This is the user sandbox of Hrishikes. A user sandbox is a subpage of the user's user page. It serves as a testing spot and page development space for the user and is not an encyclopedia article. Create or edit your own sandbox here.
Finished writing a draft article? Are you ready to request review of it by an experienced editor for possible inclusion in Wikipedia? Submit your draft for review!
Ancestry
All people are necessarily descended from antiquity, but for most, records of their ancestry do not exist that far back. The British royal family is one of the few families for whom ancestry can be traced to many notable lineages of antiquity. They can be traced from Saxon, Scottish (Stuart dynasty), Welsh (Tudor dynasty), Irish, German (Hanover and Windsor), French (Norman and Angevin), Russian, Frank and perhaps even Byzantine lineages.
Descent from English royalty Part 1 (Basic frame: Alfred the Great to Edward III)Descent from English royalty Part 2 (Descent from Henry I)Descent from English royalty Part 3 (Descent from Kings Stephen and Edward I)Descent from English royalty Part 4 (Descent from Henry II, John and Henry III)Descent from English royalty Part 5 (Descent from Edward III)
Jewels of the Crown, issue 4, Fall 2009: online newsletter; compares common ancestry of Presidents Madison and Obama and discusses the afore-mentioned sources.
Gary Boyd Roberts - a recognized scholar of presidential ancestries. He often publishes articles covering the ancestry of current candidates for each new election cycle.
Otto, Julie Helen; Roberts, Gary Boyd (1995). Ancestors of American Presidents. Santa Clarita, Calif: New England Historic Genealogical Society. ISBN0-936124-19-9.{{cite book}}: CS1 maint: multiple names: authors list (link)
Bhabani Bhattacharya (Bengali: ভবানী ভট্টাচার্য) (1906-1988) was one of India's major writers of fiction in English and is being increasingly recognised in the West.
Life
He was born in Bhagalpur, Bihar, on November 10, 1906 to a BengaliBrahmin couple, Pramatha and Kiranbala Bhattacharya.[1] After schooling at Puri and Patna, he sailed to England for further studies.
While in London, Bhattacharya leaned towards Marxism and participated in a famous meeting of Indian and British writers in November, 1935, that led to Progressive Writers' Movement and formation of the Indian Progressive Writers' Association.[2][3][4][5]
From 1929, he contributed to various British periodicals. In 1930, his English translation of Tagore's book of poems, Sonar Tari, was published to wide acclaim as The Golden Boat (the translation also contained stories and sketches from Tagore's other works). He graduated from the University of London with a degree in history in 1931, and got his PhD in historical research in 1934. His PhD dissertation was later published as Socio-political currents in Bengal: a nineteenth century perspective.
He returned to India in 1934, settled in Calcutta and turned to journalism. He married Salila Mukherjee, short story writer, in 1935.
In 1949, he moved to Washington as Press Attaché for the Indian Embassy. On return, he lived in ‘Godhuli’, Nagpur. In 1969 he left India to become Visiting Professor at the University of Hawai’i. In 1972, he moved permanently to the US. He died of a heart attack on October 9, 1988.
Works
The Golden Boat (translation) (London: Allen & Unwin, 1930)
Indian Cavalcade, a collection of historical sketches
Music for Mohini (New York: Crown Publishers, 1952)
His second novel, this deals with caste distinctions and poverty.
He Who Rides a Tiger (New York: Crown Publishers, 1954)
A Goddess Named Gold (New York: Crown Publishers, 1960)
Towards Universal Man. Essays by Rabindranath Tagore, selected and edited by Bhabani Bhattacharya, under the auspices of the Tagore Commemorative Volume Society (Bombay: Asia Publishing House, 1961)
Shadow from Ladakh (New York: Crown Publishers, 1966): Received the Sahitya Akademi Award in English.
