In the film, Count Dracula is facing the problems of old age. His attempts to resurrect a female vampire from his past turn her into a black woman. She in turn changes him into a black man. The vampire couple travel to Rio de Janeiro at the end of the film.
Plot
Count Dracula is an old vampire who, because of his advanced age, is forced to host tours of his castle to get new victims. In an attempt to revive his long-lost love, Vampira, Dracula needs to find a victim with a very specific blood group combination to resurrect Vampira by a blood transfusion. So he sets out to collect blood from the bevy of Playboy Playmates visiting his castle. However, one of the Playmates whose blood is drained is black, turning the revived Vampira into a black woman.
Dracula enthralls the hapless Marc to collect blood from three white women in hopes of restoring Vampira's original skin color. Dracula transfuses the blood into her but she is unchanged; however, her bite turns Dracula black. Marc and his love Angela race to destroy Dracula but are taken aback upon seeing Dracula's new skin tone. Their surprise gives the vampires time to slip away to catch a flight to Rio de Janeiro for Carnival.
The Monthly Film Bulletin wrote: "Jeremy Lloyd has constructed an entire screenplay on one-line jokes with a vampire theme, with a series of witless and repetitive gags. ... The other joke format is based on the fact that Vampira is black, with her lines including such gems as her reminiscence of dancing in the Twenties: "Do you remember the big apple, the charleston, my black bottom"; like the whole concept of there being something disturbing about being black, they strike a very sour note. ... As for the performances, Teresa Graves is very beautiful, Peter Bayliss provides amusement by overplaying in a desperate attempt to save the script and, much to his credit, almost succeeds, while Mr. Niven proves that even suavity cannot excuse the indignity of being blacked up."[4]
Roger Ebert, writing for the Chicago Sun-Times, gave the film one out of four stars, describing it as a mess with only Niven being a highlight, describing the film as a "depressing exercise" due to not being to the standard of British horror films of the time and feeling dated to the previous decade.[5]
Trivia
In the opening scene, David Niven flips through the July 1973 issue of US Playboy Magazine.[6]
References
^"Vampira". British Film Institute Collections Search. Retrieved 23 February 2024.
