearly; new furnishings in their houses including couches and canopies for her drawing chambers; he should finish building Castle Ashby House; and more signed "Eliza Compton".[4]
Prince Henry's tournament
William Compton was a participant in the Accession Day tilts or tournaments at the royal court from 1589. When Prince Henry was made Prince of Wales in 1610, William distinguished himself at the tournament. He dressed as a shepherd knight and sat in a specially constructed "mount" or bower to accept challenges. An eyewitness reported:
He builded himself a bower upon the top of the wall next to St. James's Park, made in the manner of a sheepcote, and there he sat in a gray russet cloak and had a sheep crook in one hand as though he had been a shepherd, and through the top of the bower there stood up the mast of a ship gilded with gold and upon the top a pan with fire burning in it, as some thought with pitch and an iron mark to mark sheep. ... Afterward, my Lord Compton descended from his sheepcote and mounted himself on a lofty steed, his men also attending him on horseback, every one wearing a hat of straw and their faces painted as black as the devil.[5]
The shepherd's bower was designed by Inigo Jones. The historian Roy Strong identifies this performance as a revival of Elizabethan pastoral themes, related to the shepherd knight Phillisides of Philip Sydney's Arcadia[6]