Steel-Hawk and Other Stories (1968), a collection of fifteen short stories
Gandhi, the writer: the image as it grew (National Book Trust, 1969), a highly stimulating and provocative study released on the occasion of the birth centenary of Mahatma Gandhi
A Dream in Hawaii (Macmillan, 1978), a novel that shows the conflicting values of the East and the West.[6]
Bhabani Bhattacharya (Bengali: ভবানী ভট্টাচার্য) (1906-1988) was one of India's major writers of fiction in English and is being increasingly recognised in the West.
He was born in Bhagalpur, Bihar, on November 10, 1906 to Bengali parents. He started his writing career with the Bengali magazine, Mouchak[1] at the age of fourteen. In 1927 he did his B.A.[1] in English literature from Patna University and then sailed to England for further studies. He enrolled at King’s College, London, initially to study English literature, but shifted to history after an acrimonious encounter with one of his professors[2]. One of his teachers was the political philosopher and author Harold Laski who would be, along with Tagore and Gandhi, a lasting influence on his writing[2].
While in London, Bhattacharya leaned towards Marxism and became an active member of the League Against Imperialism[2]. From 1929, he contributed to various British periodicals[1], including The Bookman, The Manchester Guardian and The Spectator. Francis Yeats-Brown, assistant editor of the Spectator, urged Bhattacharya to concentrate on English, rather than Bengali[1]. In 1930, his English translation of Tagore's book of poems, Sonar Tari, was published to wide acclaim under name The Golden Boat. He graduated from the University of London with a degree in history in 1931, and got his PhD in historical research[3] in 1934. From 1932 to 1933 he travelled extensively through Europe, including places such as Berlin, Budapest, Warsaw, Paris and Vienna[2].
He returned to India in 1934, settled in Calcutta and turned to journalism. He married Salila Mukherjee, short story writer, in 1935. In 1947, So Many Hungers was published. Music for Mohini, one of his most acclaimed novels, was published in 1952 and in 1966 Shadow from Ladakh, which received the Sahitya Akademi Award in 1967. His novels were translated into twenty-eight languages, sixteen of which were European. Bhattacharya’s achievement as a novelist has had a purposeful thrust relevant to the India of today.
In 1949 he moved to Washington as Press Attaché for the Indian Embassy. On return, he lived in ‘Godhuli’, Nagpur[3]. In 1969 he left India to become Visiting Professor at the University of Hawai’i. In 1972 he moved permanently to the US. He died of a heart attack on October 9, 1988.
Works
The Golden Boat (translation) (London: Allen & Unwin, 1930)
Indian Cavalcade, a collection of historical sketches
So Many Hungers! (London: Victor Gollancz, 1947)
The devastating Bengal famine of 1943, which became famous to the Bengalis as Panchasher Manwantar (Famine of '50, i.e., 1350 B.E.), was the background to his first novel So Many Hungers. Other famous novels on this sublect were Aakaaler Sandhane by Amalendu Chakraborty, cinematised by Mrinal Sen, and Ashani Sanket by Bibhutibhushan Bandyopadhyay, cinematised by Satyajit Ray. Bhattacharya was so profoundly moved by the famine that he wrote it piecing the story together from newspaper clippings[3]. It was published in 1947 and became a best-seller in various translations. Literary critic L.N. Gupta states, “It was a terrible indictment of the British Raj for all their crimes which aggregated into the disastrous famine of Bengal in 1943.”[4]
It was a man-made famine that took a toll of two million innocent men, women and children. An authentic record of this famine and the Quit India Movement of 1942, the story's central theme is man's hunger for food and political freedom. There are two intertwined plots: the story of Samarendra Basu's family with young Rahoul as the central figure; and the story of a peasant family with a young girl Kajoli as the principal character. The first plot deals with India's struggle for freedom in the early 'forties; and the second represents, in miniature, as K. K. Sharma puts it, the pathetic fate of millions who suffered immeasurably from a famine, which was the result of the most heinous selfishness of profiteers and the relentless indifference of the British government.[5]
Bhattacharya paints the naked horror of it all with a pitiless precision and cumulative detail. Dr. Srinivasa Iyengar states, “So many Hungers! is no doubt an impeachment of man’s inhumanity to man, but it is also a dramatic study of a set of human beings caught in a unique and tragic predicament.”[6] The story has been effectively told and the tragic pathos of the real mass-starvation described in the guise of fiction moves the reader deeply. The novel describes, as The Times Literary Supplement puts it, “a factual and vivid account of one of the most shocking disasters in history.”
