Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899.[1] His grave marker shows his birth year as 1901.[4] He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with the Warsaw Philharmonic under Juliusz Wertheim, assistant conductor in 1915–16.
When he graduated from the Warsaw Conservatory, World War I prevented him from returning to the U.S., so he remained in Poland (which was occupied by the Germans), earning his keep by playing with the Philharmonic and in a quartet and a quintet. He also gave lessons. His future wife, Rita Kinel, who met him in late 1918, used to smuggle food to him, for he had neither enough money to buy it nor time to eat it.[5]
He returned to Chicago in 1920 to join the orchestra at Central Park Casino. He then went to Los Angeles to join his Polish fiancée, finding employment first as a fiddler in impresario Sid Grauman's Million Dollar Theatre Orchestra then going on to be appointed concert-master for Paramount-Publix Theatres. After turning to popular music, he worked for a while as violinist-arranger for Ted Fio Rito.[6]
In 1930, Chicago bandleader and radio-star Isham Jones commissioned Young to write an instrumental ballad band arrangement of Hoagy Carmichael's "Stardust", which had been played, up until then, as an up-tempo number. Young slowed it down and played the melody as a gorgeous romantic violin solo[7] which inspired Mitchell Parish to write lyrics for what then became a much-performed love song. Bing Crosby recorded it at least three times: in 1931,[8] 1939,[9] and 1942.[10]
In late 1934, Young signed with Decca and continued recording in New York until mid-1936, when he relocated to Los Angeles.
Radio, film and television
On radio, he was the musical director of The Old Gold Don Ameche Show[11] and Harvest of Stars. He was musical director for many of Bing Crosby's recordings for the American branch of Decca Records. For Decca, he also conducted the first album of songs from the 1939 film The Wizard of Oz,[6] a sort of "pre-soundtrack" cover version rather than a true soundtrack album. The album featured Judy Garland and the Ken Darby Singers singing songs from the film in Young's own arrangements. Young often collaborated with Ken Darby and the Singers for radio programs starring the popular Met Opera baritone John Charles Thomsen. He also composed the music for several Decca spoken word albums.
His last scores were for the 1957 films Omar Khayyam, Run of the Arrow and China Gate, which were released after his death. The last was left unfinished at the time of his death and was finished by his long-time friend Max Steiner.
"The Call of the Faraway Hills", which Young had composed for the film Shane, was also used as the theme for the U.S. television series Shane. Young won a Primetime Emmy Award for his scoring of the TV special Light's Diamond Jubilee, which aired on all four American TV networks on October 24, 1954.
As an occasional bit player, Young can be glimpsed briefly in The Country Girl (1954) playing a recording studio leader conducting Bing Crosby while he tapes "The Search is Through (You've Got What It Takes).“
^ ab"Victor Young, Composer, Dies of Heart Attack", Oakland Tribune, November 12, 1956.
^Slonimsky, Nicolas (1978). "Young, Victor". Baker's Biographical Dictionary of Musicians (6th ed.). New York: Schirmer Books. p. 1929. ISBN0028702409.
