The Wold Shadow was inspired when Stan Brakhage, while walking through a forest, had a vision of an anthropomorphic shadow.[1] The experience led him to film a homage to the "god of the forest."[1]The Wold Shadow was produced by placing glass on an easel between his camera and the forest. Between each individual frame, Brakhage painted on the glass, before repeating this process.[1][2] Production of The Wold Shadow took a full day.[1] Brakhage credits the film with reigniting his interest in painting,[3] and described his choice of title as follows:
"Wold" because the word refers to "forests" which poets later made "plains" and because the work also contains the rustic sense "to kill" - this then my laboriously painted vision of the god of the forest.[4]
Reception
Martin Rumsby cites The Wold Shadow as a rare instance of Brakhage attempting a work of structural cinema in Senses of Cinema.[1] He nevertheless acknowledges that the film is more "romantic" than most structural films, in that Brakhage is "trying to capture or evoke something mysterious and unknowable."[1]P. Adams Sitney considers The Wold Shadow a continuation of themes expressed in the poetry of Ezra Pound.[5]
^Elder, R. Bruce (1998) The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein, and Charles Olson, Wilfrid Laurier Univ. Press, p190
^Scott MacDonald (2005) A critical cinema: interviews with independent filmmakers, University of California Press, p100