Music for Mohini (New York: Crown Publishers, 1952)
His second novel, this deals with caste distinctions and poverty. L. N. Gupta remarks, Music for Mohini blows up the citadel of old traditions and superstitions which menace India’s progress.”[4] Reviewing this novel, The New York Times observed, ‘It blends the story of an attractive girl’s marriage with the eternal problems of that caste-ridden land and its divorcement from various kinds of imperial rule. And the main brick-bats are not hurled at Britain.’ The Chicago Tribune showered its praise on this novel by stating that “India as presented by Rudyard Kipling, Rabindranath Tagore and others has become to us a multiple image. Now these diverse pictures are brought into focus by a native son. In a splendid novel that may rank with Pearl Buck’s The Good Earth, Bhabani Bhattacharya gives us modern India.”[3]
Semi-autobiographical in nature[7], it is, according to Dorothy Blair Shimer[8], Bhattacharya’s most “light-hearted novel”. In this novel, a young girl of seventeen, brought up in the city in the 'modern' way, is married to a quiet rural scholar in the traditional manner after observing the auspicious signs and comparing the horoscopes. Mohini's city-bred manners and ideas encounters her mother-in-law's village based orthodoxy and traditionalism. East vs West, village vs town, tradition vs modernity, astrology vs rationalism, the daughter-in-law vs the mother-in-law, the novel is full of tensions, which are resolved at the end, transforming Mohini's ascetic intellectual husband, through conjugal and moral stimuli, into village reformer, and through the interaction of such opposing values, putting the village on the path of progress and modernisation.
He Who Rides a Tiger (New York: Crown Publishers, 1954)
The third novel, this is an attack on both who profited on people’s misery during the famine and those who exploited them as caste tyrants. It is a legend of freedom, a legend to inspire and awaken. Here he discusses a variation on the theme of hunger. It has a fascinating beginning. The story runs rapidly surging with emotion and agitation. Its sharp and vivid characterisation and untainted realism make this novel a very interesting one. It is a grim satire on Hindu orthodoxy. Dr. Iyengar says, “The tempo of life in Calcutta–the complex of urban vices and urban sophistication, the pressure of mass movements and mass hysteria, the reign of superstition and mumbo jumbo–gives the novel an entire and piquant quality all its own.”[6]
This novel is based on an ancient saying “He who rides a tiger cannot dismount.” A humble village blacksmith, named Kalo takes his revenge on a rigid, caste-ridden society and makes a living for himself and his daughter by faking a miracle–a miracle that begins as a fraud and ends as a legend–and passing himself off as a Brahmin priest. The story ends with a note of triumph for the soul over flesh. Eventually when the fraud is detected, other low caste people hail him as their brother and the outraged upholders of caste and custom panic. Reviewing this novel, Orville Prescott of The New York Times says, “He who rides a tiger is a skilful and entertaining and an illuminating fictional glimpse inside the corner of India. Bhattacharya writes of Indians and the social, cultural and religious world in which they live with an authority and understanding that no Western writer can hope to match.”[3]
A Goddess Named Gold (New York: Crown Publishers, 1960)
His fourth novel, this is one of the best novels on Indian village life and makes a most illuminating and satisfying reading experience. B. Syamala Rao describes it as "a masterly satire on those who live by the lure of gold. It tells how high spiritual values like spontaneous kindness are sought to be prostituted for purposes of gold. It is a modern fable of rural India and the close textured fabric of its life on the eve of Independence in 1947. The characters are introduced one by one in a leisurely manner and we see among them a pretty girl, a strolling minstrel and a magic talisman."[3]Dr. Iyengar states, “It entertains as a story, but it also disturbs us as a warning and as a prophecy.”[6]
Meera’s grandfather, a wandering minstrel, gives her an amulet and tells her that it will acquire the power to turn the base metals into gold, if she does an act of real kindness. She rescues a child. Seth Samsunderji seeks to profit out of India’s new-found freedom and enters into a business deal with Meera on a fifty-fifty basis. Meera gets disgusted with it finally and throws the amulet into the river. The minstrel returns soon and explains that freedom is the real touchstone.
