Ulla von Brandenburg's work is inspired by literature, theater and psychoanalysis. She is interested in the iconography of the XIX Century, in the history of technology and in the industrial revolution.
She uses a wide variety of media and techniques, including video, performance, theater, mural painting, drawing [3] and fabric layouts. Ulla von Brandenburg declares that "I get the idea for a work at the same time as the appropriate format for that work".[2]
If she favors black and white for her videos, it is in colour that her visual works are expressed. An architectural colour for her curtains, installations of fabrics, pictures of ribbons with shimmering fabrics or even coloured paper cut. A faded colour for her watercolors of ghostly characters.
Ulla von Brandenburg's works raise the matter of representation and it is through the style and language of theater and scenography that she builds many of her projects. The scenic elements, the curtains of the Commedia dell'arte, the costumes of Harlequin, and so on, are all references that allow her works to go from reality to fiction or illusion.
Her installations unfold like decorations that are often perceived by inverting the setting and in which one enter through curtains. The curtain is a fundamental motif in her work, which she describes as follows: "As the mirror has two sides, the one that reflects us and the one that is hidden behind, the curtain has two sides too. At the circus you can fold it up in a very small size and unfold it to bring a marquee out of it. I like to camouflage or change the space with poor or very simple means to create an elsewhere. Fabric is the ideal medium, inexpensive, easy to transport, modular. It’s a nomadic material."[4]
The other recurring motif of her work is the forest, that can be found in her videos (such as Chorspiel) and her works in cut wallpaper. As with the curtain, this motif does not refer to a particular subject, but it refers "as much to Wagner and to Germany as to Tarkovski and to a common culture. Everywhere it corresponds to a universe, to tales, to the unconscious... ".[5]
Her performances, in public or video, reveal the different facets of Ulla von Brandenburg's work: she writes the texts and the songs, she designs sets and costumes, chooses and directs the actors.
In February 2019, an exhibition at the Musée régional d'Art contemporain Occitanie, in Sérignan (Hérault), she presents her portraits of committed, learned and militant women.[6]
Personal exhibitions
2005 :
Künstlerstätte Schloss Bleckede, Germany
Der Brief, installation in public space, Berlin
I am making a crazy quilt and I want your face for the center, Pavilion Project, Montreal
Fuenf sind’s doch schon im ersten Spiel, Trottoir, Hamburg
2006 :
Cinq milliards d’années, Module 1, Palais de Tokyo, Paris
Kunsthalle, Zürich, Switzerland
2007 :
Karo Sieben, Galerie Art: Concept, Paris
Brief Oder Neuigkeiten, Produzentengalerie, Hamburg
2008 :
Whose beginning is not, nor end cannot be, Dublin
Project Space PS1, New York
Art Unlimited, Art 39 Basel
Passengers: 1.8: Ulla Von Brandenburg, CCA Wattis Institute for Contemporary Arts, San Francisco
Ulla von Brandenburg ? Wo über dem Grün ein rotes Netz liegt, Düsseldorf
La Maison, Docking Station project Space au Stedelijk Museum, Amsterdam
2009
Name or Number, Plateau - Frac Île-de-France, Paris
Wagon Wheel, Pilar Corrias Gallery, London
Chisenhale Gallery, London
2010 :
Neue Alte Welt, Galerie Art: Concept, Paris
Chorspiel, Lilith Performance Studio, Malmö, Sweden
