Veene Sheshanna (1852—1926) was an exponent of the veena, an Indian string instrument, which he played in the classical Carnatic music style.[1][2] He was a concert musician at the court of the princely state of Mysore in southern India, but his performances were admired throughout Eurasia, including by King George V of England, who held a portrait of him at the Buckingham Palace.[1]
Family
Veene Sheshanna was born in Mysore in 1852 into a family of celebrated classical musicians.[3]
Veene Seshanna (right) with Veene Subbanna, c.1902.
Musical style
Until the late 19th century, the veena would be held vertically as while being played. Not unlike the sitar, the gourd would rest in the lap of the player, who would sit cross-legged while performing. Sheshanna established a new convention by keeping the veena in a horizontal position while playing it.[2]
Sheshanna seems to be the originator of what is now the known as the Mysore style of playing the veena.[2]
Contributions
Sheshanna composed 53 pieces of music, including svarajathis, pada, javalis, and many thillanas.[1] He had a deep understanding of Hindustani music as well. His thillanas in the ragas Behag and Darbari Kannada are proof of this.[1]
^P.N. Sundaresan (1994). Sruti, Issues 112-113. p. 9. Born in 1852 in a Madhwa Brahmin family, Seshanna was the son of Veena Bakshi Chikkaramappa, a vidwan in Mummadi Krishnaraja Wodeyar's court and a descendant of Pachimiriam Adiappaiah, the creator of the immortal Bhairavi