Towards Universal Man. Essays by Rabindranath Tagore, selected and edited by Bhabani Bhattacharya, under the auspices of the Tagore Commemorative Volume Society (Bombay: Asia Publishing House, 1961)
Shadow from Ladakh (New York: Crown Publishers, 1966)
This novel tells an extremely gripping story of unsurpassed drama on a broad and revealing canvas. It tells what India needs for survival–a meeting point between Gandhian social ethics and tremendous forces of science and technology. It deals with India’s conflict with China and her response to the challenge. The theme presents a considerable amount of truth of a politically conscious Indian family.
It provides an insight into the contrasting contemporary life of India symbolised by Satyajit who regards Indian village life as the ideal life and by the westernized American trained Bhaskar, the forward-looking Chief Engineer in a steel plant, who feels India’s future lies in industrialisation, ends on a weak note of coexistence of these two ideologies. Bhaskar wants to dispossess Gandhigram, because it is a hindrance to India’s industrialisation. He brings every pressure to bear, but to his surprise, the community of the believers in non-violence stands firm under its great leader Satyajit, and he himself falls in love with Satyajit’s daughter, Sunita, a bare-foot white-saried girl...
On winning the Sahitya Akademi Award for this novel, Bhattacharya had remarked, “It is good to be known abroad. Even so, I must confess that I would like to be known to my countrymen too. The award redresses a balance. So far I have been better known in the U. S. and Europe than in my own country.”
Steel-Hawk and Other Stories (1968), a collection of fifteen short stories
Gandhi, the writer: the image as it grew (National Book Trust, 1969), a highly stimulating and provocative study released on the occasion of the birth centenary of Mahatma Gandhi
A Dream in Hawaii (Macmillan, 1978), a novel that shows the conflicting values of the East and the West[9].
Dim-dam fly is a pestilent[1] sandfly[2] with a noxious bite. Says Bikram Grewal about his personal experience[3]:
Sessni literally means stinging nettle, and this pernicious weed surrounds the camp, but the real threat came from a small mite that rejoices under the name of Dam-Dim. Found at lower altitudes (I had first encountered them in the Mishmi Hills of Eastern Arunachal) their bite is so noxious that the afflicted area gets swollen and the bite itself starts suppurating. Needless to say I was the only person to be attacked and both my hands swelled and would not fit my gloves. I was miserable and the wounds remained infected well after I returned home. I did not sleep well that night due to the pain and told my companions that I would not join them for the pre-breakfast jaunt.
Informasi ini disarikan dari Wikipedia dan disajikan kembali untuk tujuan edukasi. Konten tersedia di bawah lisensi CC BY-SA 3.0. Kami tidak bertanggung jawab atas ketidakakuratan data yang bersumber dari kontribusi publik tersebut.
The information displayed on this website is sourced in part or in whole from Wikipedia and has been adapted for the purpose of restating it. We strive to provide accurate and relevant information, however:
There is no guarantee of absolute accuracy. Wikipedia is an open, collaborative project that can be edited by anyone, so information is subject to change.
It is not intended to constitute professional advice. The content displayed is for informational and educational purposes only. For important decisions (e.g., medical, legal, or financial), please consult a professional.
Content copyright. Wikipedia is licensed under the Creative Commons Attribution-ShareAlike License (CC BY-SA). This means that content may be reused with appropriate attribution and shared under a similar license.
Responsible use. Any risk arising from the use of information from this website is entirely the responsibility of the user.