Vivaro-Alpine (also provençal alpin, Northern Provençal, dauphinois alpin, gardiòl) is a UNESCO Atlas of World's languages in danger severely endangered vari…
Vivaro-Alpine (also provençal alpin, Northern Provençal, dauphinois alpin, gardiòl) is a UNESCO Atlas of World's languages in danger severely endangered variety of the Occitan dialect found in the Occitan Valleys of northwestern Italy (Piedmont and Liguria), the Dauphiné region of France and further inland[1], and Guardia Piemontese in the south of Italy[2][3][4]. The subdialects of Vivaro-Alpine include vivarodaufinenc (vivaro-dauphinois), aupenc (alpenc, Alpine), gavòt (gavot), cisalpenc (alpenc oriental[5]). It is classified as an Indo-European, Italic, Romance, or Western-Romance language. The language is preserved through the Institut d'Estudis Occitans (Occitan Studies Institute), which was founded in 1945 by a group of Occitan and French writers[6]. The name “Vivaro-Alpine” was coined by Pierre Bec in the 1970s. Though the language has 200,000 speakers total left, the culture around the language is rich and present in music and in festivals such as La Baìo Di Sampeyre[7].
Vivaro-Alpine had been considered as a sub-dialect of Provençal, and named provençal alpin (Alpine Provençal) or Northern Provençal.
Its use in the Dauphiné area has also led to the use of dauphinois or dauphinois alpin to name it. Along with Ronjat and Bec, it is now clearly recognized as a dialect of its own.
The UNESCO Atlas of World's languages in danger uses the Alpine Provençal name, and considers it as seriously endangered.
Vivaro-Alpine is classified as an Indo-European, Italic, Romance, or Western-Romance language.
Vivaro-Alpine shares the palatization of consonants k and g in front of a with the other varieties of North Occitan (Limosino, Alverniate), in particular with words such as chantar("cantare," to sing) and jai ("ghiandaia," jay). Southern Occitan has, respectively, cantar and gai.
Its principal characteristic is the dropping of simple Latin dental intervocalics:
The verbal ending of the first person is -o (like in Italian, Catalan, Castilian, and Portuguese, but also in Piemontese, which is neighboring): parlo per parli or parle ("io parlo"), parlavo per parlavi or parlave ("io parlavo"), parlèro for parlèri or parlère ("io ho parlato, io parlavo").
A common trait is the rotacismo of l (passage from l to r):
In the dialects of the Alps, Vivaro-Alpine maintained the pronunciation of the r of the infinitive verbs (excepting modern Occitan).
An estimated 70% of languages are estimated to have "interrogative intonation contours which end with rising pitch." However, Vivaro Alpine follows the opposite pattern with yes/no questions—an initial high tone followed by a fall. Questions that end in a rising pitch are so common that they are often considered "natural." One reason that questions begin with a high tone in some languages is that the listener is immediately being alerted to the fact that they are being asked a question.
Vivaro-Alpine is an endangered language. There are approximately 200,000 native speakers of the language worldwide. Transmission of the language is very low. Speakers of Vivaro-Alpine typically also speak either French or Italian.
These are the lyrics to a traditional Occitan song, called "Se chanta."
Lyrics:
| 1st verse | ||
| Se canto, que canto,
Canto pas per iéu, Canto per ma mio Qu’es aluen de iéu. |
If it sings, let it sing
It’s not singing for me It sings for my love Who’s far away from me. | |
| 2nd verse | ||
| E souto ma fenestro
I a un auceloun, Touto la nuech canto, Canto sa cansoun. |
And outside my window
There is a little bird, Singing all night, Singing its song. | |
| Chorus
(First verse may serve as chorus.) | ||
| 3rd verse | ||
| A la fouònt de Nime
I a un amandié Que fa de flour blanco Coume de papié. |
At the fountain of Nîmes
There is an almond tree Who produces flowers as white As paper. | |
| 4th verse | ||
| Aquelei mountagno,
Que tant auto soun, M’empachon de vèire Meis amour ounte soun. |
Those mountains
That are so high Keep me from seeing Where my love is gone. | |
| 5th verse | ||
| Bassas-vous mountagno,
Plano aussas-vous, Per que pouosqui vèire Meis amour ounte soun. |
Lay down, o mountains,
And rise up, o plains, So I may see Where my love is gone. | |
| 6th verse | ||
| Aquelei mountagno,
Tant s’abaissaran Que meis amoureto Apareisseran. |
Those mountains
Will lay down so low That my lost love Will get closer. | |
TOTAL LIST:
References
| This user is a student editor in Rutgers,_the_State_University_of_New_Jersey/Languages_in_Peril_(Spring). |
Hello! My name is Francesca Tangreti. I'm a Junior at Rutgers, and an English major with a Creative Writing minor.
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