Delaplanche was a member of a group of young sculptors which at the time remained a little withdrawn. In 1878, when the work was created, it was acquired by the Salon of 1878, then transferred the same year to the Fabre Museum in Montpellier. From 1889 onwards, it was taken to the Musée du Luxembourg in Paris. The work was exhibited at the Louvre Museum in 1926 before being transferred in 1986 to the Musée d'Orsay, where it currently resides.
The sculpture, of biblical iconography, represents the virgin standing, veiled, holding a lily in her hands. The artist signed "E. Delaplanche 1878" on the base of the work, on which one can also read "MARIA MATER SANCTA". The work is 199.8 cm high, 60.0 cm wide and 61.0 cm deep.[1]
The work is dominated by softness: the body leans lightly on its left leg. The serious expression of the virgin's face allows the author to avoid giving it a childish and meek appearance. Some contemporary critics find an air of despondency, torpor or even disillusionment to the statue.
One critic said of the work: "It is an exquisite thing of mystical feeling that this Virgin with the lily. Fra Angelico never dreamt of anything purer and Donatello never did anything more candid ".[2]
.jpg)
